Named U.S. Poet Laureate for 2004-2006, Ted Kooser is one of America's masters of the short metaphorical poem. Dana Gioia has remarked that Kooser has written more perfect poems than any poet of his generation. Long admired and praised by other poets, Kooser is also accesible to the reader not familiar with contemporary poetry.

Stuart's first book of short stories remains haunting, powerful, and humorous.

Written by a beloved American author who grew up in the foothills of the Appalachians, these twenty-one short stories explore the daily lives and activities of Kentucky mountaineers. Life, animate existence, absorbs Jesse Stuart. Never is it more vital than when juxtaposed with death, hence the contrasting motifs of life and death permeating his work. In this book, Stuart tells the stories of the hills and the men who live there. They "curse the mountains," but love them too, he says. Existing in dimensions of real geography and elaborate imagination, Stuart moves easily between autobiography and fiction and often does not bother to distinguish one from the other. Greenup County, Kentucky blends into Greenwood County, and W-Hollow in both fiction and fact is subject to the proprietorship of the bard of Appalachia.

The half-blood -- half Indian, half white -- is a frequent figure in the popular fiction of nineteenth-century America, for he (or sometimes she) served to symbolize many of the conflicting cultural values with which American society was then wrestling. In literature, as in real life the half-blood was a product of the frontier, embodying the conflict between wilderness and civilization that haunted and stirred the American imagination. What was his identity? Was he indeed "half Indian, half white, and half devil" -- or a bright link between the races from which would emerge a new American prototype?In this important first study of the fictional half-blood, William J. Scheick examines works ranging from the enormously popular "dime novels" and the short fiction of such writers as Bret Harte to the more sophisticated works of Irving, Cooper, Poe, Hawthorne, and others. He discovers that ambivalence characterized nearly all who wrote of the half-blood. Some writers found racial mixing abhorrent, while others saw more benign possibilities. The use of a "half-blood in spirit" -- a character of untainted blood who joined the virtues of the two races in his manner of life -- was one ingenious literary strategy adopted by a number of writers, Scheick also compares the literary portrayal of the half-blood with the nineteenth-century view of the mulatto.This pioneering examination of an important symbol in popular literature of the last century opens up a previously unexplored repository of attitudes toward American civilization. An important book for all those concerned with the course of American culture and literature.

Rationality, objectivity, symmetry: were these really principles urged and exemplified by eighteenth-century English prose? In this persuasive study, Robert W. Uphaus argues that, on the contrary, many of the most important works of the period do not actually lead the reader into a new awareness of just how problematical, how unsusceptible to reason, both the world and our easy assumptions about it are. Uphaus discusses a broad range of writers -- Swift, Defoe, Mandeyville, Richardson, Fielding, Sterne, Johnson, and Godwin -- showing that beneath their variety lies a fundamentally similar challenge, addressed to the critical procedure which assumes that the exercise of reason is a sufficient tool for an understanding the appeal of imaginative literature.

The first book devoted to the literary relationship between Henry James and his American predecessor, Nathaniel Hwthorne. Robert Emmet Long demonstrates JamesÆ transformation of HawthorneÆs romantic forms into realism, as one of the significant features of JamesÆ early career. Long shows that Hawthorne provided James ith a native tradition having its own conceptions of American psychological experience.

Cage voices his concerns on the nature and future of music, they ways of dancers, the West's interpretation of Eastern ideas in this thought provoking collection of anecdotes and epigrams.

First published in 1940, James Still's masterful novel has become a classic. It is the story, seen through the eyes of a boy, of three years in the life of his family and their kin. He sees his parents pulled between the meager farm with its sense of independence and the mining camp with its uncertain promise of material prosperity. In his world privation, violence, and death are part of everyday life, accepted and endured. Yet it is a world of dignity, love, and humor, of natural beauty which Still evokes in sharp, poetic images. No writer has caught more effectively the vividness of mountain speech or shown more honestly the trials and joys of mountain life.

In Shelton’s fourth collection of poems, he writes of the desert Southwest, and through it gives his unique view of the world. The poems speak of landscape, marriage, freedom, and death.

Mysterious vanishing hitchhikers, travelers beset by headless dogs, and long-dead moonshiners come alive in this collection of ninety-six Appalachian folktales. Set in coal mines and remote farm cabins, in hidden hollows and on mountain tops, some of these stories look back to the days when West Virginia was first settled; others reflect the rancor and brutality of the Civil War. But most of these tales guide us through the recent past of the uncommonly rich folk heritage of West Virginia. This ghostly collection, with source information and bold illustrations, will thrill longtime lovers of supernatural lore.

John Ashbery writes like no one else among contemporary American poets. In the construction of his intricate patterns, he uses words much as the contemporary painter uses form and color- words painstakingly chosen as conveyors of precise meaning, not as representations of sound. These linked in unexpected juxtapositions, at first glance unrelated and even anarchic, in the end create by their clashing interplay a structure of dazzling brilliance and strong emotional impact. From this preoccupation arises a poetry that passes beyond conventional limits into a highly individual realm of effectiveness, one that may be roughly likened to the visual world of Surrealist painting. Some will find Mr. Ashbery's work difficult, even forbidding; but those who are sensitive to new directions in ideas and the arts will discover here much to quicken and delight them.A 35th anniversary edition of classic work from a celebrated American poet who has received the Pulitzer Prize, the national Book Award, and the national Book Critics Circle Award. John Ashbery's second book, The Tennis Court Oaths, first published by Wesleyan in 1962, remains a touchstone of contemporary avant-garde poetry.

Cynthia Genser's landscapes, like those of D.H. Lawrence, are analogues of human emotions; her men and women exist in their effects-prototypes one minute, passionate and distinctly visible individuals the next. Person and place invite the reader into an adventure that begins and ends everywhere.The language employed throughout is voluptuous, sensuous, yet precise. The appeal is to all the senses as well as to reason and intelligence: the poems, seamed with a difficult, sweaty beauty, stimulate every pleasure center. But pure language play also leads to hard, intelligent sense.Of her own work, Cynthia Genser has said, "Although I belong to no special school or group, I align my poetry with the work of others aiming their metaphors at the banality and reductionism of our world-at the terror or planned obsolescence, Vogue Magazine, the threat of nuclear warfare. I cannot agree more with the Marxist Henri Lefebvre that poetry is the enemy and eventual victor in the war against 'terrorism' and the terrorist society we now live in."

Poems devoted to family and the physical world.

Etai-Eken is a legend told in a series, a cycle of poems, which is to say, told in different languages. The action of the poems in the poem is their moving in and out of the legend by the changes of access to the larger legend; an access of the present in the ancient, of the present’s knowledge and experience of it.

The Wesleyan edition of Tom Jones is widely acknowledged as the best available, and this new paperback reproduces the handsomely composed text and notes of that edition. A new Critical Introduction, a brief chronology of Fielding's life, and a selected bibliography of relevant criticism especially designed for student use have been added. The map – A Geography of Tom Jones – has been retained, while the General and Textual Introduction and six bibliographical Appendices of the two volume clothbound edition have been omitted. "This edition offers a critical unmodernized text of Tom Jones. The text is critical in that it has been established by application of analytical criticism to the evidence of the various documentary forms in which the novel has appeared. It is unmodernized in that every effort has been made to present the text in as close a form to Fielding's own inscription and final revision as the surviving documents permit, subject only to normal editorial regulations." - from the Textual Introduction

The Axion Esti is probably the most widely read volume of verse to have appeared in Greece since World War II and remains a classic today. Those who follow the music of Greek composer Mikis Theodorakis have been especially drawn to Odysseus Elytis's work, his prose is widely considered a mirror to the revolutionary music of Theodorakis. The "autobiographical" elements are constantly colored by allusion to the history of Greece, thus, the poems express a contemporary consciousness fully resonant with those echoes of the past that have served most to shape the modern Greek experience.