In 1924, B. Russell claimed the crucial importance of relationships to our understanding of many unresolved philosophical problems. Such observation is more than fundamental for the contemporary philosophical agenda: ontology, philosophy of religion and several other theoretical fields require an explanation for the very nature of what a relationship is and how it works. Collecting several contributions on the very meaning of relations, the volume aims to expand the international debate in the field from a philosophical perspective. Ranging from history of philosophy to ontology, from philosophy of religion to the history of religious doctrines, leading scholars from all over the world come together to address this timely topic.

Tasteful Domesticity demonstrates how women marginalized by gender, race, ethnicity, and class used the cookbook as a rhetorical space in which to conduct public discussions of taste and domesticity. Taste discourse engages cultural values as well as physical constraints, and thus serves as a bridge between the contested space of the self and the body, particularly for women in the nineteenth century. Cookbooks represent important contact zones of social philosophies, cultural beliefs, and rhetorical traditions, and through their rhetoric, we witness women's roles as republican mothers, sentimental evangelists, wartime fundraisers, home economists, and social reformers. Beginning in the early republic and tracing the cookbook through the publishing boom of the nineteenth century, the Civil War and Reconstruction, the Progressive era, and rising racial tensions of the early twentieth century, Sarah W. Walden examines the role of taste as an evolving rhetorical strategy that allowed diverse women to engage in public discourse through published domestic texts.

To use Alan Badiou's words, "It is no exaggeration to say that Quentin Meillassoux has opened up a new path in the history of philosophy." The present book, Time Without Becoming, is the text of a conference that Meillassoux gave at Middlesex University in London in May 2008. Following his seminal After Finitude, Meillassoux proceeds here to further explore his notion of absolute contingency, which is able to produce and destroy, without a reason, any becoming. In her contribution, Anna Longo challenges this idea by confronting Meillassoux’s speculative materialism with emergentism.

Children's and young adult literature has become an essential medium for identity formation in contemporary Latino/a culture in the United States. This book is an original collection of more than thirty interviews led by Frederick Luis Aldama with Latino/a authors working in the genre. The conversations revolve around the conveyance of young Latino/a experience, and what that means for the authors as they overcome societal obstacles and aesthetic complexity. The authors also speak extensively about their experiences within the publishing industry and with their audiences. As such, Aldama's collection presents an open forum to contemporary Latino/a writers working in a vital literary category and sheds new light on the myriad formats, distinctive nature, and cultural impact it offers.

Literary scholars and historians have long considered W. E. B. Du Bois (1868--1963) an extremely influential writer and a powerful cultural critic. The author of more than one hundred books, hundreds of published articles, and founding editor of the NAACP journal The Crisis, Du Bois has been widely studied for his profound insights on the politics of race and class in America. An activist as well as a scholar, Du Bois proclaimed, "I stand in utter shamelessness and say that whatever art I have for writing has been used always for propaganda for gaining the right of black folk to love and enjoy."In A Political Companion to W.

An overview of the complex world of John Donne's poetry and specifically of his reflections on the theme of the journey of the soul. Donne's Metempsychosis and his Anniversaries are analysed from both a literary and philosophical/theological perspective, in the context of the rising new science.

Deel XIV in de serie Generale Missiven van de VOC bestaat uit twee banden. Deze bevatten samenvattingen in hedendaags Nederlands en oorspronkelijke citaten van de algemene brieven van Gouverneur-Generaal en Raden in Batavia aan Heren XVII in Nederland. In deze brieven worden de berichten weergegeven ontvangen uit de verschillende kantoren, van Kaapstad in Zuid-Afrika tot Deshima in Japan en van Kharg in de Perzische Golf tot Timor in Oost-Indonesië. Die gaan over de handel, de administratie en het bestuur van de VOC, inclusief fraude, desertie en schipbreuken. Zij geven daarnaast veel informatie over plaatselijke gebeurtenissen en de betrekkingen met de inheemse machthebbers. Zo zijn deze brieven ook een belangrijke bron voor de Aziatische geschiedenis. Door verwijzingen naar in Batavia ontvangen brieven uit andere delen van het VOC-imperium zijn de Generale Missiven voor historisch onderzoekers een onmisbare toegang tot het VOC-archief. Ook op dit deel zijn weer uitgebreide indices gemaakt.Deel XIV beslaat de jaren 1761-1767, de eerste helft van het gouverneur-generaalschap van Petrus Albertus van der Parra. De VOC voerde toen een grote oorlog tegen Kandy op Ceylon, die uiteindelijk de hegemonie van de VOC op het eiland bevestigde. Verder besloot zij de verloren vesting op Kharg op te geven en het geplunderde handelskantoor in Thailand te sluiten. Daarnaast valt te constateren dat door de machtsuitbreiding van de Engelse compagnie in Bengalen de positie van de VOC daar verzwakte. In een aantal gebieden in Azië was dus sprake van teruggang, maar in Zuidoost-Azië consolideerde de Compagnie haar macht en breidde die zelfs uit. English abstract: This book - published in 2 parts - is an edited translation and summary of the correspondence of the Dutch East India Trading Company (VOC) between the colonial headquarters in Indonesiä and the national headquarters in the Netherlands between 1761-1767. These letters were the means by which the headquarters in the Netherlands was informed about the colonies and relevant territories including most of south-east Asia and south Africa. They contain information about trading missings, shipwrecks, local events and news from the colonies.

Deel XIV in de serie Generale Missiven van de VOC bestaat uit twee banden. Deze bevatten samenvattingen in hedendaags Nederlands en oorspronkelijke citaten van de algemene brieven van Gouverneur-Generaal en Raden in Batavia aan Heren XVII in Nederland. In deze brieven worden de berichten weergegeven ontvangen uit de verschillende kantoren, van Kaapstad in Zuid-Afrika tot Deshima in Japan en van Kharg in de Perzische Golf tot Timor in Oost-Indonesië. Die gaan over de handel, de administratie en het bestuur van de VOC, inclusief fraude, desertie en schipbreuken. Zij geven daarnaast veel informatie over plaatselijke gebeurtenissen en de betrekkingen met de inheemse machthebbers. Zo zijn deze brieven ook een belangrijke bron voor de Aziatische geschiedenis. Door verwijzingen naar in Batavia ontvangen brieven uit andere delen van het VOC-imperium zijn de Generale Missiven voor historisch onderzoekers een onmisbare toegang tot het VOC-archief. Ook op dit deel zijn weer uitgebreide indices gemaakt.Deel XIV beslaat de jaren 1761-1767, de eerste helft van het gouverneur-generaalschap van Petrus Albertus van der Parra. De VOC voerde toen een grote oorlog tegen Kandy op Ceylon, die uiteindelijk de hegemonie van de VOC op het eiland bevestigde. Verder besloot zij de verloren vesting op Kharg op te geven en het geplunderde handelskantoor in Thailand te sluiten. Daarnaast valt te constateren dat door de machtsuitbreiding van de Engelse compagnie in Bengalen de positie van de VOC daar verzwakte. In een aantal gebieden in Azië was dus sprake van teruggang, maar in Zuidoost-Azië consolideerde de Compagnie haar macht en breidde die zelfs uit. English abstract: This book - published in 2 parts - is an edited translation and summary of the correspondence of the Dutch East India Trading Company (VOC) between the colonial headquarters in Indonesiä and the national headquarters in the Netherlands between 1761-1767. These letters were the means by which the headquarters in the Netherlands was informed about the colonies and relevant territories including most of south-east Asia and south Africa. They contain information about trading missings, shipwrecks, local events and news from the colonies.

The speaker in Cape Verdean Blues is an oracle walking down the street. Shauna Barbosa interrogates encounters and the weight of their space. Grounded in bodily experience and the phenomenology of femininity, this collection provides a sense of Cape Verdean identity. It uniquely captures the essence of “Sodade,” as it refers to the Cape Verdean American experience, and also the nostalgia and self-reflection one navigates through relationships lived, lost, and imagined. And its layers of unusual imagery and sound hold the reader in their grip.

A girl afflicted with pyrokinesis tries to control her fire-starting long enough to go to a dance with a boy she likes. A woman trapped in a stalled marriage is excited by an alluring ex-con who enrolls in her YMCA cooking class. A teen accompanies her mother, a prestigious poet, to a writing conference where she navigates a misguided attraction to a married writer -- who is, in turn, attracted to her mother -- leaving her "inventing punishments for writers who believe in clichés as tired as broken hearts. "In this affecting collection, Katie Cortese explores the many faces of love and desire. Featuring female narrators that range in age from five to forty, the narratives in Make Way for Her speak to the many challenges and often bittersweet rewards of offering, receiving, and returning love as imperfect human beings. The stories are united by the theme of desperate love, whether it's a daughter's love for a parent, a sister's for a sibling, or a romantic love that is sometimes returned and sometimes unrequited.Cortese's complex and multilayered stories play with the reader's own desires and anticipations as her characters stubbornly resist the expected. The intrepid girls and women in this book are, above all, explorers. They drive classic cars from Maine to Phoenix, board airplanes for the first time, and hike dense forests in search of adventure; but what they often find is that the most treacherous landscapes lie within. As a result, Make Way for Her explores a world of women who crave knowledge and experience, not simply sex or love.

During the 1982 air strikes on Beirut, Faiz Ahmed Faiz asked his friend Mahmoud Darwish “Why aren’t the poets writing this war on the walls of the city?” Darwish responded, “Can’t you see the walls falling down?” Queer, Muslim, American, Kazim Ali has always navigated complex intersections and interstices on order to make a life. In this scintillating mixture of lyrics, narrative, fragments, prose poem, and spoken word, he answers longstanding questions about the role of the poet or artist in times of political or social upheaval, although he answers under duress. An inquisition is dangerous, after all, especially to Muslims whose poetry and art and spiritual life has always depended not on the Western ideal of a known God or definitive text but on the concepts of abstraction, geometry, vertigo. “Someone always asks ‘where are you from,’” Ali writes, “and I want to say ‘a body is a body of matter flung/from the far corners of the universe and I am a patriot/of breath of sin of the endless clamor/out the window.’” Ali engages history, politics, and the dangerous regions of the uncharted heart in this visceral new collection.

“I'm learning to allow for visions,” the primary speaker of The Trailhead announces, setting out through a landscape populated by swan-killers, war torturers, and kings. Much of the book takes place in the contemporary American West, and these poems reckon with the violence inherent in that history. A “conversion narrative” of sorts, the book examines the self as a “burned-over district,” individual and cultural pain as a crucible in which the book’s sibyls and spinsters are remade, transfigured. Sacralization/is when things become holy, also/when vertebrae fuse," the book tells us, pulling at the tensions between secular and sacred embodiment, exposing the essential difficulty of being a speaking woman. The collection arrives at a taut, gendered calling—a firm faith in the power and worth of the female voice—and a broader faith in poetry not as a vehicle of atonement or expiation, but as bulwark against our frailties and failings.

Manuel de Pedrolo’s widely acclaimed post-apocalyptic novel, which includes a foreword by Kim Stanley Robinson, tells the story of two children who survive the brutal destruction of Earth by alien explorers. The protagonists, Alba and Dídac, retreat to the forest, then journey to the rubble of Barcelona to rescue and preserve the remnants of human civilization in the city’s bombed libraries and cultural institutions. In the absence of the rule of law and social norms, the children create a utopian world of two that honors knowledge and interracial love, to become a new Adam and Eve and try to bring about the world’s second origin. A bestseller and required reading for secondary school students in Catalonia, Typescript of the Second Origin is indispensable to understand how a region of Spain whose language, culture, and institutions were targeted and punished by Francisco Franco. At the same time, Pedrolo’s tale of survival reaches beyond national and cultural borders to offer contemporary international readers a timely warning about the threat of global ecological destruction.Hardcover is un-jacketed.

In Blood Pages George Bilgere continues his exploration of the joys and absurdities of being middle-aged and middle-class in the Midwest. OK, maybe he’s a bit beyond middle-aged at this point, and his rueful awareness of this makes these poems even more darkly hilarious, more deeply aware of the feckless and baffling times our nation has stumbled into. And the fact that Bilgere, relatively late in life, is now the father of two young boys brings a fresh sense of urgency to his work. Blood Pages is a guidebook to the fears, foibles, and beauties of our lovely old country as it makes its blundering, tentative way into the new century.

Winner of the Massachusetts Book Award for Poetry The Wall is a poetic exploration—across time, space, and language, real as well as metaphorical—of the U.S.-Mexican wall dividing the two civilizations, of similar walls (Jerusalem, China, Berlin, Warsaw, etc. ) in history, and of the act of separating people by ideology, class, race, and other subterfuges. It is an indictment of hateful political rhetoric. In the spirit of Virgil’s Aeneid and Spoon River Anthology by Edgar Lee Master, it gives voice in symphonic fashion to an assortment of participants (immigrants, border patrol, soldiers, activists, presidents, people dead and alive) involved in the debate on walls. It brings in elements of literature and pop culture, fashion and cuisine. Poetry becomes a tool to explore raw human emotions in all its extremes.

The poems in What We Did While We Made More Guns investigate the place where economic failure meets a widening acculturation of violence—a kind of Great Acceleration of soul extinction set in this spectacularly uneasy moment in American history. Cutting, comic, sorrowful, at times terrified, at times resolute, the poems tilt along the high cliff’s edge of identity anxiety and American moral uncertainty, where each of us plays our part in the business of dispossession or resistance. Building themselves out of jazzed-up verbal velocities and wounded (in)sincerity, the poems counsel resilience against all forms of battery, mortal, spiritual, financial. They are pattern-makers in the dark. They talk back to God. They take into themselves what cannot be taken back: the news that forty-six million Americans have “slipped” below the poverty line; that guns discharge monstrously banal virility; that a black woman pulled over for a routine traffic violation dies by strangulation in her jail cell; that we buy and sell the myth of the American Dream as though our lives depended on it.