Suggesting that the Semitic root may be, at least subconsciously, biliteral, Hurwitz launches into a study of this phenomenon. Discussing linguistic phenomena such as pluriliteral forms, root-differentiation, and folk-etymologies, this little study covers significant ground for understanding the underlying structure of biblical Hebrew.

This is a rare edition of Barhebraeus’ poem “On Divine Wisdom” by Ioannes Notayn Darauni (Yūḥannā Nuṭayn al-Dar‘ūnī) was first published in 1880. The Syriac text of the poem is accompanied by detailed footnotes giving Arabic glosses for the difficult words.

This volume is part of a series that addresses issues of Classical Syriac lexicography, and the lexicography of other ancient languages. The international team of authors invited to participate represents a wide range of disciplines and opens new horizons in lexical thinking. Essays in this volume discuss taxonomy, the Syriac passive participle, translating Greek verbs with alpha privatives into Syriac, the translation of Syriac particles, and the history of Syriac lexica. This book represents the forefront of Syriac lexical studies, and has much to offer those studying Greek and other Semitic languages as well.

This volume is part of a series that addresses issues of Classical Syriac lexicography, and the lexicography of other ancient languages. The international team of authors invited to participate represents a wide range of disciplines and opens new horizons in lexical thinking. Essays in this volume discuss the place for enclitics in lexica, the grammatical classification of words, translation technique, and using new technologies to aid in the lexicographer’s task. This book represents the forefront of Syriac lexical studies, and has much to offer those studying Greek and other Semitic languages as well.

Archaeological investigations, undertaken as part of a programme to restore St George's Church, Bloomsbury, to its original Hawksmoor splendour, involved the removal of 871 triple lead-lined coffins from within the crypt and monitoring works within the churchyard. The elaborate named coffins of upper middle class parishioners provided a valuable opportunity to greatly develop the new field of post-medieval coffin analysis, and to integrate historical, archaeological and osteological data in order to build a vivid picture of this population. Over 90% of coffins were named, which allowed a rare opportunity to blind test osteological methods on 72 skeletons, whilst analysis of documentary and osteological evidence has challenged some long-held beliefs in post-medieval burial archaeology. Disease patterns in the St George's assemblage were influenced by the longevity and affluence of this population, factors that also underlay the necessity for elaborate and expensive dental treatment, including very early examples of fillings, filing and dentures.

There are plenty of myths and empty phrases commonplace in the business world. This book attacks and reformulates ten of the most common myths about how to build and run a business. It is based on extensive research in the Nordic countries. This short book is laid out as guidebook with illustrative case studies. Anyone who is thinking about starting up or investing in a business can hopefully learn something from this book, but it is specifically written for those interested in the cultural and creative industries. It shows how you can grow a business, get the financials right, and be creative - all at the same time. The book is a result of the project "A penny for your thoughts", funded by the Nordic Innovation Centre, and involving universities and business schools in Denmark, Iceland, Norway and Sweden. Tobias Nielsén is a consultant, publisher and research analyst. he has worked with strategic development, management control and cultural economics on behalf of governmental agencies, municipalities and businesses. Dominic Power is Professor of Economic Geography at Uppsala University. He has written extensively on firms and competitiveness in the cultural industries. Margret Sigrun Sigurdardottir teaches at the University of Iceland Business School where she runs a research centre on the creative industries. Her research focuses on the organisation of and organisations in the creative industries.

This collection of the works of ancient Arabic poets encompasses the original three volumes of the collection by Ahlwardt from 1902 and 1903. The substantial introductions and comments are in German while the works referenced appear in the original Arabic. The three volumes contain material from al Asma Iyyat of al Asmai, al Ajjah, az Zafayan, and Ruba ben al Ajjaj, poets of the pre-Islamic period. This title, bound into one volume for affordability, is increasingly difficult to acquire. The selections of the poems themselves are essential reading for any historian of Arabic poetry while the comments of the editor add interpretive value to the original material from the hands of the poets themselves.

This collection of the works of ancient Arabic poets encompasses the original three volumes of the collection by Ahlwardt from 1902 and 1903. The substantial introductions and comments are in German while the works referenced appear in the original Arabic. The three volumes contain material from al Asma Iyyat of al Asmai, al Ajjah, az Zafayan, and Ruba ben al Ajjaj, poets of the pre-Islamic period. This title, bound into one volume for affordability, is increasingly difficult to acquire. The selections of the poems themselves are essential reading for any historian of Arabic poetry while the comments of the editor add interpretive value to the original material from the hands of the poets themselves.

This collection of the works of ancient Arabic poets encompasses the original three volumes of the collection by Ahlwardt from 1902 and 1903. The substantial introductions and comments are in German while the works referenced appear in the original Arabic. The three volumes contain material from al Asma Iyyat of al Asmai, al Ajjah, az Zafayan, and Ruba ben al Ajjaj, poets of the pre-Islamic period. This title, bound into one volume for affordability, is increasingly difficult to acquire. The selections of the poems themselves are essential reading for any historian of Arabic poetry while the comments of the editor add interpretive value to the original material from the hands of the poets themselves.

The genre of prehistoric fiction contains a surprisingly large and diverse group of fictional works by American, British, and French writers from the late nineteenth century to the present that describe prehistoric humans. Nicholas Ruddick explains why prehistoric fiction could not come into being until after the acceptance of Charles Darwin's theories, and argues that many early prehistoric fiction works are still worth reading even though the science upon which they are based is now outdated. Exploring the history and evolution of the genre, Ruddick shows how prehistoric fiction can offer fascinating insights into the possible origins of human nature, sexuality, racial distinctions, language, religion, and art. The book includes discussions of well-known prehistoric fiction by H.G. Wells, Jules Verne, J.-H. Rosny Aîné, Jack London, William Golding, Arthur C. Clarke, and Jean M. Auel and reminds us of some unjustly forgotten landmarks of prehistoric fiction. It also briefly covers such topics as the recent boom in prehistoric romance, notable prehistoric fiction for children and young adults, and the most entertaining movies featuring prehistoric humans. The book includes illustrations that trace the changing popular images of cave men and women over the past 150 years.

Robert Rebein argues that much literary fiction of the 1980s and 90s represents a triumphant, if tortured, return to questions about place and the individual that inspired the works of Hawthorne, Melville, Twain, Faulkner, and other giants of American literature. Concentrating on the realist bent and regional orientation in contemporary fiction, he discusses in detail the various names by which this fiction has been described, including literary postmodernism, minimalism, Hick Chic, Dirty Realism, ecofeminism, and more. Rebein's clearly written, nuanced interpretations of works by Raymond Carver, Cormac McCarthy, Don DeLillo, Louise Erdrich, Dorothy Allison, Barbara Kingsolver, E. Annie Proulx, Chris Offut, and others, will appeal to a wide range of readers.

Venturing into the realm of the Armenian language, Lagarde here presents a preliminary glossary of the language. The main body of the book contains over 2400 lexical entries, most of which are brief, dense descriptions of the words. Following the glossary Lagarde provides a comparative chart to the Armenian words including material from Sanskrit, Bactrian or Old Persian, Neo-Persian, Greek, and Semitic. An essay on the history of the study of the language and indices round out this early work on the Armenian tongue. This book, written in German, holds an important place in the study of Armenian.

The introduction to the Arabic language by the renowned linguist Georg Freytag is fast becoming difficult to find. Written in German, this precise presentation is intended for a general readership which has no background in previous Semitic language study. The Arabic period covered for this historic grammar is that of Mohammed and later. In some ways an unconventional approach Freytag introduces topics such as Arabic names and the history of the Arabs, even prior to Mohammed’s time. An outline of the Arabic language and its dialects is presented. A period piece that retains its functionality, this introduction to Arabic is more than a grammar, it is a view into the life of the Arabian world.

Drawing upon intersections of astronomy and mathematics, history, literature, and lived experience, the poems in Open Interval locate the self in the interval between body and name.

Nobel Laureate Seamus Heaney, author of nine collections of poetry and three volumes of influential essays, is regarded by many as the greatest Irish poet since Yeats.Passage to the Center is the most comprehensive critical treatment to date on Heaney's poetry and the first to study Heaney's body of work up to Seeing Things and The Spirit Level. It is also the first to examine the poems from the perspective of religion, one of Heaney's guiding preoccupations. According to Tobin, the growth of Heaney's poetry may be charted through the recurrent figure of "the center," a key image in the relationship that evolved over time between the poet and his inherited place, an evolution that involved the continual re-evaluation and re-vision of imaginative boundaries. In a way that previous studies have not, Tobin's work examines Heaney's poetry in the context of modernist and postmodernist concerns about the desacralizing of civilization and provides a challenging engagement with the work of a living master.

This catalogue presents the Islamic, Oriental Christian, Judaic and Samaritan manuscripts in the University library of Leipzig’s collection. The largest part of the material is Islamic, and it is presented here according to categories. Manuscripts are described by title (if known) and a brief summary of the contents. Dimensions for most of the pieces are given as well. The Christian material includes manuscripts in Arabic, Syriac, Coptic, Ethiopic, and Georgian. A numerical concordance adds to the utility of this important manuscript collection.