Matters of the Sea / Cosas del mar is a commemorative bilingual chapbook that beautifully reproduces Richard Blanco's stirring poem presented during the historic reopening ceremony of the United States Embassy in Havana, Cuba, on August 14, 2015."Matters of the Sea is one of the most emotionally complex and personal poems I've ever written, invested with all my love for the people of two countries that are part of my very being. As with the presidential inauguration in 2013, I am once again humbled and honored to participate as a poet in another historic moment of such significance. I'm elated by the power of poetry to mark such important, communal moments and to be a catalyst for change and understanding by reaching deep into our emotional selves and connecting us to our shared humanity."—Richard Blanco

A bilingual collection, The Invisible Bridge/El Puente Invisible gathers many of the luminous, deeply philosophical poems of Circe Maia, one of the few living poets left of the generation which brought Latin American writing to world prominence.

Aloysius creates 'accidents' that kill. He fled a notorious Irish care home and has built a life as a hitman, travelling Europe and ending lives for cash. Now veteran government recruiter Imelda Feather, 64, wants him back to slay four of the nation’s most hated people. It takes guile to lure him in, to convince him it’s not a second betrayal by the powers-that-be in Ireland. On the cusp of the hundredth anniversary of the formation of the state, Aloysius, 40, finds himself a key player in the most extraordinary 'PR operation' in history. An evil loan shark, a wicked former priest and a wildly controversial female politician find themselves in his sights. But when he learns more about his fourth target, Aloysius must reverse the roles - and hunter becomes hunted. Narrated by the protagonist, Aloysius Tempo is a story of finding a place in a world where trust has crumbled and, more than ever, ends justify means. As Aloysius works to build a future and shake away the past, this story sees him begin to move in time with his country.

It's June 1941. Paul Duggan, a young Irish military intelligence officer, is on a secret mission to Portugal to uncover German intentions towards neutral Ireland and, even more secretly, to find out who had informed the Americans of an Irish Minister's undiplomatic comments while in Lisbon on his way to Washington to plead for arms. Meanwhile, an unmarked American plane crashes in Ireland and its cargo of beer, cigarettes and caviare make their way into the local black market with unforeseen consequences. Then it turns out there was something more than booze on board - a piece of secret military hardware of great interest to the Germans. Duggan and his colleagues find themselves in a complex game of diplomacy and disinformation as politicians in Ireland and America fall out and the spy agencies of Germany, Britain and the United States maneuver for political and military advantage. With the help of his Special Branch friend, Peter Gifford, he tries to unravel the plots and avoid the pitfalls. To do so he has to return to Lisbon, the war's spy center, where the interlocking intrigues threaten the future of Ireland's relations with America, put its neutrality at risk, and finally threaten his own life and that of the woman he loves.

Thrown out of university, green-tea-drinking, meditation-loving Scott McAuley has no place to go but home: County Down, Northern Ireland. The only problem is, his father is there now too.Duke wasn’t around when Scott was growing up. He was in prison for stabbing two Catholic kids in an alley. But thanks to the Good Friday Agreement, big Duke is out now, reformed, a counselor.Squeezed together into a small house, with too little work and too much time to think about what happened to Scott’s dead mother, the tension grows between these two men, who seem to have so little in common.Penning diary entries from prison, Scott recalls what happened that year. He writes about Jasmine, his girlfriend at university. He writes about Klaudia, back home in County Down, who he and Duke both admired. He weaves a tale of lies, rage and paranoia.

A politico-linguistic problem, a conflicted hairstyle, and a conflict-bound drone, Fauxhawk works in the space where dissent becomes materialized, ironized, and commodified. Engaging drone optics, redactions, renditions, comedy, and cinema, Ben Doller wrenches exuberant music from the drone of the everyday. The citizens in these poems are fraught in their passivity, both ashamed of being and of being surveyed. Occupied by the material forces conspiring against poetry, Fauxhawk takes on the economics of writing, university bureaucracies, and complicit injustice. The poems in Doller’s thrilling new collection attempt to find their own tone amid the blare via formal innovation, carving a space where presence is signified, in hopeful and clarifying resistance. An online reader’s companion is available at http://bendoller.site.wesleyan.edu.

This study demonstrates a method for using corpus linguistics to disambiguate polysemes in the Greek New Testament. Included are several examples applying the method to exegetically problematic texts.

Winner of the 2014 Drue Heinz Literature Prize The flight path of The Spirit Bird traces many landscapes and different transitory lives. A young man scratches out a living from the desert; a woman follows a rarely seen bird in the far reaches of Alaska; a poor single mother sorts out her life in a fancy mountain town. Other protagonists yearn to cross a racial divide, keep developers from a local island, explore their sexuality, and mourn a lost loved one. The characters in this collection are compelled to seek beyond their own horizons, and as the stories unfold, the search becomes the expression of their desires. The elusive spirit bird is a metaphor for what we’ve lost, for what we hope for, and for what we don’t know about ourselves.

In a landscape at once the brutal American South as it is the brutal mind, Boy with Thorn interrogates the genesis of all poetic creation—the imagination itself, questioning what role it plays in both our fascinations with and repulsion from a national history of racial and sexual violence. The personal and political crash into one language here, gothic as it is supple, meditating on visual art and myth, to desire, the practice of lynching and Hurricane Katrina. Always at its center, though, is the poet himself—confessing a double song of pleasure and inevitable pain.

In For Dear Life, with accessibility, wit, and humor, Ronald Wallace evokes a wide variety of subjects that range from the traditional themes of lyric poetry—love, death, sex, the natural world, marriage, birth, childhood, music, religion, art—to the most unexpected and quirky narratives—an ode to excrement, a catalogue of comic one-liners, a celebratory testimonial to his teeth.

Winner, 2016 BCALA Literary Award (poetry category)Winner of the 2014 Agnes Lynch Starrett Poetry Prize Finalist, 2015 NAACP Image Awards (poetry category)Wild Hundreds is a long love song to Chicago. The book celebrates the people, culture, and places often left out of the civic discourse and the travel guides. Wild Hundreds is a book that displays the beauty of black survival and mourns the tragedy of black death.

With its tales of benevolent and malicious specters, terrifying monsters, and unexplained phenomena, Halloween is the holiday most people associate with spooky stories. But do spirits remain hidden the rest of the year? In the rich storytelling customs of the commonwealth, the supernatural world is also connected with holidays such as Thanksgiving, Christmas, Valentine's Day, and Memorial Day. In Haunted Holidays, celebrated storytellers Roberta Simpson Brown and Lonnie E. Brown have assembled a hair-raising collection of paranormal tales for readers of all ages. The stories present many new and spooky characters, including the deceased great aunt who still rocks in her favorite chair on Mother's Day, the young boy who made good on his promise to return a silver dollar on the Fourth of July, and even the ghost who hated Labor Day. In addition to tales of haunting, the Browns reveal many Appalachian legends and their importance to the storytelling tradition, such as the phantom bells who guide the dead to the other side, and a "chime child" born when the clock strikes midnight on Christmas Day, who is rumored to be blessed with the gift of second sight.More than a collection of ghost stories or family legends, Haunted Holidays takes readers on a fireside journey that preserves and promotes oral traditions, revealing the importance of sharing beliefs, traditions, and values with a new generation of listeners.

Gregory Bar Hebraeus, most well known for his historical works, also produced a grammar of the Syriac language. The present volume presents his grammar typed in Serto font and accompanied by Latin chapter headings.

This volume of original essays critically examines the intriguing interplay among major actors and venues of creative practices in contemporary East Asian cities. Its chapters closely investigate manifestations of the political and aesthetic decisions made, or not made, in the construction and representation of creative cities. The contributors give Tokyo, Seoul, Hong Kong, Taipei, and Shanghai special consideration.

Interstate is a collection of lyrical poems in four sections that concentrate thematically on animals, love and sex, compassion, and loss. A unifying elegiac conceit, even in the more ecstatic and humorous poems, betrays the bittersweet nature of the book's muse. Alternating between free and formal verse, the poems contain a lyrical tension in which their "broken music" evokes metaphysical paradoxes, romantic humor, and the "dark sounds" that effect what Garcia Lorca called "the power everyone feels" in the mystery of duende "but no philosopher can explain. "

Winner of the 2014 Donald Hall Prize for Poetry Selected by Joy HarjoKarankawa is a collection that explores some of the ways in which we (re)construct our personal histories. Rich in family narratives, myths, and creation stories, these are poems that investigate passage—dying, coming out, transforming, being born—as well as the gaps that also reside in our stories, for, as Rocha suggests, the opportunity to create myths is provided by great silences. Much like the Karankawa Indians whose history works in omissions, Karankawa reconfigures such spaces, engaging with the burden and freedom of memory in order to rework and recontextualize private and public mythologies. First and last, these are poems that honor our griefs and desires, for they keep alive the very things we cannot possess.