The definitive edition of the complete work of a master Caribbean poet The Complete Poetry of Aimé Césaire gathers all of Cesaire's celebrated verse into one bilingual edition. The French portion is comprised of newly established first editions of Césaire's poetic ouvre made available in French in 2014 under the title Poésie, Théâtre, Essais et Discours, edited by A. J. Arnold and an international team of specialists. To prepare the English translations, the translators started afresh from this French edition. Included here are translations of first editions of the poet's early work, prior to political interventions in the texts after 1955, revealing a new understanding of Cesaire's aesthetic and political trajectory. A truly comprehensive picture of Cesaire's poetry and poetics is made possible thanks to a thorough set of notes covering variants, historical and cultural references, and recurring figures and structures, a scholarly introduction and a glossary. This book provides a new cornerstone for readers and scholars in 20th century poetry, African diasporic literature, and postcolonial studies.

The first comprehensive keyword-in-context concordance to the Syriac New Testament in six large volumes. It unlocks the treasure trove of the Syriac New Testament Peshitta readings and helps the reader to dive into the heart of this ancient Christian text, exploring its linguistic nuances, contextual meanings, and spiritual depths.

The first bilingual edition of this radically original work Aimé Césaire's masterpiece, Notebook of a Return to the Native Land, is a work of immense cultural significance and beauty. This long poem was the beginning of Césaire's quest for négritude, and it became an anthem of Blacks around the world. Commentary on Césaire's work has often focused on its Cold War and anticolonialist rhetoric—material that Césaire only added in 1956. The original 1939 version of the poem, given here in French, and in its first English translation, reveals a work that is both spiritual and cultural in structure, tone, and thrust. This Wesleyan edition includes the original illustrations by Wifredo Lam, and an introduction, notes, and chronology by A. James Arnold.

The fall of the Iron Curtain in the early 1990s ushered in a new tide of European immigrants to the United States. These populations, which hailed primarily from Eastern Europe and the former Soviet Union, were largely adrift in America's cultural melting pot. Laden with their belongings and informed by their experiences, these immigrants became citizens of a new diaspora searching for space to exist in their adopted home. In Between a Bird Cage and a Bird House, author Katerina Stoykova follows that which "calls / the roaming mind / looking for land" with the shell of her homeland at her back. Through themes of domestic abuse, the death of a parent, the loss of a friend, and the search for cultural identity, the poems in this collection transcend the borders of language and nation-states. As a Bulgarian immigrant, Stoykova weighs the differences between safety and captivity, exploring how one can feel sheltered yet still not feel at home.Through a series of addresses to her new domestic partner, America, the speaker in this collection expresses gratitude while simultaneously interrogating the landscape that has come to "home" her. With every line of verse, Stoykova's unique grasp on the turns of the English language brings a fresh perspective to immigrant identity and lays bare the terrifying and thrilling duality of living between two cultures.

Amy M. Alvarez explores the cultural, spiritual, and place-based experiences of Afro-Caribbean and African American diasporic peoples in this haunting and emotionally charged collection of poems that meditates on the meaning of home and existence. Born in New York City to Jamaican and Puerto Rican parents, Alvarez draws readers into a journey of self-discovery and identity, connecting the past with the present while highlighting the complexities of navigating life as a multicultural American. The musicality of her language weaves together themes of environment, family, and migration, as well as her own ancestry as a Black Latinx woman. Makeshift Altar is an intimate collection that explores identities forged by colonialism and displacement and shaped by individual choice and collective power.

A chapbook from Pulitzer Prize winner Rae Armantrout on climate change.Notice is the product of a life-long interest in natural sciences by Pulitzer Prize winning poet Rae Armantrout. The collection draws poems from her previous books calling our attention to how language frames and shapes our relationships to climate and kin. The title is a call to take heed of the signs coming to us daily. "Notice" can be read as a noun or a verb. As a noun it might be thought of as a public warning. The author has selected poems that respond in various ways to the environmental crisis which we all see developing and about which we don't seem to be able to take appropriate action. The poem "Preparedness," for instance, hazards a wild guess about the cause of this failure to act. Some of the poems here address the problem directly. In others the focus is broader or the approach more subtle. There are even a few poems in which the author allows for something like hope.

Joshua "Josh" Gibson (1911–1947) is a baseball legend - one of the greatest power hitters in the Negro Leagues, and in all of baseball history. At the height of his career, this trailblazing athlete suffered grueling physical ailments, lost his young wife who died giving birth to their twins, and endured years of Jim Crow–era segregation and discrimination - all the while breaking records on the ball field. Dorian Hairston's debut poetry collection explores the Black American experience through the lens of Gibson's life and seventeen-year baseball career, which culminated in his posthumous election to the Baseball Hall of Fame in 1972. Hairston brilliantly reconstructs the personas of Gibson and others in his orbit whose encounters with white supremacy interweave with the inevitability of losing loved ones. By alternating between the perspectives of Gibson, members of his family, and contemporary Black baseball players, Hairston captures the complexity and the pain of living under the oppressive weight of grief and racial discrimination. Emotive, prescient, and absorbing, these powerful poems address social change, culture, family, race, death, and oppression—while honoring and giving voice to Gibson and a voiceless generation of African Americans.

The Safety of Small Things meditates on mortality from a revealing perspective. Images of stark examination rooms, the ravages of chemotherapy, biopsies, and gel-soaked towels entwine with remembrance to reveal grace and even beauty where they are least expected. Jane Hicks captures contemporary Appalachia in all of its complexities: the world she presents constantly demonstrates how the past and the present (and even the future) mingle unexpectedly. The poems in this powerful collection juxtapose the splendor and revelation of nature and science, the circle of life, how family and memory give honor to those we've lost, and how they can all fit together. This lyrical and contemplative yet provocative collection sings a song of lucidity, redemption, and celebration.

ANTHROPOCENE AND CRITICAL PHENOMENOLOGY. CRITICAL PHENOMENOLOGY AFTER MERLEAU-PONTY (PART II). AROUND MERLEAU-PONTY. TEXTS BYNicola Banwell, Gael Caignard, Myriam Coté, Stanislas De Courville, Gianluca De Fazio, Elena De Silvestri, Luca Fabbris, Emmanuel Falque, Giovanni Fava, Lisa Guenther, Galen A. Johnson, Rajiv Kaushik, Corinne Lajoie, Emily S. Lee, Federico Leoni, Paolo Missiroli, Cinzia Orlando, Pietro Pasquinucci, Marie-Anne Perreault, Stéphanie Perruchoud, Andrea Pitts, Joel Michael Reynolds, Camille Roelens, Tristana Martin Rubio, Davide Scarso, Alessandra Scotti, Jenny Slatman, Bryan Smyth, Ted Toadvine

The contagious joy of a party, the solemn silence in a church, the gloomy atmosphere of endless rows of identical houses in an ugly city. Through a criticism of the reification and psychologization that goes back to the very beginning of Western philosophy, Hermann Schmitz offers a fundamentally new theory of embodiment and feelings based on atmospheres, unstable but powerful phenomena that fill the “surfaceless spaces” of lived experience. This collection of essays, selected by Schmitz himself, offers a comprehensive portrait of his theory, both in its fundamental outlines and later progress.

Beyond the Bible, Beyond the West is a research in ontological hermeneutics: it is critical of “textual positivism” – which makes the univocity and clarity of a text the main goal of its task – and also of “cultural positivism” – a cultural matrix that elevates univocity and clarity as the ultimate goal of contemporary systems. This essay indirectly sketches a cultural critique and not only a theological one. Means, medium and guarantor of this ontological indelible reserve are ambivalence and paradox. We will try to follow the trace of these throughout the hermeneutic arc – and not only at its beginning.

This volume, written from a diachronic perspective, is devoted to the initatic and deeply transformative dimension of religious experience in Neoplatonic philosophy which aims at restoring the soul’s condition prior to its descent into matter. It brings together philosophers and historians of religions, specializing in the study of mithraism, theurgy, Christian mysticism and the philosophical exegesis of the Chaldean Oracles.

Bergson is rightly considered the philosopher of duration. Has this theory, however, been sufficiently elucidated? Is there a domain, aside from life itself, to which the characteristics of duration can be meaningfully ascribed? Why, in his thesis from 1907, does Bergson write of a “real” duration? His subsequent work Duration and Simultaneity: With Reference to Einstein’s Theory (1922) is the only volume written by Bergson in the period separating Creative Evolution (1907) and The Two Sources of Morality and Religion (1932). Duration and Simultaneity represents a polemical, unique, mature and relatively neglected work, one that allows us however to respond to these questions – provided that we read it as a work of philosophy and metaphysics. This book was awarded the 2020 Polydore de Paepe Prize of the Royal Academy of Science, Letters and Fine Arts of Belgium.

Our historical period is characterized by a vision of liberal heritage and a capitalist economic path. But it is far from obvious what “liberal” really means here, and what connection it has with capitalism. The current volume thus first attempts to provide a clarification of the long-term genesis of “liberal reason” in the West, following its development in the seventeenth century down to the present day. Secondly, the text aims to identify the basic logic that feeds liberal reason, a logic that nourishes capitalist processes but goes far beyond them. This analysis provides a picture in which liberal reason no longer needs to be 'represented' because it has tacitly occupied the entire conceptual space of the political. It now plays all the parts in the political comedy, both majorities and oppositions, right and left, concealing the systematic operation of distortion that has taken place. The ramifications of liberal reason have also taken root among intellectuals and movements that consider themselves to be 'neutral', or even 'anti-capitalist'. Liberalism's occupation, as pervasive as it is unnoticed, lies at the basis of the perceived impossibility of conceiving alternatives, and therefore of the continual deadlock in which contemporary consciousness struggles.

The volume contains the proceedings of an international conference exploring the concept of 'contemporaneity' from different perspectives and in reference to different disciplinary fields (philosophy, literature and art theory). In the chronological motion of historiography, contemporaneity is conceptualised as simply being the present era, one that follows modernity. Such thinking overlooks a more complex understanding of the contemporary, which is, in its original meaning, the co-presence of different times, a disconnection of temporal continuity, a rupture in the present, which becomes a meeting point where the past and the future intersect. The contemporary is untimely and, in this sense, is just in time, as it relates to time through anachronism. It is more present than the present of actuality.

The Kyoto School was the most important philosophical current in Japan during the 20th century. In the context of a growing interest in Japanese philosophy, as well as in non-European philosophy in general, this essay represents the first attempt to set the political thought of Kiyoshi Miki (1897-1945) and Jun Tosaka (1900-1945) in dialogue with contemporary thought. Miki and Tosaka were both leftist thinkers interested in thinking through political action “from below. ” This book introduces their concepts of “basic experience” and “everydayness” through conversation with contemporary theories of speculative realism, especially that of Mark Fisher. According to Miki and Tosaka, social myths are not just fictions but political “objects” with a life of their own, capable of generating political subjects and subverting the dominant ideology.