Bringing new life to the world's oldest story, Yusef Komunyakaa and Chad Gracia have refashioned a classic Sumerian legend into a compelling verse play. In this ageless saga, Gilgamesh of Uruk, part god and part man, embarks on an other-worldly quest in search of immortality. This new version elaborates on the key themes of the story and weaves them into a vibrant and emotional new form. Wesleyan's edition of Gilgamesh is like no other and will take its place among the most powerful and engaging interpretations of this timeless tale.

Quilts generically known as tivaivai have been produced by women in the Cook Islands, the Hawaiian Islands, the Society Islands and elsewhere in Eastern Polynesia since the late 19th century, where they were a substitute for bark-cloth but also used in ways deeply invested in the new context of Christian domesticity. In the Cook Islands, quilts are stitched to be given away at funerals, at weddings and other events marking stages of loss and severance in the life of a person. Although often kept for years in trunks far away from the homeland as a result of the migrant diaspora, the quilt and its threads connect those who have been parted. Written from both an anthropological and an artistic perspective, this book examines the visual and cultural characteristics that have made the Polynesian quilt one of the most stunning and captivating art-forms to emerge from the Pacific. It also offers a glimpse into the role played by fabric in the history of contact with Europeans although both traditions shared a common preoccupation with clothing, their understanding could not have been more different. Illustrated in colour throughout, with many specially commissioned photographs, the book will provide not only a unique insight into a culturally rich tradition but a visual feast to inspire both the quilt enthusiast and those interested in the broader field of fabric and textile design.

This collection brings together two groups of scholars. The first, persons active in presidential research, assess the state of the literature in the recruitment and selection of presidential candidates, presidential personality, advisory networks, policy making, evaluations of presidents, and comparative analysis of chief executives.A second group of scholars, specialists in cognitive psychology, formal theory, organization theory, leadership theory, institutionalism, and methodology, apply their expertise to the analysis of the presidentcy in an effort to generate innovative approaches to presidential research. By taking a fresh look at a well-established field, these groundbreaking essays encourage scholars to renew their emphasis on explanation in research.

No matter what brand of feminism one may subscribe to, one thing is indisputable: the role of women in society during the past several decades has changed dramatically, and continues to change in a variety of ways. In You've Come a Long Way, Baby, Lilly J. Goren and an impressive group of contributors explore the remarkable advancement achieved by American women in a historically patriarchal social and political landscape, while examining where women stand today and contemplating the future challenges they face worldwide. As comprehensive as it is accessible, You've Come a Long Way, Baby appeals to anyone interested in confronting the struggles and celebrating the achievements of women in modern society.

This volume documents almost a decade of groundbreaking investigations within the Annapurna highlands of Nepal, including survey recording of fort and settlement sites. From the outset, the project's focus was the extraordinary ruins of Kohla Sombre – Kohla, The Three Villages – the ancestral settlement of the Tami-mai (Gurung) community, who hosted and instigated the fieldwork programme. Ultimately, only a single season's excavation was conducted before the project was cut short by the political insurgency within the country. It concluded with holding a great shaman's meeting in Pokhara in 2002, at which their historical oral texts were presented. Narrating the long migration of the Tamu-mai into the region and down from a distant north, this volume includes the full translation of one of these oral epics, the Lemako Roh Pye. The project represents a unique collaboration between archaeologists, anthropologists and a shaman. Including interviews with upland inhabitants, the volume encompasses the diverse voices of both its immediate participants and the local community. Fulsome in its presentation of the archaeological data and rich in ethnographic source-material, not only is this book crucial for Himalayan culture studies generally, but also relevant for anyone concerned with the construction and context of the past in the present, and the active forging of ethno-historical identities.

In Northern Ireland, Halloween is such a major celebration that it is often called the Irish Christmas. A day of family reunions, meals, and fun, Halloween brings people of all ages together with rhyming, storytelling, family fireworks, and community bonfires. Perhaps most important, it has become a day that transcends the social conflict found in this often troubled nation. Through the extensive use of interviews, The Hallowed Eve offers a fascinating look at the various customs, both past and present, that mark the celebration of the holiday. Looking through the lenses of gender, ethnicity, and religious affiliation, Jack Santino examines how the traditions exist in a nonthreatening, celebratory way to provide a model of how life could be in Northern Ireland. Halloween, concludes Santino, is a marriage of death and life, a joining of cultural opposites: indoor and outdoor, domesticity and wildness, male and female, old and young.Although current folk and popular traditions can be divisive, Halloween in Northern Ireland is universally considered to belong to everyone, regardless of their background or political leanings. The holiday is a dramatic example of how a community comes together one day a year, and these Northern Irish traditions capture the fundamental and everyday dimensions of life in Ulster.

Sectarian violence is one of the defining characteristics of the modern Ulster experience. Riots between Catholic and Protestant crowds occurred with depressing frequency throughout the nineteenth century, particularly within the constricted spaces of the province's burgeoning industrial capital, Belfast. From the Armagh Troubles in 1784 to the Belfast Riots of 1886, ritual confrontations led to regular outbreaks of sectarian conflict. This, in turn, helped keep Catholic/Protestant antagonism at the heart of political and cultural discussion in the north of Ireland.Rituals and Riots has at its core a subject frequently ignored -- the rioters themselves. Rather than focusing on political and religious leaders in a top-down model, Sean Farrell demonstrates how lower-class attitudes gave rise to violent clashes and dictated the responses of the elite. Farrell also penetrates the stereotypical images of the Irish Catholic as untrustworthy rebel and the Ulster Protestant as foreign oppressor in his discussion of the style and structure of nineteenth-century sectarian riots.Farrell analyzes the critical relationship between Catholic/ Protestant violence and the formation of modern Ulster's fractured, denominationally based political culture. Grassroots violence fostered and maintained the antagonism between Ulster Unionists and Irish Nationalists, which still divides contemporary politics. By focusing on the links between public ritual, sectarian riots, and politics, Farrell reinterprets nineteenth-century sectarianism, showing how lower-class Protestants and Catholics kept religious division at the center of public debate.

In between the search for the Poles, the climbing of Everest and the Space Race, the exploration of the Sahara - a huge swathe of terrain, the size of India - by motor car is one of the untold chapters in the story of twentieth-century exploration. Many people have become fascinated by this area since falling in love with the scenery of 'The English Patient'.

In the centre of the Mexican town of Mitla stands a run-down chapel on an overgrown pre-colonial pyramid. The chapel, housing three crosses, is the town's Calvario, the local representation of the hill on which Christ died. Although buses full of tourists on their way to Chiapas or on daytrips from Oaxaca City swarm the town every day almost none of them ever visit the Calvario. Instead they stick to the tourist zone to marvel at the famous mosaic friezes of the pre-colonial temples and shop for traditional souvenirs in the tourist market. If they would climb the steep steps to the chapel they would discover that despite appearances the building still sees extensive use as pilgrims from the wide Zapotec region visit it to bring offerings to and ask favours of the souls of their dearly departed. And as these offerings consist of elaborate arrangements of flowers, fruits, black candles, cacao beans and bundles of copal incense, such tourists might well start to wonder where the origins of these practices lie. It is this question that this thesis seeks to answer. To achieve this, current theories on cultural continuity, syncretism, the materiality of religion and ritual theory are combined with a study of archaeological, historical, iconographical and anthropological sources. In addition ethnographic fieldwork has been conducted to come to a better understanding of the offerings made in the Calvario today. In three parts, the thesis first addresses the history of Mitla as 'The Place of the Dead', then of the Calvario as a ritual location and finally of the offerings for the dead. Combining these three lines of research an interesting image is formed of the continuity of ancestor veneration in this busy tourist town.

Is hunting a bygone activity, out of touch with modern life; or is it valuable as an escape from it? Does hunting promote violence, not just to animals, but to humans as well? Is hunting, with its connection to the land and frontier experience, a heritage worth preserving? These questions form the foundations for discussion in Killing Tradition: Inside Hunting and Animal Rights Controversies. Simon J. Bronner sorts through the issues and goes behind the headlines to examine the basis of this hotly-charged subject. Using case studies as evidence, Bronner looks at a topic at the center of modern cultural debate.

Without question, Dr. Martin Luther King Jr. is the face of the civil rights revolution that reshaped the social and political landscape of the United States. Although many biographers and historians have examined Dr. King's activism, few have recognized the pivotal role that the people of Montgomery, Alabama, played in preparing him for leadership. King arrived in Montgomery as a virtually unknown doctoral student, but his activities there -- from organizing the Montgomery bus boycott to building relationships with local activists such as Rufus Lewis, E. D. Nixon, and Virginia Durr -- established him as the movement's most visible leader. Becoming King: Martin Luther King, Jr. and the Making of a National Leader illustrates how the people of Montgomery influenced King as much as he influenced them. In Montgomery, brave citizens, both black and white, spearheaded a protest movement that also launched King's public ministry. Author Troy Jackson demonstrates that spending his formative years in the city of Montgomery gave King the skills and experience to become a hero to generations of Americans.

Over the last two decades, indigenous populations in Latin America have achieved a remarkable level of visibility and political effectiveness, particularly in Ecuador and Bolivia. In Struggles of Voice, Jos\u00e9 Antonio Lucero examines these two outstanding examples in order to understand their different patterns of indigenous mobilization and to reformulate the theoretical model by which we link political representation to social change. Building on extensive fieldwork, Lucero considers Ecuador's united indigenous movement and compares it to the more fragmented situation in Bolivia. He analyzes the mechanisms at work in political and social structures to explain the different outcomes in each case. Lucero assesses the intricacies of the many indigenous organizations and the influence of various NGOs to uncover how the conflicts within social movements, the shifting nature of indigenous identities, and the politics of transnationalism all contribute to the success or failure of political mobilization.Blending philosophical inquiry with empirical analysis, Struggles of Voice is an informed and incisive comparative history of indigenous movements in these two Andean countries. It helps to redefine our understanding of the complex intersections of social movements and political representation.

Published by the Kentucky Historical Society & Distributed by the University Press of KentuckyThis is the second part of a two-volume study which covers the entire spectrum of the black experience in Kentucky from earliest exploration and settlement to 1980. Mandated and partially funded by the Kentucky General Assembly in 1978, this pathbreaking work is the most comprehensive consideration of the subject ever undertaken. It fills a long-recognized void in Kentucky history. George C. Wright describes the struggle of blacks in the twentieth century to achieve the promise of political, social, and economic equality. From the rising tide of racism and violence at the turn of the century to the civil rights movement and school integration in later decades, Wright describes the accomplishments, frustrations, and defeats suffered by the race, concluding that even in 1980 only a few blacks had actually achieved the long-sought toal of equality.

On small-town ballfields and county fairgrounds, the sideshow performers set up their tents and trailers in the shadow of the Ferris wheel. There they amazed us with daring feats such as fire eating and sword swallowing, intrigued us with exhibitions of human oddities and various "anatomical wonders," and yes, deceived us with illusions such as "Atasha the Gorilla Girl" and even outright fakes. These bizarre spectacles engaged the mind as well as the eye. Was the human blockhead act, in which the performer pounded a large nail or ice pick into his nostril, real or fake? Was the so-called alligator boy genuine or a "gaffed" oddity, painted with glue to produce a scaly simulation of reptilian skin? While the sideshows have now all but vanished from the American landscape, they leave a fascinating legacy of romance and mystery. Many of their secrets remain, only grudgingly given up, if at all, by aging showmen and "bally talkers." Joe Nickell -- once a carnival pitchman, then a magician, a private detective, and an investigative writer -- has pursued sideshow secrets for years. He has interviewed the showmen and performers, collected carnival memorabilia, researched the published literature, and even performed some classic sideshow feats, such as eating fire and lying on a bed of nails while a cinderblock was broken on his chest. Secrets of the Sideshows reveals the specific methods and tricks behind the performances, the showmen's tactics for recruiting performers and attracting crowds, and more. Nickell also examines the behind-the-scenes secrets of sideshow life, including details of the remarkable personal lives of those men and women billed as "freaks."

The landslide election of Evo Morales in December 2005 pointed toward a process of accelerated change in Bolivia, forging a path away from globalization and the neoliberal paradigm in favor of greater national control and state intervention. This in turn shifted the power relations of Bolivia's internal politics-beginning with greater inclusion of the indigenous population-and altered the nation's foreign relations. Unresolved Tensions engages this realignment from a variety of analytical perspectives, using the Morales election as a lens through which to reassess Bolivia's contemporary political reality and its relation to a set of deeper historical issues. This volume brings together an expert group of commentators and participants from within the Bolivian political arena to offer diverse perspectives and competing views on issues of ethnicity, regionalism, state-society relations, constitutional reform, economic development, and globalization. In this way, the contributors seek to reassess Bolivia's past, present, and future, consider the ways in which the nation's historical developments flow from these deeper currents, and assess the opportunities and challenges that arise within the new political context.

Through her engaged and articulate essays in the Village Voice, C. Carr has emerged as the cultural historian of the New York underground and the foremost critic of performance art. On Edge brings together her writings to offer a detailed and insightful history of this vibrant brand of theatre from the late 70s to today. It represents both Carr's analysis as a critic and her testament as a witness to performances which, by their very nature, can never be repeated.Carr has organized this collection both chronologically and thematically, ranging from the emphasis on bodily manipulation/endurance in the 70s to the underground club scene in New York to an insider's analysis of the Tompkins Square Riot as a manifestation of the cultural and social conflicts that underlie much of performance art. She examines the transgressive and taboo-shattering work of Ethyl Eichelberger, Karen Finley, and Holly Hughes; documents specific performances by Annie Sprinkle and Lydia Lunch; and maps the development of such artists as Robbie McCauley, Blue Man Group, and John Jesurun. She also describes the "cross-over" phenomenon of the mid-80s and considers the far-right backlash against this mainstreaming as cultural reactionaries sought to curb the influence of these new artists.CONTRIBUTORS: Linda Montano, Chris Burden, G.G Allin, Jean Baudrillard, Patty Hearts, Dan Quayle, Anne Magnouson, John Jesurun, John Kelly, Shu Lea Changvv, Diamanda Galas, Salley May, Rafael Mantanez Ortiz, Sherman Fleming, Kristine Stiles, Laurie Carlos, Jessica Hafedorn, Robbie McCormick, Karen Finley, Poopo Shiraishi, Donna Henes, Holey Hughe, Ela Troyano, Michael Smith, Harry Koipper, John Sex, Nina Jagen, Ethyl Eichelberge, Marina Abramovic, Ulay.