Rhyming couplets meet etched illustrations in this whimsically dark chapbook about poets and their deaths.

Despite its centrality to its field, there is no consensus regarding what rhetorical theory is and why it matters. The Ethical Fantasy of Rhetorical Theory presents a critical examination of rhetorical theory throughout history, in order to develop a unifying vision for the field. Demonstrating that theorists have always been skeptical of, yet committed to "truth" (however fantastic), Ira Allen develops rigorous notions of truth and of a "troubled freedom" that spring from rhetoric’s depths. In a sweeping analysis from the sophists Aristotle, and Cicero through Kenneth Burke, Chaïm Perelman and Lucie Olbrechts-Tyceta, and contemporary scholars in English, communication, and rhetoric’s other disciplinary homes, Allen offers a novel definition of rhetorical theory: as the self-consciously ethical study of how humans and other symbolic animals negotiate constraints.

Native Tributes is a sequel to Blue Ravens by Gerald Vizenor, a historical novel about Native Americans in the First World War published by Wesleyan University Press in 2014. Basile Hudon Beaulieu, a native writer, his brother Aloysius, an abstract artist, travel by train from the White Earth Reservation in Minnesota to Washington, D.C. where they protest with thousands of other military veterans in the Bonus Army, and their cousin By Now Rose Beaulieu, a veteran nurse, rides her horse named Treaty to the same march during the summer of 1932. Aloysius creates hand puppets and entertains the spirited veterans with the mockery of communists and President Herbert Hoover. General Douglas McArthur routes the veterans from the National Mall, and the Beaulieu brothers move to an encampment of needy veterans in Hard Luck Town on the East River in New York City. The brothers visit the Biblo and Tanner Booksellers, a gallery owned by Alfred Stieglitz, the Modicut Puppet Theatre, and an exhibition at the Museum of Modern Art. Aloysius is inspired by Arthur Dove, Chaïm Soutine, and Marc Chagall. Native Tributes is a journey of liberty, and escapes the enticement of nostalgia and victimry. Vizenor maintains his masterly perception of oral stories, and creates a dynamic literary tribute to Native American veterans and visionary artists in the Great Depression.

Resounding the Rhetorical offers an original critical and theoretical examination of composition as a quasi-object. As composition flourishes in multiple media (digital, sonic, visual, etc.), Byron Hawk seeks to connect new materialism with current composition scholarship and critical theory. Using sound and music as his examples, he demonstrates how a quasi-object can and does materialize for communicative and affective expression, and becomes a useful mechanism for the study and execution of composition as a discipline. Through careful readings of Serres, Latour, Deleuze, Heidegger, and others, Hawk reconstructs key concepts in the field including composition, process, research, collaboration, publics, and rhetoric. His work delivers a cutting-edge response to the state of the field, where it is headed, and the possibilities for postprocess and postwriting composition and rhetoric.

This publication is an exercise in the deconstruction of colonial myths and the creation of a decolonized native Atlantic Leeward historiography.

Robert Penn Warren is one of the best-known and most consequential Kentucky writers of the twentieth century and the only American writer to have won three Pulitzers in two different genres. All the King's Men, generally considered one of the finest novels ever written on American politics, transcends sensationalism and topicality to stand as art. It was a bestseller, won the Pulitzer Prize, and became an Academy Award--winning movie. Depicting the rise and fall of a dictatorial southern politician -- modeled on Huey Long of Louisiana -- the timeless story and memorable characters raise questions about the importance of history, moral conflicts in public policy, and idealism in government.In Robert Penn Warren's All the King's Men: A Reader's Companion, author Jonathan S. Cullick considers the themes of this famous novel within the context of America's current political climate. He addresses the novel's continuing relevance and interviews a cross-section of elected and appointed officials, as well as journalists, in Kentucky to explore how Warren's novel has influenced their work and approach to politics.By focusing on what Warren's novel has to say about power, populism, ethics, and the force of rhetoric, Cullick encourages readers to think about their own identities and responsibilities as American citizens. This volume promises to be not only an indispensable companion to All the King's Men but it also provides context and a new diverse set of perspectives from which to understand this seminal novel.

This revised and updated edition of the classic Cold War novel Team Yankee reminds us once again might have occurred had the United States and its Allies taken on the Russians in Europe, had cooler geopolitical heads not prevailed. For 45 years after World War II, East and West stood on the brink of war. When Nazi Germany was destroyed, it was evident that Russian tank armies had become supreme in Europe, but only in counterpart to US air power. In 1945 US and UK bombers sent a signal to the advancing Russians at Dresden to beware of what the Allies could do. Likewise when the Russians overran Berlin they sent a signal to the Allies what their land armies could accomplish. Thankfully the tense standoff continued on either side of the Iron Curtain for nearly half a century. During those years, however, the Allies beefed up their ground capability, while the Soviets increased their air capability, even as the new jet and missile age began (thanks much to captured German scientists on both sides). The focal point of conflict remained in central Germany—specifically the flat plains of the Fulda Gap—through which the Russians could pour all the way to the Channel if the Allies proved unprepared (or unable) to stop them. Team Yankee posits a conflict that never happened, but which very well might have, and for which both sides prepared for decades. This former New York Times bestseller by Harold Coyle, now revised and expanded, presents a glimpse of what it would have been like for the Allied soldiers who would have had to meet a relentless onslaught of Soviet and Warsaw Pact divisions. It takes the view of a US tank commander, who is vastly outnumbered during the initial onslaught, as the Russians pull out all the cards learned in their successful war against Germany. Meantime Western Europe has to speculate behind its thin screen of armor whether the New World can once again assemble its main forces—or willpower—to rescue the bastions of democracy in time.

I Would Lie To You If I Could contains interviews with nine eminent contemporary American poets (Natasha Trethewey, Jane Hirshfield, Martín Espada, Stephen Kuusisto, Stephen Sandy, Ed Ochester, Carolyn Forche, Peter Everwine, and Galway Kinnell) and James Wright’s widow Anne, presents conversations with a vital cross section of poets representing a variety of ages, ethnicities, and social backgrounds. The poets testify to the demotic nature of poetry as a charged language that speaks uniquely in original voices, yet appeals universally. As individuals with their own transpersonal stories, the poets have emerged onto the national stage from very local places with news that witnesses memorably in social, personal, and political ways. They talk about their poems and development as poets self-effacingly, honestly, and insightfully, describing just how and when they were "hurt into poetry," as well as why they have pursued writing poetry as a career in which, as Robert Frost noted in his poem "Two Tramps in Mud Time," their object has become "to unite [their] avocation and [their] vocation / As [their] two eyes make one in sight."

The Odyssey is rightly celebrated as a story that goes far beyond the scope of epic poetry. It is an open window to an entire era and its social systems as well as its theological, cultural, economic and political structures, while running simultaneously in the register of the earthly and of the divine. Within The Odyssey, the episode of the Sirens stands out as an exceptionally evocative example of this kind of achievement. This volume is dedicated to exploring the myriad levels of analysis that are allowed by this famous episode, following in the footsteps of celebrated readers of The Odyssey such as Adorno, Horkheimer, Lukàcs, Auerbach, Kerény, Bloch, Auden, Pound, Tolstoj, Elster and Steiner. By looking at the brief encounter between Ulysses and the Sirens, the reader of this volume will discover the roots of our modern concept of middle class rationality and its profound ramifications stretching between economy, politics, and the divine.

Since antiquity, Epicurus’ thought has been compared to a powerful drug able to cure the pains of the soul that have always tormentedman preventing him from living a peaceful existence: but we know that the Greek term pharmakon can be interpreted in its two opposite meanings of medicine and poison; and indeed, the same duplicity animates Epicurus’ philosophy which, by acting as a medicine for the human soul, also has the effect of a poison, destroying from within, philosophy traditionally conceived as a disinterested contemplation of truth. The philosophical revolution undertaken by Epicurus as a fracture with respect to all the previous tradition, from Thales to Aristotle, coincides with an inversion of the traditional relation between man and cosmos, between theory and practice: the classic question “what is reality made of?” is replaced by the Epicurean question that is at the basis of his philosophical anthropocentrism: “how must reality be made and how should one understand it in order to be happy? ”. Each specific articulation of Epicurean philosophy is subordinate to the task of achieving a happy existence that is in no way inferior to any of the divine realities’.

After the publication of Nietzsche’s Untimely Meditations (Unzeitgemässe Betrachtungen) the term 'Untimely' was introduced widely in philosophical studies, not merely in Nietzschean contexts. Although this concept has become very popular, it is surprising that it has been neglected by critical studies. Indeed, there are only a few publications that fully present the issue of 'Untimely' on the international scene. In this volume the reader will find different reflections moving from the Nietzschean texts, rethinking the question of the ‘Untimely’ beyond the 'master', and exploring wider horizons of research.

Best American Experimental Writing 2018, guest-edited by Myung Mi Kim, is the fifth edition of the critically acclaimed anthology series compiling an exciting mix of fiction, poetry, non-fiction, and genre-defying work. Featuring a diverse roster of writers and artists culled from both established authors—like Mei-mei Berssenbrugge, Don Mee Choi, Mónica de la Torre, Layli Long Soldier, and Simone White—as well as new and unexpected voices, including Clickhole.com, BAX 2018 presents an expansive view of today’s experimental and high-energy writing practices. A perfect gift for discerning readers as well as an important classroom tool, Best American Experimental Writing 2018 is a vital addition to the American literary landscape.

Lectionary studies were almost abandoned after the mid-twentieth century, and the recent revival of interest in the Greek Lectionary has concentrated exclusively on the Gospel Lectionary. Gibson reintroduces the value of the Apostolos yet incorporates modern methodology in order to build upon the work of recent Lectionary scholarship, analysing New Testament and liturgical textual traditions together, both compilation and continuous text. Through this process, it is shown that the Apostolos witness is not usually copied to another and that consequently there is no ‘Lectionary text’ of Acts and Paul. Instead, Apostolos copies reflect textual variation in the evolving Byzantine tradition. This study concentrates on the Apostolos in its scribal, monastic, liturgical, and theological context as well as in light of other manuscript traditions.

Frederick Douglass (1818--1895) was a prolific writer and public speaker whose impact on American literature and history has been long studied by historians and literary critics. Yet as political theorists have focused on the legacies of such notables as W. E. B. Du Bois and Booker T. Washington, Douglass's profound influence on Afro-modern and American political thought has often been undervalued.In an effort to fill this gap in the scholarship on Douglass, editor Neil Roberts and an exciting group of established and rising scholars examine the author's autobiographies, essays, speeches, and novella. Together, they illuminate his genius for analyzing and articulating core American ideals such as independence, liberation, individualism, and freedom, particularly in the context of slavery. The contributors explore Douglass's understanding of the self-made American and the way in which he expanded the notion of individual potential by arguing that citizens had a responsibility to improve not only their own situations but also those of their communities. A Political Companion to Frederick Douglass also considers the idea of agency, investigating Douglass's passionate insistence that every person in a democracy, even a slave, possesses an innate ability to act. Various essays illuminate Douglass's complex racial politics, deconstructing what seems at first to be his surprising aversion to racial pride, and others explore and critique concepts of masculinity, gender, and judgment in his oeuvre. The volume concludes with a discussion of Douglass's contributions to pre-- and post--Civil War jurisprudence.

This volume deals with the evidence from manuscripts and handwritten documents with multilingual and multigraphic structures in Arabic, Hebrew, Latin and Greek, conceived and designed to display texts in different languages or scripts, as well as addressing the historical context of these testimonia (their production, use and circulation) and focusing on problems inherent to multicultural societies.

Bobbie Ann Mason burst onto the American literary scene during a renaissance of short fiction that Raymond Carver called a "literary phenomenon." Anne Tyler hailed Mason as "a full-fledged master of the short story." Mason's work, charged with a spirit of exploration, garnered both popular and critical acclaim. This reader collects outstanding examples of Mason's award-winning work from throughout her writing career and provides a unique look at the development of one of the country's finest writers. Patchwork contains short stories first published in the New Yorker and other leading periodicals; chapters from Mason's acclaimed novels, including In Country, An Atomic Romance, and The Girl in the Blue Beret; and riveting excerpts from Mason's eclectic nonfiction. Some examples of Mason's recent explorations in flash fiction appear here in print for the first time.Mason's writing glows with a nuanced understanding of the struggles and pathos of American life in the twentieth and twenty-first centuries. George Saunders writes in his introduction, "Bobbie Ann Mason is a strange and beautiful writer.... Her stories exist to gently touch on, and praise, even mourn, what it feels like to be alive in this moment." Patchwork conveys Mason's extraordinary talent and range as a writer.