Sylvie Kandé's neo-epic in three cantos is a double narrative combining today's tales of African migration to Europe on the one hand, with the legend of Abubakar II on the other: Abubakar, emperor of 14th-Century Mali, sailed West toward the new world, never to return. Kandé's language deftly weaves a dialogue between these two narratives and between the epic traditions of the globe. Dazzling in its scope, the poem swings between epic stylization, griot storytelling, and colloquial banter, capturing an astonishing range of human experience. Kandé makes of the migrant a new hero, a future hero whose destiny has not yet taken shape, whose stories are still waiting to be told in their fullness and grandeur: the neverending quest has only just begun.

Eva and Maxime are two young Normans who love to live a life of adventure! One day they travel to Bayeux for a medieval fair."Have you heard of William the Conqueror? " a lady asked. "Who's that?" Maxime replied. "William was the Duke of Normandy and he even became King of England! The tale of his conquest is told on an embroidery called the Bayeux Tapestry. Let me tell you his story…"This fascinating adventure story helps young readers discover how William the Conqueror became King of England.

An analysis of the connection between Islamic law (sharīʿa) and custom (ʿurf), identifying the ways in which personal and social issues are treated within contemporary Saudi and Iranian legal approaches. Approaches adopted by Saudi-Ḥanbalī and Iranian-Jaʿfarī scholars towards the sharʿī status of ʿurf in three particular categories are examined; the methodological perspective (classic and contemporary), the sharʿī opinions of scholars (fatwā) and the court verdicts of judges (aḥkām). The interaction between custom and textual authority is emphasised, developing an analytical framework of shar‘ī rules that pertain to social relations in general and marital issues in particular.

What will we call the last generation before the looming end times? With Finalists Rae Armantrout suggests one option. Brilliant and irascible, playful and intense, Armantrout nails the current moment's debris fields and super computers, its sizzling malaise and confusion, with an exemplary immensity of heart and a boundless capacity for humor. The poems in this book find (and create) beauty in midst of the ongoing crisis.

"Grape is the sweetest betrayal. There is no removing the stain Of it say moms everywhere & Even if kids choose it last; They choose it, as loyal To its sugar as any." When authorities converged on the Peoples Temple Agricultural Project, known as Jonestown, in Guyana on November 18, 1978, more than 900 members were found dead, the result of murder-suicide. The massacre, led by cult leader James "Jim" Jones, was the largest mass loss of American lives before September 11, 2001. Yet this event is largely absent in American history. When the mass suicides are remembered, it is usually comically or instructively: "Don't drink the Kool-Aid," as the majority of those who died that day drank or were injected with grape flavored Flavor-Aid. Much has been documented about this tragic day and how the congregants were killed, yet little is written about the individuals and their lived experiences. In this profound and provocative poetry collection, darlene anita scott corrects that which has been disremembered and honors the people who perished. She elevates and gives voice to the children, teenagers, and adults whose hopes, dreams, and lives were just as hopeful and mundane as any others yet have been overlooked and overshadowed by the other focuses of history. The distinct, haunting, and unforgettable poems in Marrow cut to the bone while also acknowledging and giving tribute to those who died on that fateful day.

What actually happens within the revolution of the clock's hands? In The Writing of an Hour the poet considers the effort and the deliberateness that brings her to her desk each day. Despite domestic and day job demands and widespread lockdown, Coultas forges connections to the sublime and wonders what it means to be from the Americas. These poems verge on the surreal, transform the quotidian, and respond anew to the marvelous. The Writing of an Hour takes the reader on a journey in four sections; from a bedroom to an improvised desk over the North Sea, where she attempts to create an artwork inside an airplane cabin flying over Greenland's rivers of ice.

Jacob of Sarug's homily chronicles the unravelling of God's love in sacred history and the inability of humankind to return God's love and grace.

An edition and English translation of 'A Description of the Prayers', one of the few extant works by Ignatius V. Bar Wahib (Patriarch of Antioch from 1293–1333). The text has been taken from a manuscript of the Orthodox Theological Seminary, Kottayam, copied in 1915 from a manuscript of the Konat Library. The treatise offers a description of the external aspects of the canonical prayers, including washing and prostration.

"We are all now writing stories. Sometimes in memory, sometimes in air. The wind lifts and passes us in gusts. Our stories scatter over continents, camouflaged histories we cannot share. "In this exquisite collection of short stories, readers are introduced to individuals whose existence reveals "the daily miracle" of their inner lives. With eloquent, lush language, Manini Nayar brings to the forefront immigrant women making their way in the world as mothers, wives, as outliers, and as rebels. She writes about their insistence on autonomy and on the absurdity and triumphs of their struggles. While readers will meet a wide array of characters throughout the stories, it is Nina with whom they will become most familiar as she appears throughout the collection: first, as a young wife brought to the US by her husband, Siddarth Vellodi; second, as an older sister; and third, as a (divorced) mother whose daughter tragically ran away years before. This work speaks to the obstacles with marriage, tradition, and culture - "Wives were not to be loved but endured like a menstrual headache. Her own husband had not loved her nor she him. But the Dear Departed had given her a son who was hers and hers only" - and the challenges with finding one's voice in a country whose language and communication can often be misconstrued and misunderstood. Being Here provides a compelling and profound voice to lived experiences, and exudes with remarkable observations, reflective insights, and poetic prose.

In the 13th century, a debate transpired over the course of several days between a monk named Jurjī and several Muslims jurists in the city of Aleppo. This debate represents a careful and sophisticated example of a literary genre that had been developing among the Christians living under Islamic rule since the seventh century. The immense popularity of this work is demonstrated by the sheer volume of surviving manuscripts, which number around hundred. This volume provides a critical edition and translation of the text.

This volume, with origins in a panel at the 2018 Celtic Conference in Classics, presents creative new approaches to epigraphic material, in an attempt to 'shake up' how we deal with inscriptions. Broad themes include the embodied experience of epigraphy, the unique capacities of epigraphic language as a genre, the visuality of inscriptions and the interplay of inscriptions with literary texts. Although each chapter focuses on specific objects and epigraphic landscapes, ranging from Republican Rome to early modern Scotland, the emphasis here is on using these case studies not as an end in themselves, but as a means of exploring broader methodological and theoretical issues to do with how we use inscriptions as evidence, both for the Greco-Roman world and for other time periods. Drawing on conversations from fields such as archaeology and anthropology, philology, art history, linguistics and history, contributors also seek to push the boundaries of epigraphy as a discipline and to demonstrate the analytical fruits of interdisciplinary approaches to inscribed material. Methodologies such as phenomenology, translingualism, intertextuality and critical fabulation are deployed to offer new perspectives on the social functions of inscriptions as texts and objects and to open up new horizons for the use of inscriptions as evidence for past societies.

The Quran: Key Word Distribution, Correlations and Collocation Frequencies presents key data related to the lexicon of the Quran, in terms of Key Word distribution and lexical associations. The digital text used for this purpose is the Uthmani text of the Tanzil Quran Text. This text is widely used. All vocalized Arabic text is quoted unaltered in any shape or form from the Tanzil text. Unvocalized Arabic text and transcriptions are my own. In this series, each Key Word – here adjectives, nouns, proper nouns and verbs – is presented together with the following key data: degree of concentration, weighted distribution, correlations and collocation frequencies. The Key Words are always referenced by their lemma and are sorted alphabetically according to Arabic and UNICODE order. In lemmatizing the words, no attention has been given to the semantics of each word. Only on rare occasion have similar forms of words or proper nouns been separated in order to avoid confusion. In assigning each word a lemma, classical dictionaries and Quran commentaries, as well as modern Quran dictionaries have been consulted. Deciding on these is not always obvious, since classical dictionaries and commentaries sometimes either disagree or present divergent variant readings or root and lemma attributions. This series contributes to Computational Linguistics and Digital Humanities in general, and Computational Linguistics research on the Quran in particular.

The Quran: Key Word Distribution, Correlations and Collocation Frequencies presents key data related to the lexicon of the Quran, in terms of Key Word distribution and lexical associations. The digital text used for this purpose is the Uthmani text of the Tanzil Quran Text. This text is widely used. All vocalized Arabic text is quoted unaltered in any shape or form from the Tanzil text. Unvocalized Arabic text and transcriptions are my own. In this series, each Key Word – here adjectives, nouns, proper nouns and verbs – is presented together with the following key data: degree of concentration, weighted distribution, correlations and collocation frequencies. The Key Words are always referenced by their lemma and are sorted alphabetically according to Arabic and UNICODE order. In lemmatizing the words, no attention has been given to the semantics of each word. Only on rare occasion have similar forms of words or proper nouns been separated in order to avoid confusion. In assigning each word a lemma, Classical dictionaries and Quran commentaries, as well as modern Quran dictionaries have been consulted. Deciding on these is not always obvious, since classical dictionaries and commentaries sometimes either disagree or present divergent variant readings or root and lemma attributions. This series contributes to Computational Linguistics and Digital Humanities in general, and Computational Linguistics research on the Quran in particular.

The Quran: Key Word Distribution, Correlations and Collocation Frequencies presents key data related to the lexicon of the Quran, in terms of Key Word distribution and lexical associations. The digital text used for this purpose is the Uthmani text of the Tanzil Quran Text. This text is widely used. All vocalized Arabic text is quoted unaltered in any shape or form from the Tanzil text. Unvocalized Arabic text and transcriptions are my own. In this series, each Key Word – here adjectives, nouns, proper nouns and verbs – is presented together with the following key data: degree of concentration, weighted distribution, correlations and collocation frequencies. The Key Words are always referenced by their lemma and are sorted alphabetically according to Arabic and UNICODE order. In lemmatizing the words, no attention has been given to the semantics of each word. Only on rare occasion have similar forms of words or proper nouns been separated in order to avoid confusion. In assigning each word a lemma, Classical dictionaries and Quran commentaries, as well as modern Quran dictionaries have been consulted. Deciding on these is not always obvious, since classical dictionaries and commentaries sometimes either disagree or present divergent variant readings or root and lemma attributions. This series contributes to Computational Linguistics and Digital Humanities in general, and Computational Linguistics research on the Quran in particular.

The Quran: Key Word Distribution, Correlations and Collocation Frequencies presents key data related to the lexicon of the Quran, in terms of Key Word distribution and lexical associations. The digital text used for this purpose is the Uthmani text of the Tanzil Quran Text. This text is widely used. All vocalized Arabic text is quoted unaltered in any shape or form from the Tanzil text. Unvocalized Arabic text and transcriptions are my own. In this series, each Key Word – here adjectives, nouns, proper nouns and verbs – is presented together with the following key data: degree of concentration, weighted distribution, correlations and collocation frequencies. The Key Words are always referenced by their lemma and are sorted alphabetically according to Arabic and UNICODE order. In lemmatizing the words, no attention has been given to the semantics of each word. Only on rare occasion have similar forms of words or proper nouns been separated in order to avoid confusion. In assigning each word a lemma, Classical dictionaries and Quran commentaries, as well as modern Quran dictionaries have been consulted. Deciding on these is not always obvious, since classical dictionaries and commentaries sometimes either disagree or present divergent variant readings or root and lemma attributions. This series contributes to Computational Linguistics and Digital Humanities in general, and Computational Linguistics research on the Quran in particular.

Presented over 5 volumes (available separately), The Quran: Key Word Distribution, Correlations and Collocation Frequencies provides key data related to the lexicon of the Quran, in terms of Key Word distribution and lexical associations. The digital text used for this purpose is the widely-used Uthmani text of the Tanzil Quran Text. All vocalised Arabic text is quoted unaltered in any shape or form from the Tanzil text. Unvocalised Arabic text and transcriptions are the author's own. In this series, each Key Word – here adjectives, nouns, proper nouns and verbs – is presented together with the following key data: degree of concentration, weighted distribution, and correlations and collocation frequencies. The Key Words are always referenced by their lemma and are sorted alphabetically according to Arabic and UNICODE order. In lemmatising the words, no attention has been given to the semantics of each word. Only on rare occasion have similar forms of words or proper nouns been separated in order to avoid confusion. In assigning each word a lemma, the author has consulted classical dictionaries and Quran commentaries, as well as modern Quran dictionaries.