Winner of the 1994 Agnes Lynch Starrett Poetry Prize Winner of the 2000 Creative Achievement Award from the Pittsburgh Cultural Trust "In every poem, she keeps her fury contained, but omnipresent, so that it resembles a cornered dog’s warning growl, yet she hints of happier possibilities."—Booklist

Byron was -- to echo Wordsworth -- half-perceived and half-created. He would have affirmed Jean Baudrillard's observation that "to seduce is to die to reality and reconstitute oneself as illusion." But among the readers he seduced, in person and in poetry, were women possessed of vivid imaginations who collaborated with him in fashioning his legend. Accused of "treating women harshly," Byron acknowledged: "It may be so -- but I have been their martyr. My whole life has been sacrificed to them and by them." Those whom he spell bound often returned the favor in their own writings tried to remake his public image to reflect their own.Through writings both well known and generally unknown, James Soderholm examines the poet's relationship with five women: Elizabeth Pigot, Caroline Lamb, Annabella Milbanke, Teresa Guiccioli, and Marguerite Blessington. These women participated in Byron's life and literary career and the manipulation of images that is the Byron legend.Soderholm argues against the sentimental depictions of biographers who would preserve Byron's romantic aura by diminishing the contributions of these women to his social, sexual, and literary identity. By restoring the contexts in which literary works charm or bedevil particular readers, the author shows the consequences of Byron's poetic seductions during and after his life.

Disfortune is not in the mainstream of American poetic speech, nor is it easily placed into any of the well-known poetic speech-camps that have arisen on its margins. Terse, haunting lyrics expose the irreducible contradictions of living, wherein "the talking-singing, the whole talking-/singing ball of yarn, begins to unravel." Deceptively casual in tone, these poems offer startling confrontations with "the unoriginal/oblivion," with "the contrived delicacy/of what is emptied and kept. " Joe Wenderoth sees "fortune" as the mute history of events proceeding toward the ultimate security; his poems arise from "disfortune," from the need "Just to sing the song that's kept you/quiet/all this time." This book is a rare occurrence, marking not only a new intimacy with the world, but also a remembering of the determined motion of intimacy itself.

Over the past decade, Billy Collins has emerged as the most beloved American poet since Robert Frost, garnering critical acclaim and broad popular appeal. Gerald Stern describes his poetry as "heartbreakingly beautiful." John Updike proclaims his poems "consistently startling, more serious than they seem, they describe all the worlds that are and were and some others besides. "This special, limited edition celebrates Billy Collins's years as U.S. Poet Laureate. The Art of Drowning—one of the books that helped establish and secure his reputation and popularity during the 1990s—is distinctive in its variety of interests and the generous hospitality of its voice. Ranging from an analysis of Keats's handwriting to the art form of the calendar pinup, the subjects of his poems inspire imaginative play. Whether reading him for the first time or the fiftieth, this collector's edition is a must-have for anyone interested in the poet the New York Times calls simply "the real thing."

Although Kathleen Norris’s best-selling Dakota: A Spiritual Geography has brought her to the attention of many thousands of readers, she is first and last a poet. Like Robert Frost, another poet identified with a particular landscape, she can reveal the miraculous in the ordinary, and she writes with clarity, humor, and deep sympathy for her subjects.

City of Salt, Gregory Orr’s sixth book of poems, is largely autobiographical and presents moments of intense emotion which are anchored in clearly dramatized events. These are poems of elegy and celebration, and of occasions where the two modes fuse in acts of redemptive imagination.

"Weaver's life studies and lyrics are imbued with a vivid sense of language, a vivid sense of the world, a vivid sense of their inseparability. And his tonal range—from unabashed passion to the subtlest velleity—is impressive indeed. This is a singular talent. "—Henry Louis Gates, Jr.

Joan Retallack offers a book of forms, like the medieval Book of Hours, intended to draw readers into a meditative experience of time, space, language, the many humors of chance and design, as they intersect and leave their traces on the page. All of civilization to date, all of history is after all aftermath, afterthought, afterimage. The language graphics of AFTERRIMAGES lay claim to the fragility-the gift, the terror, and the whimsy-of the remnant that all images are. Their playful nature is born of the conviction that the present tense-tense, tensile with immanent futurity-must extend itself toward the unintelligible and unknown. This is the frontier where the image hovers on the edge of its own transfiguration, the threshold where poetry can take place.

Expansive, lyrical, and groundbreaking poetry by Ruth Stone, winner of the National Book Award and the National Book Critics Circle Award

A striking interplay of content and style makes this book-length narrative poem a wrenching, compelling tale. Mose is incarcerated in a Texas prison for a crime whose circumstances slowly unfold as he numbers the days of his sentence and fantasizes about a woman inexorably tied to his fate. As the harshness of prison life begins to close in and distort Mose's consciousness, he is increasingly obsessed with the truth of what happened. In the end, that inquiry reveals to him "another world underneath / this one" where everything "is backwards / to what we want." The journey to that world is a suspenseful and powerful study of a man's character and the trap it sets for him.

This first collection of poems enacts the struggle of a young black gay man in his search for identity. Many voices haunt these poems: black and white, male and female, the oppressor’s voice as well as the oppressed. The poet’s aim, finally, is to rescue some portion of the drowned and the drowning.

In choosing Cathy Song’s first book for the Yale Series of Younger Poets, Richard Hugo said that her poems are “bouquets to those moments in life that seemed minor but in retrospect count the most.”In this, Song’s third book, the poems are like the school figures an ice skater etches onto the ice - the pen moving silently and deliberately across a white expanse of paper and experience, bringing maximum pressure to bear upon the blade of language to unlock “the invisible fire beneath the ice.”

The world that Donald Revell ponders in these poems replete with contrarieties. The same verbal playfulness and prophetic lyricism that made Revell a 1992 Guggenheim Fellow in Poetry and a winner of National Poetry Series, Pushcart, and PEN Center USA West awards are in full force in Beautiful Shirt. Here he traverses the rocky terrain of innocence, memory, disillusion, and salvation in a voice at once haunted and elliptical: "This is the world as I have known it. / It has a soft outline and is easily victimized."Juxtaposed within a trio of long, introspective poems are shorter lyrics that push the limits of poetic syntaxes and dictions. In all, Beautiful Shirt searches for the true nature of the self through language unfettered by narrative constraints and conventional conceptual identities.

Late Empire, David Wojahn’s most wide-ranging collection of poetry, affirms his status as one of the most compelling and original voices of his generation. In these poems, private history and public history mingle and merge in a way that is by turns deeply personal and elegiac. Centered around tow masterful elegies for the writers parents, the poems also treat an array of subjects familiar to us from news events but rarely examined by contemporary poetry.

Ted Kooser’s third book in the Pitt Poetry Series is a selection of poems published in literary journals over a ten year period by a writer whose work has been praised for its clarity and accessiblity, its mastery of figurative language, and its warmth and charm.

A renowned poet’s artful collection is a striking body of work