Using an interdisciplinary approach, Healing Memories analyzes the ways that Puerto Rican women authors use their literary works to challenge historical methodologies that have silenced the historical experiences of Puerto Rican women in the United States. Following Aurora Levins Morales's alternative historical methodology she calls “curandera history,” this work analyzes the literary work of authors, including Aurora Levins Morales, Nicholasa Mohr, Esmeralda Santiago, and Judith Ortiz Cofer, and the ways they create medicinal histories that not only document the experiences of migrant women but also heal the trauma of their erasure from mainstream national history. Each analytical chapter focuses on the various methods used by each author including using the literary space as an archive, reclaiming memory, and (re)writing cultural history, all through a feminist lens that centers the voices and experiences of Puerto Rican women.

Nostalgic Design presents a rhetorical analysis of twenty-first century nostalgia and a method for designers to create more inclusive technologies. Nostalgia is a form of resistant commemoration that can tell designers what users value about past designs, why they might feel excluded from the present, and what they wish to recover in the future. By examining the nostalgic hacks of several contemporary technical cultures, from female software programmers who knit on the job to anti-vaccination parents, Kurlinkus argues that innovation without tradition will always lead to technical alienation, whereas carefully examining and layering conflicting nostalgic traditions can lead to technological revolution.

A pillar of African American literature, Richard Wright is one of the most celebrated and controversial authors in American history. His work championed intellectual freedom amid social and political chaos. Despite the popular and critical success of books such as Uncle Tom's Children (1938), Black Boy (1945), and Native Son (1941), Wright faced staunch criticism and even censorship throughout his career for the graphic sexuality, intense violence, and communist themes in his work. Yet, many political theorists have ignored his radical ideas.In The Politics of Richard Wright, an interdisciplinary group of scholars embraces the controversies surrounding Wright as a public intellectual and author. Several contributors explore how the writer mixed fact and fiction to capture the empirical and emotional reality of living as a black person in a racist world. Others examine the role of gender in Wright's canonical and lesser-known writing and the implications of black male vulnerability. They also discuss the topics of black subjectivity, internationalism and diaspora, and the legacy of and responses to slavery in America.Wright's contributions to American political thought remain vital and relevant today. The Politics of Richard Wright is an indispensable resource for students of American literature, culture, and politics who strive to interpret this influential writer's life and legacy.

In Vernacular Latin Americanisms, Fernando Degiovanni offers a long-view perspective on the intense debates that shaped Latin American studies and still inform their function in the globalized and neoliberal university of today. By doing so he provides a reevaluation of a field whose epistemological and political status has obsessed its participants up until the present. The book focuses on the emergence of Latin Americanism as a field of critical debate and scholarly inquiry between the 1890s and the 1960s. Drawing on contemporary theory, intellectual history, and extensive archival research, Degiovanni explores in particular how the discourse and realities of war and capitalism have left an indelible mark on the formation of disciplinary perspectives on Latin American cultures in both the United States and Latin America. Questioning the premise that Latin Americanism as a discipline comes out of the tradition of continental identity developed by prominent intellectuals such as José Martí, José E. Rodó or José Vasconcelos, Degiovanni proposes that the scholars who established the discipline did not set out to defend Latin America as a place of uncontaminated spiritual values opposed to a utilitarian and materialist United States. Their mission was entirely different, even the opposite: giving a place to culture in the consolidation of alternative models of regional economic cooperation at moments of international armed conflict. For scholars theorizing Latin Americanism in market terms, this meant questioning nativist and cosmopolitan narratives about identity; it also meant abandoning any Bolivarian project of continental unity or of socialist internationalism.

What are the limits of tolerance in constitutional or liberal democracies today? This is a crucial question, for if there were no limits to tolerance, it would ultimately destroy itself by accepting the intolerable. The concept of tolerance has to be assessed from a political point of view, thus questioning to what extent its potential achievement does not suppose any moral mutation in humanity. For instance, if people were all already ‘virtuous’ according to a commonly held moral framework, there would be simply no need to speak of tolerance. Conversely, if it were the case that people could be made ‘virtuous’, then tolerance would be the matter of an improbable utopia. Ultimately, we need to consider how tolerance can be conceptualised in a way that is relevant to people and their societies as they actually are. In a time when a growing amount of political demands touches on themes of cultural identity and rights, and while we witness a mounting wave of religious fundamentalism, what should democracies accept and what should they refuse?

The inventor of the speculum, J. Marion Sims, is celebrated as the "father of modern gynecology," and a memorial at his birthplace honors "his service to suffering women, empress and slave alike." These tributes whitewash the fact that Sims achieved his surgical breakthroughs by experimenting on eleven enslaved African American women. Lent to Sims by their owners, these women were forced to undergo operations without their consent. Today, the names of all but three of these women are lost.In Mend: Poems, Kwoya Fagin Maples gives voice to the enslaved women named in Sims's autobiography: Anarcha, Betsey, and Lucy. In poems exploring imagined memories and experiences relayed from hospital beds, the speakers challenge Sims's lies, mourn their trampled dignity, name their suffering in spirit, and speak of their bodies as "bruised fruit." At the same time, they are more than his victims, and the poems celebrate their humanity, their feelings, their memories, and their selves. A finalist for the Association of Writers and Writing Programs Donald Hall Prize for Poetry, this debut collection illuminates a complex and disturbing chapter of the African American experience.

What forces bring ordinary people together in public to make their voices heard? What means do they use to break through impediments to democratic participation?Unruly Rhetorics is a collection of essays from scholars in rhetoric, communication, and writing studies inquiring into conditions for activism, political protest, and public assembly. An introduction drawing on Jacques Rancière and Judith Butler explores the conditions under which civil discourse cannot adequately redress suffering or injustice. The essays offer analyses of “unruliness” in case studies from both twenty-first-century and historical sites of social-justice protest. The collection concludes with an afterword highlighting and inviting further exploration of the ethical, political, and pedagogical questions unruly rhetorics raise. Examining multiple modes of expression – embodied, print, digital, and sonic – Unruly Rhetorics points to the possibility that unruliness, more than just one of many rhetorical strategies within political activity, is constitutive of the political itself.

Isra Shadi, a twenty-one-year-old woman of mixed Palestinian and white descent, lives in California with her paternal amu (uncle), amtu (aunt), and cousins after the death of her mother and abandonment by her father at a young age. Ever the outcast in her amu and amtu's household, they eagerly encourage Isra to marry and leave. After rejecting a string of undesirable suitors, she marries Yusef, an old love from her past. In Amreekiya, author Lena Mahmoud deftly juggles two storylines, alternating between Isra's youth and her current life as a married twentysomething who is torn between cultures and trying to define herself. The chapters chronicle various moments in Isra's narrative, including the volatile relationship of her parents and the trials and joys of forging a partnership with Yusef. Mahmoud also examines Isra's first visit to Palestine, the effects of sexism, how language affects identity, and what it means to have a love that overcomes unbearable pain.An exploration of womanhood from an underrepresented voice in American literature, Amreekiya is simultaneously unique and relatable. Featuring an authentic array of characters, Mahmoud's first novel is a much-needed story in a divided world.

Pulitzer Prize-winning poet Rae Armantrout is at once a most intimate and coolly calculating poet. If anyone could produce a hybrid of Charlie Chaplin's playful "Little Tramp" and Charlize Theron's fierce "Imperator Furiosa," it would be Armantrout. Her language is unexpected yet exact, playing off the collective sense that the shifting ground of daily reality may be a warning of imminent systemic collapse. While there are glimmers here of what remains of "the natural world," the poet confesses the human failings, personal and societal, that have led to its devastation. No one's senses are more acutely attuned than Armantrout's, which makes her an exceptional observer and reporter of our faults. She leaves us wondering if the American Dream may be a nightmare from which we can't awaken. Sometimes funny, sometimes alarming, the poems in Wobble play peek-a-boo with doom.

Roberto Marchesini presents a timely proposal within post-human philosophy in order to overcome the centuries of separation between human beings, non-human animals and technology. This book highlights the inspiring nature of the relationship with non-human beings – what Marchesini calls “Epiphany” – and how its enhancement can open new existential dimensions. Technology is also reinterpreted, no longer as a performative tool, but as a virus that infiltrates the human dimension and changes its predicates. Technopoietic events are not just the product of human intelligence, but they arise from an epiphany (a becoming alterity), thus positioning technology well within the ontological and somatic dimension of human beings. This book lays the foundations for a new and non-anthropocentric Humanism, which is able to recognize the essential role that non-human alterities have had throughout our history.

The book explores the latest debates in the field of social epistemology, concerning epistemic justification of democracy. On the one hand, we find those who support a standard approach, assuming that democratic legitimacy must be grounded on the production of epistemically high-quality decisions (true, truth-sensitive, truth-conductive, correct, justified, rational, epistemically responsible and so on). On the other hand, there are those who don’t deem epistemic justification as either necessary or conducive to democratic legitimacy, and those who accept the necessity of the epistemic justification of democracy while rejecting its reduction to the production of true or justified decisions. Fundamentally, this range of positions is highly influenced by their respective stances regarding the status of experts within the democratic decision-making process. This book offers both a unique perspective on this debate and registers the challenge of a new discipline of applied, ‘real world’ epistemology.

Drawing on the relationship between Derrida and Levinas and on the unresolved tension between their philosophical corpuses, this book aims to offer new possible interpretations on the future of democracy. What philosophical and political ideals can emerge from a parallel reading of these two acclaimed thinkers, and from their ‘philosophical alliance’? This volume attempts to re-imagine and to re-engage the realm of politics, by offering new perspectives on the multiple crises that traverse the contemporary age. This book includes the following interviews: Penser aujourd’hui with Emmanuel Levinas by Catherine ChalierUne éthique de la mémoire. Un entretien à Yad Vashemwith Jacques Derrida by Michal Ben NatftaliAccueil, éthique, droit, politique with Jacques Derrida by Michel WieviorkaUne hospitalité sans condition with Jacques Derrida

This book is the culmination of the Turabdin Project, the goal of which is to monitor the development of Modern Literary Syriac from the 1980s to the present. The approach is descriptive and contrastive relative to the Classical language, significant differences between Modern Literary Syriac and Classical Syriac are noted. The main focus is on neologisms and new developments in the lexicon.

The Anthropocene is a term proposed for the present geological epoch (from the time of the Industrial Revolution onwards) to highlight the role of humanity in the transformation of earth’s environment globally, has become the subject of scholarship not only in the sciences, but also in the arts and humanities as well. Ecopoetics, a multidisciplinary approach that includes thinking and writing on poetics, science, and theory as well as emphasizing innovative approaches common to conceptual poetry, rose out of the late 20th-century awareness of ecology and concerns of environmental disaster.Collected from contributors including Brenda Hillman, Eileen Tabios, and Christopher Cokinos, and together a monument to human responsiveness and invention, Counter-Desecration is a book of ecopoetics that compiles terms—borrowed, invented, recast—that help configure or elaborate human engagement with place. There are no analogous volumes in the field of ecocriticism and ecopoetics. The individual entries, each a sketch or a notion, through some ecopoetic lens—anti-colonialism, bioregionalism, ecological (im)balance, indigeneity, resource extraction, extinction, habitat loss, environmental justice, queerness, attentiveness, sustainability—focus and configure the emerging relations and effects of the Anthropocene. Each entry is a work of art concerned with contemporary poetics and environmental justice backed with sound observation and scholarship.

2019 Best Book in the Humanities (Mexico section) of the Latin American Studies AssociationModernity at Gunpoint provides the first study of the political and cultural significance of weaponry in the context of major armed conflicts in Mexico and Central America. In this highly original study, Sophie Esch approaches political violence through its most direct but also most symbolic tool: the firearm. In novels, songs, and photos of insurgency, firearms appear as artifacts, tropes, and props, through which artists negotiate conceptions of modernity, citizenship, and militancy. Esch grounds her analysis in important re-readings of canonical texts by Martín Luis Guzman, Nellie Campobello, Omar Cabezas, Gioconda Belli, Sergio Ramirez, Horacio Castellanos Moya, and others. Through the lens of the iconic firearm, Esch relates the story of the peasant insurgencies of the Mexican Revolution, the guerrilla warfare of the Sandinista Revolution, and the ongoing drug-related wars in Mexico and Central America, to highlight the historical, cultural, gendered, and political significance of weapons in this volatile region.

The poems in Plasma, Bradley Paul’s third book, use common objects, animals, people, and experiences as starting points to consider one’s connectivity to the world. Riddles and obituaries alternate with rants and memories of things that never existed or that the speaker has never seen – or that he has, and struggles to remember. The title is inspired by all our conceptions of plasma: an infinitely conductive state of matter in which the many disparate parts act collectively to create a single, ever-shifting whole. The part of the blood that communicates and provides. The ethereal medium by which we watch thousands of electronic images, sounds, and stories.