Kentucky and Kentuckians are full of stories, which may be why so many present-day writers have Kentucky roots. Whether they left and returned, like Wendell Berry and Bobbie Ann Mason, or adopted Kentucky as home, like James Still and Jim Wayne Miller, or grew up and left for good, like Michael Dorris and Barbara Kingsolver, they have one connection: Kentucky has influenced their writing and their lives. L. Elisabeth Beattie explores this influence in twenty intimate interviews.Conversations with Kentucky Writers was more than three years in the making, as Beattie traveled across the state and beyond to capture oral histories on tape. Her exhaustive knowledge of these authors helped her draw out personal revelations about their work, their lives, and the nature of writing. When Still concludes his interview with "I believe I've told you more than anybody," he could be speaking for any of Beattie's subjects.Aspiring writers will learn that Mason submitted twenty stories to the New Yorker before one was accepted, and that Still wrote articles for Sunday school magazines. There's plenty of advice: Dorris tells budding authors to get real jobs, keep journals, and read everything, even cereal boxes, and Marsha Norman reminds playwrights that "it is not the business of the theater to provide writers with a living." Kingsolver advises, "Read good stuff and write bad stuff until eventually what you're writing begins to approximate what you're reading."Beattie's collection includes striking self-portraits of such writers as Sue Grafton, Leon Driskell, James Baker Hall, Fenton Johnson, George Ella Lyon, Taylor McCafferty, Ed McClanahan, Sena Naslund, Chris Offutt, Lee Pennington, and Betty Layman Receveur.What most distinguishes these moving conversations from other author interviews is their focus on creativity, on the teaching of writing, and on the authors' strong sense of place.As Wade Hall writes in his foreword, all twenty writers recognize that their works have been significantly influenced by their "Kentucky experience." This collection offers insights into Kentucky's rich and flowering literary heritage.

Why do people consider aesthetic qualities as well as utilitarian ones in the making of everyday objects? Why do they maintain traditions? What is the nature of their creative process? These are some of the larger questions addressed by Michael Owen Jones in his book on craftsmen in the Cumberland Mountains of eastern Kentucky. Concentrating on the work of one man, woodworker and chairmaker Chester Cornett, Jones not only describes the tools and techniques employed by Cornett but also his aspirations and values. Cornett possessed a deep knowledge of his materials and a mastery of construction methods. Some of his chairs represent not objects of utility but aesthetic developments of the chair form. Cornett sought to cope with the problems of his life, Jones maintains; their massiveness provided a sense of security, the virtuosity of their design and construction, a feeling of self-esteem. Jones also compares other area craftsmen and their views about their work.

With the different perspectives of eight academic sub-disciplines, the authors in the book discuss the complex weave of cultural links and the different religious and linguistic groups that have been living side by side in the Balkans for centuries. This anthropological study is the result of a scientific project, the primary goal of which has been to form an active network of scholars who study the cultural and political developments in the post-Yugoslav breakdown. Research has been gathered from Scandinavia and Germany as well as Bosnia-Herzegovina, Croatia, Serbia and Slovenia.

This is a classic book on the history of freedom of thought, covering ancient Greece and Rome, the Middle Ages, and the Renaissance. In addition, this early monograph deals with the Reformation, followed by the seventeenth, eighteenth, and nineteenth centuries.

This is an indispensable reference to Roman Law, with an introductory essay by Erwin Grueber of Balliol College, Oxford. Sohm presents a systematic and historical exposition of Roman private law, introducing a new element into the legal studies of the English-speaking world.

The Incomplete Projects reevaluates the role of Marxist theory in the study of culture and makes a case for Marxist cultural analysis as a relevant political practice. Part I provides the reader with a comprehensive and lively overview of Marxist thought. Part II is a collection of case studies analyzing a wide range of cultural objects, from the novels of Philip K. Dick to the television series MAS*H. The objects of study are either American or British in origin, reflecting the dominance of Anglo-American culture in our new global economy; they are also what Freedman describes as 'middle culture,' falling somewhere between the bifurcated categories of high and low art. Through these case studies, Carl Freedman shows that it is impossible to make sense of capitalism without the Marxist critique and demonstrates that cultural analysis is an especially appropriate form of discourse in which to begin thinking politically. This book is particularly timely and relevant to anyone interested in the study of culture.

Breathless explores early sound recording and the literature that both foreshadowed its invention and was contemporaneous with its early years, revealing the broad influence of this new technology at the very origins of Modernism. Through close readings of works by Edgar Allan Poe, Stéphane Mallarmé, Charles Cros, Paul Valéry, Villiers de L'Isle-Adam, Jules Verne, and Antonin Artaud, Allen S. Weiss shows how sound recording's uncanny confluence of human and machine would transform our expectations of mourning and melancholia, transfiguring our intimate relation to death. Interdisciplinary, the book bridges poetry and literature, theology and metaphysics. As Breathless shows, the symbolic and practical roles of poetry and technology were transformed as new forms of nostalgia and eroticism arose.

Singing the City is an eloquent tribute to a way of life largely disappearing in America, using Pittsburgh as a lens. Graham is not blind to the damage industry has done—both to people and to the environment, but she shows us that there is also a rich human story that has gone largely untold, one that reveals, in all its ambiguities, the place of the industrial landscape in the heart. Singing the City is a celebration of a landscape that through most of its history has been unabashedly industrial. Convinced that industrial landscapes are too little understood and appreciated, Graham set out to investigate the city\u2019s landscape, past and present, and to learn the lessons she sensed were there about living a good life. The result, told in both her voice and the distinctive voices of the people she meets, is a powerful contribution to the literature of place. Graham begins by showing the city as an outgrowth of its geography and its geology—the factors that led to its becoming an industrial place. She describes the human investment in the area: the floods of immigrants who came to work in the mills in the late nineteenth and early twentieth centuries, their struggles within the domains of Andrew Carnegie and Henry Clay Frick. She evokes the superhuman aura of making steel by taking the reader to still functioning mills and uncovers for us a richness of tradition in ethnic neighborhoods that survives to this day.

Although the relationship between elected officials and appointed executives has often been viewed as a struggle between master and servant—with disagreements as to which individuals occupy which roles—Poul Erik Mouritzen\u2019s and James Svara\u2019s comparison of city governments in fourteen countries reveals more interdependence and shared influence than conflict over control.Mouritzen and Svara bring local government to the forefront, emphasizing the sophisticated level of city management in Australia, Belgium, Denmark, Finland, France, Ireland, Italy, the Netherlands, Norway, Portugal, Spain, Sweden, the United Kingdom, and the United States. Their findings lead to a revision of the general view concerning the boundaries of public administration. Leadership at the Apex illustrates in practical ways how the democratic control of government and professional administration can coexist without undermining the logic or integrity of each other.

In this provocative interpretation of New Deal diplomacy, Howard Jablon challenges the view that the State Department was wiser and more expert at international maneuver than was President Franklin D. Roosevelt in the early years of his presidency. These were years of growing world tension, with the preliminary shots of World War II being fired as Japan took over Manchuria, Italy made Ethiopia an extension of its new Roman Empire, and all the European great powers tried out their new weaponry in Spain. The author argues that the department's advice in this period actually led to unfortunate decisions which later had a considerable impact on events leading to World War II.Former Secretary of State Cordell Hull wrote in his memoirs that the United States was at the "oriental crossroads of decision" in 1934. Hull and his colleagues in the State Department did not suggest blocking the Japanese. Instead, they recommended continuing the ineffective nonrecognition policy. Consequently, the roads taken by American diplomacy at this and other junctures were equally unfortunate.To date no one has criticized the influence of the State Department on New Deal diplomacy. Crossroads of Decision represents a timely and important contribution to our understanding of both the State Department and foreign policy in this interwar period of rapid change, when diplomatic courses were set that allowed for no turning back.

The first and most successful rural social settlement school in the United States lies at the forks of Troublesome Creek in Knott County, Kentucky. Since its founding in 1902 by May Stone and Katherine Pettit, the Hindman Settlement School has received accolades for the quality of its education, health, and community services that have measurably improved the lives of people in the region.Challenge and Change in Appalachia is the story of a groundbreaking center for education that transformed a community. The School's farms and extension work brought modern methods to the area. At the same time, the School encouraged preservation of the region's crafts and music. Today, unique programs for dyslexic children, work in adult education, and cultural heritage activities make the School a model for rural redevelopment.

This revised, expanded, and updated edition of the 1979 landmark Breaking the Magic Spell examines the enduring power of fairy tales and the ways they invade our subjective world. In seven provocative essays, Zipes discusses the importance of investigating oral folk tales in their socio-political context and traces their evolution into literary fairy tales, a metamorphosis that often diminished the ideology of the original narrative. Zipes also looks at how folk tales influence our popular beliefs and the ways they have been exploited by a corporate media network intent on regulating the mystical elements of the stories. He examines a range of authors, including the Brothers Grimm, Hans Christian Anderson, Ernst Bloch, Tolkien, Bettelheim, and J.K. Rowling to demonstrate the continuing symbiotic relationship between folklore and literature.

Fred M. Vinson, the thirteenth Chief Justice of the United States, started his political career as a small-town Kentucky lawyer and rose to positions of power in all three branches of federal government. Born in Louisa, Kentucky, Vinson earned undergraduate and law degrees from Centre College in Danville. He served 12 years in the U.S. House of Representatives, where he achieved acclaim as a tax and fiscal expert. President Roosevelt appointed him to the U.S. Circuit Court of Appeals for the District of Columbia and later named him to key executive-branch positions. President Truman appointed him Secretary of the Treasury and then Chief Justice. The Vinson court was embroiled in critical issues affecting racial discrimination and individual rights during the cold war. Chief Justice

"People may choose to ignore their animal heritage by interpreting their behavior as divinely inspired, socially purposeful, or even self-serving, all of which they attribute to being human, but they masticate, fornicate, and procreate, much as chimps and apes do, so they should have little cause to get upset if they learn that they act like other primates when they politically agitate, debate, abdicate, placate, and administrate, too."King of the Mountain presents the startling findings of Arnold M. Ludwig's eighteen-year investigation into why people want to rule. The answer may seem obvious -- power, privilege, and perks -- but any adequate answer also needs to explain why so many rulers cling to power even when they are miserable, trust nobody, feel besieged, and face almost certain death. Ludwig's results suggest that leaders of nations tend to act remarkably like monkeys and apes in the way they come to power, govern, and rule.Profiling every ruler of a recognized country in the twentieth century -- over 1,900 people in all -- Ludwig establishes how rulers came to power, how they lost power, the dangers they faced, and the odds of their being assassinated, committing suicide, or dying a natural death. Then, concentrating on a smaller sub-set of 377 rulers for whom more extensive personal information was available, he compares six different kinds of leaders, examining their characteristics, their childhoods, and their mental stability or instability to identify the main predictors of later political success.Ludwig's penetrating observations, though presented in a lighthearted and entertaining way, offer important insight into why humans have engaged in war throughout recorded history as well as suggesting how they might live together in peace.

In her own time and in ours, Hannah More (1745-1833) has been seen as a benefactress of the poor, writing and working selflessly to their benefit. Mona Scheuermann argues, however, that More's agenda was not simply to help the poor but to control them, for the upper classes in late eighteenth-century England were terrified that the poor would rise in revolt against Church and King.As much social history as literary study, In Praise of Poverty shows that More's writing to the poor specifically is intended to counter the perceived rabble rousing of Thomas Paine and other radicals active in the 1790s. In fact, her Village Politics was written by request of the Bishop of London as a direct response to Paine's Rights of Man. The much larger project of the Cheap Repository Tracts followed, and More was still writing in this vein two decades later. Scheuermann effectively, and perhaps controversially, places More in the context of her period's debate about the poor, proving More to be not a defender of the poor but of the conservative upper-class values she so wholeheartedly espoused.

"Impossible Dance is a highly accessible, original and engaging account of the complex and often heavily theorized debates around the body, identity and community. Focusing on gay, lesbian and queer club culture in the 1990s New York City, this is the first book to bring together vital issues such as dance culture, queer community, sex culture, HIV identity and politics. Based on four years of field work, the book takes readers on a journey from the streets of New York City into the dance clubs and onto the dance floor. Detailed interviews with club-goers capture their perspectives on how they stage their self-fashioning through dancing. Fiona Buckland argues that such dancing embodies and rehearses a powerful political imagination, laying claim to the space and to one's body as queer."--Publishers Weekly