This splendid collection from the Khedivial Library contains Arabic calligraphy produced from the first century until AH 1240 (AD 1825).

It is said the champions of the ancient Olympic Games received a crown of olive leaves, symbolizing a divine blessing from Nike, the winged goddess of victory. While the mythology of the ancient games has come to exemplify the highest political, religious, community, and individual ideals of the time, the modern Olympic Games, by comparison, are widely known as an international, bi-annual sporting event where champions have the potential to earn not only glory for their country, but lucrative endorsement deals and the perks of worldwide fame. The Olympics and Philosophy examines the Olympic Movement from a variety of theoretical perspectives to uncover the connection between athleticism and philosophy for a deeper appreciation of the Olympic Pillars of Sport, Environment, and Culture. While today's Olympic champions are neither blessed by the gods nor rewarded with wreaths of olive, the original spirit and ancient ideals of the Olympic Movement endure in its modern embodiment. Editors Heather L. Reid and Michael W. Austin have assembled a team of international scholars to explore topics such as the concept of excellence, ethics, doping, gender, and race. Interweaving ancient and modern Olympic traditions, The Olympics and Philosophy considers the philosophical implications of the Games' intersection with historical events and modern controversy in a unique analysis of tradition and the future of the Olympiad.

The poems in Money Shot are forensic. Just as the money shot in porn is proof of the male orgasm, these poems explore questions of revelation and concealment. What is seen, what is hidden, and how do we know? Money Shot's investigation of these questions takes on a particular urgency because it occurs in the context of the suddenly revealed market manipulation and subsequent "great recession" of 2008-2009. In these poems, Rae Armantrout searches for new ways to organize information. What can be made manifest? What constitutes proof? Do we "know it when we see it"? Looking at sex, botany, cosmology, and death through the dark lens of "disaster capitalism," Armantrout finds evidence of betrayal, grounds for rebellion, moments of possibility, and even pleasure, in a time of sudden scarcity and relentless greed. This stunning follow-up to Versed-winner of the Pulitzer Prize and the National Book Critics Circle Award, and a finalist for the National Book Award-is a wonderfully stringent exploration of how deeply our experience of everyday life is embedded in capitalism.

In Starboard Wine, Samuel R. Delany explores the implications of his now-famous assertion that science fiction is not about the future. Rather, it uses the future as a means of talking about the present and its potentiality. By recognizing a text's specific "difference," we begin to see the quality of its particulars. Through riveting analyses of works by Joanna Russ, Robert Heinlein, Theodore Sturgeon, and Thomas M. Disch, Delany reveals critical strategies for reading that move beyond overwrought theorizing and formulaic thinking. Throughout, the author performs the kinds of careful inquiry and urgent speculation that he calls others to engage in.

This book is a collection of riddles in Arabic divided into two main sections, one part on spiritual themes, the other on morals. The book was intended to develop the mind and character of young people.

H. G. Wells wasn't the only nineteenth-century writer to dream of a time machine. The Spanish playwright Enrique Gaspar published El anacronópete-"He who flies against time"-eight years before Wells's influential work appeared. The novel begins at the 1878 Paris Exposition, where Dr. Don Sindulfo unveils his new invention-which looks like a giant sailing vessel. Soon the doctor embarks on a voyage back in time, accompanied by a motley crew of French prostitutes and Spanish soldiers. The purpose of his expedition is to track down the imprisoned wife of a third-century Chinese emperor, believed to possess the secret to immortality. A classic tale of obsession, high adventure, and star-crossed love, The Time Ship includes intricately drawn illustrations from the original 1887 edition, and a critical introduction that argues persuasively for The Time Ship's historical importance to science fiction and world literature.

Adjusting to the sweltering heat of the Mississippi Delta is the least of Teri's troubles. Dragged there by her mother's ill-advised search for career development, she must now drudge her way through a new school, the constant tension between her parents, and the duplicitous nature of teenagers and adults alike. But then she meets a strange boy at school, Nother Martin, and as their relationship develops she is drawn into a world of moonshine and roadhouses, fortune tellers and grizzled Blues legends. In contrast to her own tangled relationships, she finds comfort in Nother's strong family bonds and his roots in the depthless South. As Teri learns about bad behavior and untimely death, she discovers a better, wiser version of herself. "The mind of a smart teen girl is a universe that has attracted many writers, and David Racine's Teri is one of the best. A tightly woven and gorgeously written report from inside a unique person, by a writer who knows the world and doesn't allow it to lie." - Andrei Codrescu "A complex story line, well-developed characters, evocative descriptions, and quirky humor create an inviting read." - Library Journal "There is much to admire in Racine's treatment of character and setting."-Booklist "Racine's beautiful prose deftly handles these alternate narratives... [Teri's] perceptive voice adds depth and pathos to this modern-day bildungsroman." - Publishers Weekly

This monograph provides an extensive syntactic description of the rather well-known but not previously described Jewish Neo-Aramaic dialect of Zakho. The description covers both microsyntax, namely, syntactic relationships within the confines of the sentence: the predicative link, the attributive and completive relationships, and apposition.

For many decades in the 18th and 19th centuries, Russia was the world's greatest exporter of flax and hemp and Great Britain its major customer. Most studies of flax and hemp and their associated industries have hitherto concentrated on the economic and historical events surrounding the rise and fall of these industries in Britain. This book is based on a large body of new material consisting of lead-alloy seals that were attached to bundles of flax and hemp exported from Russia and aims chiefly to describe the different seals that were used and to explain the reasons why they were employed. It offers a short history of their use, a guide to their identification and a catalogue of items recovered in Britain, opening up a valuable new source of material for analysing a different aspect of the history of commercial relations between Russia and Britain and providing assistance for finders and museum curators in identifying and deciphering these objects correctly. The text guides the reader through the different types of seal so far recorded using illustrations, transliterations of the Cyrillic texts found on the seals and explanatory tables, as well as a comprehensive catalogue. Analysis is conducted of the information found in the seals. This information provides us with a picture of the manner in which the export of these products from Russia to Britain was handled and allows us to make comparisons over different periods of time and to analyse the different systems of quality control used. It also enables us to record the geographical distribution of Russian ports used for the export of flax and hemp to the UK, where the spread of their distribution tells us something of the redistribution of these imports and provides an understanding of the use to which their by-products were put as part of the agricultural practices of the 18th and 19th centuries.

Since 1992, the Sunken Garden Poetry Festival has welcomed nationally acclaimed poets to the picturesque landscape of Hill-Stead Museum, a National Historic Landmark in Farmington, Connecticut. Reflecting the festival that has attracted thousands to this rolling country estate, the poems in this collection have been selected with a broad audience in mind. In the spirit of the festival's mission to nurture the art of poetry, the anthology features young and emerging poets alongside established poets, including Lucille Clifton, Billy Collins, Carolyn Forche, Yusef Komunyakaa, Maxine Kumin, James Merrill, Marilyn Nelson, Grace Paley, and Richard Wilbur. This new anthology captures the exciting and unique relationship between a distinctive American museum and poetic expression. In addition to a rich selection of poetry, the book includes both an illustrated introduction providing a history of the festival and an appendix listing all festival dates, poets, and musicians for each year."The Sunken Garden Poetry Festival is a little paradise for poetry." - Galway Kinnell

The Chronicle of Duke Erik' is a Swedish classic with resounding national status like the English Beowulf or Finnish Kalevala. Here, at last, it is made available to a wider international readership in an English version. Written in the fourteenth century, it is a fascinating tale with many levels of meaning, reflecting the ideals of politics and aesthetics typical of the Age of Chivalry. The narrator describes real characters and power struggles in medieval Sweden and seems anxious to let his version of events be heard. The translators' rendition of his resolute vocabulary and the pronounced rhythm of the original is intelligent and sensitive. The linguistic traits of form, assonance, and rhyme are skilfully reproduced. The rhyming verses are accompanied by a prose version and a commentary, which makes the text enjoyable reading for anyone with an interest in medieval texts and the classic works of chivalry. The Chronicle is a valuable source for the broad scholarly disciplines of comparative literature as well as poetics. It contains intriguing dichotomies between centre and periphery, male and female, and Christian and heathen, and offers a wealth of material for researchers of medieval, colonial, and political history.

Initially regarded as a cult figure with a strong following amongst sci-fi and horror film fans, Canadian filmmaker David Cronenberg emerged as a major and commercially viable film director with mainstream hits such as A History of Violence (2005) and Eastern Promises (2007). With his unique ability to present imagery that is both disturbing and provocative, Cronenberg creates striking films, noteworthy not just for their cinematic beauty but also for the philosophical questions they raise.The Philosophy of David Cronenberg examines Cronenberg's body of work, from his breakthrough Scanners (1981) through his most recognizable films such as The Fly (1986) and more recent works. Editor Simon Riches and a collaboration of scholars introduce the filmmaker's horrific storylines and psychologically salient themes that reveal his pioneering use of the concept of "body horror," as well as his continued aim to satirize the modern misuse of science and technology. The Philosophy of David Cronenberg also explores the mutation of self, authenticity and the human mind, as well as language and worldviews. While Cronenberg's films have moved from small-market cult classics to mainstream successes, his intriguing visions of humanity and the self endure.

In the tenth book of the acclaimed DI Christy Kennedy series, a successful investment banker is found dead under unusual circumstances. While it looks like the case of an autoerotic escapade gone wrong, Kennedy has other suspicions. After working through a battery of interviews, and uncovering a potential political scandal, Kennedy follows the trail to California. There he is intrigued by an attractive police officer investigating her husband's murder. But the redoubtable DI still finds time to get his man. "A bit of luck and an astonishing clue lead Kennedy to San Francisco, where a door opens into an entirely new mystery with engrossing twists of its own. Haunted by a broken romance, bewildered by a new one, the reserved and courtly Kennedy proves irresistible to women, much to his (and the reader's) delight." - Publishers Weekly "The tenth Christy Kennedy mystery finds the Camden Town detective inspector following the clues to a man's death all the way to California."--Booklist. "An intriguing mystery." - Half Moon Bay Review "One murder leads to another and DI Kennedy goes trans-Atlantic in his 10th appearance… Charles serves up his usual pleasant concoction at his usual leisurely pace." - Kirkus Reviews "The characters are handled well, and Charles adds enough flavor to the dialogue to distinguish everyone from each other." - Mystery Scene Magazine

Selling science has become a common practice in contemporary universities. This commodification of academia pervades many aspects of higher education, including research, teaching, and administration. As such, it raises significant philosophical, political, and moral challenges. This volume offers the first book-length analysis of this disturbing trend from a philosophical perspective and presents views by scholars of philosophy of science, social and political philosophy, and research ethics. The epistemic and moral responsibilities of universities, whether for-profit or nonprofit, are examined from several philosophical standpoints. The contributors discuss the pertinent epistemological and methodological questions, the sociopolitical issues of the organization of science, the tensions between commodified practices and the ideal of \u201cscience for the public good,\u201d and the role of governmental regulation and personal ethical behavior. In order to counter coercive and corruptive influences of academic commodification, the contributors consider alternatives to commodified research and offer practical recommendations for establishing appropriate research standards, methodologies and institutional arrangements, and a corresponding normative ethos.

Observation and conceptual interpretation constitute the two major ways through which human beings engage the world. The World Observed/The World Conceived presents an innovative analysis of the nature and role of observation and conceptualization. While these two actions are often treated as separate, Hans Radder shows that they are inherently interconnected-that materially realized observational processes are always conceptually interpreted and that the meaning of concepts depends on the way they structure observational processes and abstract from them. He examines the role of human action and conceptualization in realizing observational processes and develops a detailed theory of the relationship between observation, abstraction, and the meaning of concepts.The World Observed/The World Conceived will prove useful to many areas of scholarly study including ontology, epistemology, philosophy of language, philosophy of science, science studies, and cognitive science.

The phrase "beat generation" -- introduced by Jack Kerouac in 1948 -- characterized the underground, nonconformist youths who gathered in New York City at that time. Together, these writers, artists, and activists created an inimitably American cultural phenomenon that would have a global influence. In their constant search for meaning, the Beats struggled with anxiety, alienation, and their role as the pioneers of the cultural revolution of the 1960s. The Philosophy of the Beats explores the enduring literary, cultural, and philosophical contributions of the Beats in a variety of contexts. Editor Sharin N. Elkholy has gathered leading scholars in Beat studies and philosophy to analyze the cultural, literary, and biographical aspects of the movement, including the drug experience in the works of Kerouac and Allen Ginsberg, feminism and the Beat heroine in Diane Di Prima's writings, Gary Snyder's environmental ethics, and the issue of self in Bob Kaufman's poetry. The Philosophy of the Beats provides a thorough and compelling analysis of the philosophical underpinnings that defined the beat generation and their unique place in modern American culture.