Contexts of and Relations between Early Writing Systems (CREWS) is a project funded by the European Research Council under the European Union’s Horizon 2020 research and innovation programme (grant agreement No. 677758), and based in the Faculty of Classics, University of Cambridge.Understanding Relations Between Scripts II: Early Alphabets is the first volume in this series, bringing together ten experts on ancient writing, languages and archaeology to present a set of diverse studies on the early development of alphabetic writing systems and their spread across the Levant and Mediterranean during the second and first millennia BC. By taking an interdisciplinary perspective, it sheds new light on alphabetic writing not just as a tool for recording language but also as an element of culture.

Fred Rogers is an American cultural and media icon, whose children’s television program, Mister Rogers’ Neighborhood, ran for more than thirty years (1967-2001) on the Public Broadcasting System (PBS). In this highly original book, Alexandra C. Klarén shows how Rogers captured the moral, social, and emotional imaginations of multiple generations of Americans. She explores the nuanced complexity of the thought behind the man and the program, the dialogical integration of his various influences, and the intentional ethic of care behind the creation of a program that spoke to the affective, socio-cultural, and educational needs of children (and adults) during a period of cultural upheaval. Richly informed by newly available archival materials, On Becoming Neighbors chronicles the evolution of Rogers’ thought on television, children, pedagogy, and the family through a rhetorical, cultural, and ethical lens. Klarén probes how Rogers creates the conditions for dialogue in which participants explore possibilities and questions relating to the social and material world.

Beth Qaṭraye was an important cultural, linguistic and religious crossroads in the pre- and early Islamic periods. In this reissue of a facsimile edition of Duval’s edition of Bar Bahlul’s lexicon, Duval’s Latin introductory material has been translated into English by Samuel Barry.

Beth Qaṭraye was an important cultural, linguistic and religious crossroads in the pre- and early Islamic periods. In this reissue of a facsimile edition of Duval’s edition of Bar Bahlul’s lexicon, Duval’s Latin introductory material has been translated into English by Samuel Barry.

Beth Qaṭraye was an important cultural, linguistic and religious crossroads in the pre- and early Islamic periods. In this reissue of a facsimile edition of Duval’s edition of Bar Bahlul’s lexicon, Duval’s Latin introductory material has been translated into English by Samuel Barry.

From migrations to pop culture, loss to la dérive, Life in a Country Album is a soundtrack of the global cultural landscape—borders and citizenship, hybrid identities and home, freedom and pleasure. It’s a vast and moving look at the world, at what home means, and the ways we coexist in an increasingly divided world. These poems are about the dialects of the heart—those we are incapable of parting from, and those that are largely forgotten. Life in a Country Album is a vital book for our times. With this beautiful, epic collection, Nathalie Handal affirms herself as one of our most diverse and important contemporary poets.

This book serves to correct the now accepted understanding of Irenaeus’s theodicy. This assumption of Hick’s theodicy as legitimately “Irenaean” remains due the gulf between Irenaean scholarship and discussion of the problem of evil. The present work offers a bridge between the two to allow for the continued discussion of both theologian’s distinct views.

Judy Young (1940--2015) was a gifted but private poet. Over the years, she established provisional collections of her best work but refrained from seeking publication due to her trepidation with sharing her deeply personal poems with an audience. She found her voice in a collective group of creatives that included Susan Starr Richards, Mary Ann Taylor-Hall, and the late Donna Boyd, Jane Gentry, Audrey Robinson, and Carolyn Hisel. This illustrious circle of friends met monthly for almost thirty years and gave her the courage to share her work -- a lyrical medley of pain, beauty, strength, and redemption.Revealed is the story of a woman's inner life -- an intimate tale of abuse and personal struggle -- from a traumatic childhood through marriage, parenthood, and lifelong friendships. Based on the final manuscript that was drafted before the author's death, this compilation traces the path of a woman finding her poetic voice in middle age, returning to an often-harrowing upbringing while closely observing the natural world -- especially the populations of birds moving through the space between her back porch and the lake below -- and meditating on the nature of creativity. With a submerged narrative behind the poems and several calls to nature through repeated motifs, the poet shares seminal emotions and experiences.A Careful Hunger is the last creative testament of this extraordinary artist -- her final act of fearlessness in a troubled yet joyful life. In the words of the poet: "I am alive and must say so / one way or another."

As this collection adeptly illustrates, nursery rhymes not only evoke innocence, discovery, and joy for children of all ages, but they also can educate and celebrate tradition. Ring Around the Moon features original rhyming poems in a time-honored Appalachian style that acknowledges the importance of the region and its rich heritage while introducing readers to the whimsical and enchanting world of Mommy Goose.With Kentucky-flavored language and subject matter, this volume brings together the words, art, and music of Appalachia. The poems present classic Appalachian subjects -- leaving the homeplace to find work, mountain folklore, country life versus city life -- and touch on a wide range of broader themes, such as bullying, gender roles, the power of language, and the power of kindness. This work is illustrated with more than 170 hand-painted carvings by renowned folk artist Minnie Adkins, often referred to as America's most important female wood carver. With sheet music for the original song "Ring Around the Moon" complementing the text, this multifaceted book entertains while capturing the spirit and expanding the range of traditional Appalachian nursery rhymes to reach a new generation of readers.

Because What Else Could I Do is a sequence of fifty-five untitled short poems, almost all of them addressed to the poet’s husband during the six months following his sudden and shocking death. Perhaps best known for her historical explorations of sociopolitical issues, Martha Collins did not originally intend to publish these poems. But while they are intensely personal, they make use of all of her poetic attention and skills. Spare, fragmented, musical even in their most heartbreaking moments, the poems allow the reader to share both an intimate expression the poet’s grief and a moving record of her attempt to comprehend the events surrounding her loss.

A tour de force, Aaron Smith’s fourth collection of poetry, The Book of Daniel, resists the easy satisfactions of Beauty while managing the contemporary entanglements of art, sex, and grief. Part pop-thriller, part queer rage, and part mourning, these poems depict not only the complications of representation in the age of social media but a critique of identity. Taking on subjects as diverse as the literary canon, his mother’s incurable cancer diagnosis, gay bashing, celebrity gossip, bigotry, violence on TV, and Alexander McQueen’s suicide, Smith proves that the confessional lyric is not dead. In tangents as wild as they are reigned, with his characteristic blend of directness, vulnerability and humor, these poems take on the world as it is, a world we love even as it resists all intimacy.

This poetic collection is an honest and deeply reflective look at life overshadowed by disputed settlements and political upheaval in the Israeli−Palestinian conflict. Yonatan Berg is a poet from Israel and the youngest person ever awarded the Yehuda Amichai Poetry Prize. This collection brings together the best poems from his three published collections in Hebrew, deftly translated by Joanna Chen. His poetry recounts his upbringing on an Israeli settlement in the West Bank, and service in a combat unit of the Israeli military, which left him with post-traumatic stress disorder. He grapples with questions of religion and tradition, nationalism, war, and familial relationships. The book also explores his conceptual relationship with Biblical, historical, and literary characters from the history of civilization, set against a backdrop of the Mediterranean landscape. Berg shares an insider’s perspective on life in Israel today.

The articles collected in this volume share a very similar goal: to decolonize our understanding of antiquity, thus allowing modernity to converse with antiquity without constraining the latter to be either the direct precedent or the thoroughly other of the former. It is certainly true that the past is a foreign country. However, history has repeatedly demonstrated that colonialism never contributed to mutual understanding and constructive exchange of ideas, and that such is the dialogue we should strive forthwith our contemporaries as well as with our ancestors.

When images look like something they do so because they are different from what they resemble. This difference is not sufficiently captured by the traditional theories of representation and mimesis, and yet it is the condition for any such theory. Various contemporary image theorists have pointed out that Plato already understood that images are not what they look like. Images have their own existence, which cannot be identified with a concept, but should be examined in terms of actions. This book comprises fifteen articles that investigate what images do, particularly in relation to the disciplines of architecture, design and visual arts. It claims that it is the differentiating power of images—their actions—which constitutes their capacity to look like something they are not, as well as create something that does not yet exist. What Images Do addresses the crucial role that images might play in producing and investigating what we have not yet seen or understood in and of reality.

When Hurricane María unleashed its devastation onto Puerto Rico, thousands of lives were lost to the storm in what was the island's worst natural disaster on record. With so much of the recovery still underway and the scars still fresh, its citizens continue to contend with the reality that life on the island has fundamentally changed.In his first collection of poems written in English, La Torre Lagares journeys through his memory in an effort to recompose his shattered land. Together, these poems form a poignant, personal account of a man facing the tragic destinies of his family and his country in the aftermath of a natural disaster. For example, the deaths of the mother and the father are resignified as the death of the poet's personal relationship, which at the same time evokes the rupture between individuals and their sense of place.Drawing from both American and Latin American poetry, as well as global influences, to articulate a language of loss and devastation in search of a new identity, this collection illuminates a chaotic and confusing landscape that is not only physical but also cultural, social, and political. Taken together, this work serves as a stirring reminder of the dislocation and fractured attachment that speaks to many Americans, including transnationals and immigrants. Ultimately it speaks to coping with physical loss and emotional pain in the face of human adversity.

Ringer approaches womanhood from two directions: an examination of ways that women’s identities are tied to domestic spaces, like homes, cars, grocery stores, and daycare centers; and a consideration of physical, sexual, and political violence against women, both historically and in the present day. Lehmann’s poems look outward, and go beyond cataloguing trespasses against women by biting back against patriarchal systems of oppression, and against perpetrators of violence against women. Many poems in Ringer are ecopoetical, functioning in a “junk” or “sad” pastoral mode, inhabiting abandoned, forgotten, and sometimes impoverished landscapes of rural America.