Surrounded by potential adversaries, nineteenth-century Prussia and twentieth-century Germany faced the formidable prospect of multifront wars and wars of attrition. To counteract these threats, generations of general staff officers were educated in operational thinking, the main tenets of which were extremely influential on military planning across the globe and were adopted by American and Soviet armies. In the twentieth century, Germany's art of warfare dominated military theory and practice, creating a myth of German operational brilliance that lingers today, despite the nation's crushing defeats in two world wars. In this seminal study, Gerhard P. Gross provides a comprehensive examination of the development and failure of German operational thinking over a period of more than a century. He analyzes the strengths and weaknesses of five different armies, from the mid--nineteenth century through the early days of NATO. He also offers fresh interpretations of towering figures of German military history, including Moltke the Elder, Alfred von Schlieffen, and Erich Ludendorff. Essential reading for military historians and strategists, this innovative work dismantles cherished myths and offers new insights into Germany's failed attempts to become a global power through military means.

Sarah Fielding (1710-1768), the younger sister of Henry Fielding, and the close friend of his literary rival Samuel Richardson, was one of the very few English women to master ancient languages like Latin and Greek. With the help of Shaftesbury's nephew, James Harris, a distinguished writer, scholar and grammarian, she embarked on the ambitious project of translating Xenophon's Memorabilia and the Apology of Socrates from the Greek. This work, titled Memoirs of Socrates, with the Defence of Socrates before his Judges, was finally released in 1762. She proved a discreet editor and a talented Hellenist, whose elegant style garnered praise from Tobias Smollett in his Critical Review. This superb translation is re-published in its entirety for the first time since the 18th century.

Archeophonics is the first collection of new work from the poet Peter Gizzi in five years. Archeophonics, defined as the archeology of lost sound, is one way of understanding the role and the task of poetry: to recover the buried sounds and shapes of languages in the tradition of the art, and the multitude of private connections that lie undisclosed in one’s emotional memory. The book takes seriously the opening epigraph by the late great James Schuyler: “poetry, like music, is not just song. ” It recognizes that the poem is not a decorative art object but a means of organizing the world, in the words of anthropologist Clifford Geertz, “into transient examples of shaped behavior.” Archeophonics is a series of discrete poems that are linked by repeated phrases and words, and its themes and nothing less than joy, outrage, loss, transhistorical thought, and day-to-day life. It is a private book of public and civic concerns. An online reading companion is available at petergizzi.site.wesleyan.edu.

‘I never saw the man again, alive or dead. One will say that I saw him only for a moment, that it was misty at the time, and that even I did not recognise the features, covered as they were with grime and stubble. Yet I am sure that the taller of the two ragged civilians I saw in the chalk quarry that misty March morning of 1918 was that Lieutenant Peter Rawley, R. F.A., who the official records stated was killed near Arras the previous autumn.’ Behind the Lines is a thriller that follows on from the success of W. F. Morris’s first novel, Bretherton: Khaki or Field-Grey? Morris is again concerned with questions of identity, allegiance, chance, concealment and self-discovery. A subaltern is forced to flee when he accidentally kills an overbearing, taunting fellow officer: appearances are all against him and he does not trust to trench justice. He becomes a fugitive and has to join forces with other deserters, lost soldiers and outlaws in a hand-to-mouth existence in the no man’s land between opposing forces. A series of adventures and disasters ensue, including capture by the Germans and near death by firing squad. Only his own bravery and the devotion of his fiancé can rescue him from his plight. A contemporary commentator noted that ‘in spite of the flood of war books’, Morris was able to achieve ‘a quite different viewpoint from all the others’, and his book was ‘an outstanding success’.

A profound and very human account of the early years of the war, told from the perspective of a father rather than combatants, but no less revealing. Mr Britling lives in the quintessentially English town of Matching’s Easy in Essex. He is a great thinker, an essayist, but most of all an optimist. When war arrives he is forced to reassess many of the things he had been so sure of. The war brings great change - Belgian refugees come with dreadful stories and everywhere it seems there are young men dressed in khaki. The family’s young German tutor is forced to head back to Germany, and Mr Britling’s seventeen year old son enlists in the Territorials. Day by day and month by month, Wells chronicles the unfolding events and public reaction as witnessed by the inhabitants of one house in rural Essex. Each of the characters tries in a different way to keep their bearings in a world suddenly changed beyond recognition. Tragedy ensues, Mr Britling must wrestle with outrage, grief and attempts at rationalisation as he ‘sees it through’. Written in 1916, while the outcome of the war was still uncertain, this is both a fascinating portrait of Britain at war, and a chronicle of events seen from a contemporary perspective, and an insight into H G Wells himself, Mr Britling being a largely autobiographical character.

Set deep in the mountains of southern France, this charming short novel tells the story of a man from the Cèvennes Mountains called Roux, who refuses to join the army at the outbreak of war in 1914. Instead, he flees and hides in the hills, only returning occasionally to the farm where he left his mother and sisters. The people of the valley condemn his desertion and they hope the police will find his hideout. But as the months and the years go by, and the horrors of the trenches become known, the local people start to understand Roux’s actions. Roux begins to appear in the village more often, helping out and explaining that his decision was taken out of respect for the Bible. His arrest at the end of the War is therefore met with sadness and regret. Chamson explores questions of perception, morality and conscience with a lightness of touch coupled with an atmospheric picture of life in a WWI era rural community.

A suicidal father looks to an older neighbor -- and the Cookie Monster -- for salvation and sanctuary as his life begins to unravel. A man seeking to save his estranged, drug-addicted brother from the city's underbelly confronts his own mortality. A chess match between a girl and her father turns into a master class about life, self-realization, and pride: "Now hold on little girl. ... Chess is like real life. The white pieces go first so they got an advantage over the black pieces."These are just a few glimpses into the world of the residents of the fictional town of Cross River, Maryland, a largely black settlement founded in 1807 after the only successful slave revolt in the United States. Raw, edgy, and unrelenting yet infused with forgiveness, redemption, and humor, the stories in this collection explore characters suffering the quiet tragedies of everyday life and fighting for survival.In Insurrections, Rion Amilcar Scott's lyrical prose authentically portrays individuals growing up and growing old in an African American community. Writing with a delivery and dialect that are intense and unapologetically current, Scott presents characters who dare to make their own choices -- choices of kindness or cruelty -- in the depths of darkness and hopelessness. Although Cross River's residents may be halted or deterred in their search for fulfillment, their spirits remain resilient -- always evolving and constantly moving.

Even in well-established democratic societies, the political system currently faces a crisis of civic engagement and participation. Increasingly, this lack of engagement and the accompanying erosion of institutional legitimacy result in antidemocratic, populist currents gaining ground.It is an important challenge for both the humanities and the social sciences to analyse this crisis and discuss possible answers that may contribute to strengthening the position of the democratic public sphere in the political process, thus emphasising the crucial role of civic engagement and participation in renewing democracy. The articles in this volume seek the sources for such democratic innovations in a variety of existing, less formalised practices and experiences in public space: in citizens' forums and other concrete arenas for democratic debate and participation in the media in general, including social media and other digital platforms; in social movements; and in artistic interventions in the public sphere.The volume presents selected and edited papers and keynote lectures from the international research conference The Democratic Public Sphere - Current Challenges and Prospects, which was held at Aarhus University on November 5-7, 2015. It includes contributions by keynote speakers Mark E. Warren, Nick Couldry, Donatella della Porta, and Stephen Duncombe.

Nihilism and/or community. The European matter. The gift of the in-common. Touching on different themes and authors, the papers presented here probe the prolificness that the terms sacred and community could have – if subtracted from the game of reactive nihilism – in checking the violence of the diverse political and religious ideologies that the West administers. An escape opens in the implementation of critical thinking and ethical behaviour that involve the “sacrifice” of thought and of the thinking subject. The disputing, therefore, of all the semantics of the logic of the recognition and the convenience that regulate life in advanced democracies.

The “birth” could be the main concept of a philosophy of the commencement: indeed it is not only a biological event or an effective metaphor for new beginning, but also the sign that being, knowledge and action, born themselves, have the power to give birth to something. Birth is essentially which has neither memory nor appropriation of itself: it’s a destiny and a choice that confirm the features of necessity and freedom bound in every coming into the world. Thoughts about birth can be found per exempla in Arendt’s, Nietzsche’s and Vico’s works as well as in the ancient and modern age, wherever the burden of the change has been felt. The concept of birth passes through the contemporary philosophy which wants to rebuild the historical framework of the critical reflection.

German philosopher and social critic Theodor Adorno (1903--1969) is widely regarded as one of the twentieth century's most influential thinkers. A leading member of the Frankfurt School, Adorno advanced an unconventional type of Marxist analysis in books such as Dialectic of Enlightenment (1944), Minima Moralia (1951), and Negative Dialectics (1966). Forced out of Nazi Germany because of his Jewish heritage, Adorno lived in exile in the United States for nearly fifteen years. In Adorno and Democracy, Shannon Mariotti explores how this extended visit prompted a concern for and commitment to democracy that shaped the rest of his work.Mariotti analyzes the extensive and undervalued works Adorno composed in English for an American audience and traces the development of his political theory during the World War II era. Her unique study examines how Adorno changed his writing style while in the United States in order to directly address the public, which lay at the heart of his theoretical concerns. Despite his apparent contempt for popular culture, his work during this period clearly engages with a broader public in ways that reflect a deep desire to understand the problems and possibilities of democracy as enacted through the customs and habits of Americans. Ultimately, Adorno advances a theory of democratic leadership that works through pedagogy to cultivate a more robust and meaningful practice of citizenship.Mariotti incisively demonstrates how Adorno's unconventional and challenging interpretations of US culture can add conceptual rigor to political theory and remind Americans of the normative promise of democracy. Adorno and Democracy is an innovative contribution to critical debates about contemporary US politics.

In Tales from Kentucky Doctors, noted oral historian William Lynwood Montell has assembled a fascinating collection of memoirs from Kentucky's medical providers. Ranging from humorous to heartwarming to tragic, the stories presented in Tales from Kentucky Doctors are authentic and captivating. While these firsthand accounts from and about Kentucky doctors won't be found in a formal history book, this collection is essential reading for anyone who wishes to understand the culture and tradition of Kentucky medical practice. By combining personal experiences, humorous anecdotes, and local legends, the book surveys the many ways in which physicians have cared for Kentuckians in decades past.

In Tales from Kentucky Funeral Homes, William Lynwood Montell has collected stories and reminiscences from funeral home directors and embalmers across the state. These accounts provide a record of the business of death as it has been practiced in Kentucky over the past fifty years. The collection ranges from tales of old-time burial practices, to stories about funeral customs unique to the African American community, to tales of premonitions, mistakes, and even humorous occurrences. Other stories involve such unusual aspects of the business as snake-handling funerals, mistaken identities, and in-home embalming. Taken together, these firsthand narratives preserve an important aspect of Kentucky social life not likely to be collected elsewhere. Most of these funeral home stories involve the recent history of Kentucky funeral practices, but some descriptive accounts go back to the era when funeral directors used horse-drawn wagons to reach secluded areas. These accounts, including stories about fainting relatives, long-winded preachers, and pallbearers falling into graves, provide significant insights into the pivotal role morticians have played in local life and culture over the years.

"A woman was sitting on the witness stand, and the lawyer asked her, 'Did you, or did you not, on the night of June 23rd have sex with a hippie on the back of a motorcycle in a peach orchard?' She thought for a few minutes, then said, 'What was that date again?'" -- from the bookLawyers have long been known as master storytellers, and those from Kentucky are certainly no exception. Veteran oral historian and folklorist Lynwood Montell has collected tales from dozens of lawyers and judges from throughout the Bluegrass State, ranging from the story about the tough Jackson County judge who fined himself for being late to court to unwelcome dogs in the courtroom. Recorded just as they have been told for generations, these stories are sometimes funny, sometimes sad or frightening, sometimes raw and harrowing, but always remarkable.Far more than collection of lawyer jokes, Tales from Kentucky Lawyers recounts the most insightful, entertaining, and occasionally heartbreaking stories ever told by and about Kentucky lawyers and their clients, covering the spectrum from arson to homicide, domestic disagreements to sexual abuse, and everything in between. Tales from Kentucky Lawyers is a valuable resource for folklorists as well as an entertaining and vivid account of the often-surprising legal world.

From frontier times to the present day, Kentucky nurses have served with intelligence and energy, always ensuring that their patients received the best available care. Noted folklorist and oral historian William Lynwood Montell collects nearly two hundred stories from these hard-working men and women in Tales from Kentucky Nurses. From humorous anecdotes to spine-chilling coincidences, tragic circumstances, and heartwarming encounters, the tales in this lively volume are recorded exactly as they were told to Montell. Covering medical practice in the state from the early twentieth century through contemporary times, the episodes related in Tales from Kentucky Nurses reveal the significance of the nursing profession to the Bluegrass state's local life and culture. They include funny tales -- such as the story of an injured stripper who swore her pole had been sabotaged and an anecdote about a surgeon racing between hospitals who paid his speeding ticket twice, knowing he would have to hurry the other way in a few hours. Montell also presents moving stories like the recollections of a nurse who helped a frail cancer patient achieve his last wish of being baptized.This valuable collection also features anecdotes from the famous Frontier Nursing Service, which provided essential care to families in remote areas of the state and whose leader, Mary Breckinridge, is remembered fondly for her wit and kindness. In addition, Montell's interviewees share ghost stories and describe folk remedies like the practice of placing an axe under a woman's pillow during labor to cut the pain. These firsthand accounts not only pay homage to an underappreciated profession but also preserve important aspects of Kentucky's history not likely to be recorded elsewhere.

In an educational era defined by large school campuses and overcrowded classrooms, it is easy to overlook the era of one-room schools, when teachers filled every role, including janitor, and provided a familylike atmosphere in which children also learned from one another. In Tales from Kentucky One-Room School Teachers, William Lynwood Montell reclaims an important part of Kentucky's social, cultural, and educational heritage, assembling a fun and fascinating collection of schoolroom stories that chronicle a golden era in Kentucky.The firsthand narratives and anecdotes in this collection cover topics such as teacher-student relationships, day-to-day activities, lunchtime foods, students' personal relationships, and, of course, the challenges of teaching in a one-room school. Montell includes tales about fund-raising pie suppers, pranks, outrageous student behavior (such as the quiet little boy whose first "sharing" involved profanity), and variety of other topics. Montell even includes some of his own memories from his days as a pupil in a one-room school. Tales from Kentucky One-Room School Teachers is a delightful glimpse of the history of education.