In Stalinist Russia, the idealized Soviet man projected an image of strength, virility, and unyielding drive in his desire to build a powerful socialist state. In monuments, posters, and other tools of cultural production, he became the demigod of Communist ideology. But beneath the surface of this fantasy, between the lines of texts and in film, lurked another figure: the wounded body of the heroic invalid, the second version of Stalin's New Man. In How the Soviet Man Was Unmade, Lilya Kaganovsky exposes the paradox behind the myth of the indestructible Stalinist-era male. In her analysis of social-realist literature and cinema, she examines the recurring theme of the mutilated male body, which appears with startling frequency. Kaganovsky views this representation as a thinly veiled statement about the emasculated male condition during the Stalinist era. Because the communist state was \u201cfull of heroes,\u201d a man could only truly distinguish himself and attain hero status through bodily sacrifice-yet in his wounding, he was forever reminded that he would be limited in what he could achieve, and was expected to remain in a state of continued subservience to Stalin and the party.Kaganovsky provides an insightful reevaluation of classic works of the period, including the novels of Nikolai Ostrovskii (How Steel Was Tempered) and Boris Polevoi (A Story About a Real Man), and films such as Ivan Pyr'ev's The Party Card, Eduard Pentslin's The Fighter Pilots, and Mikhail Chiaureli's The Fall of Berlin, among others. The symbolism of wounding and dismemberment in these works acts as a fissure in the facade of Stalinist cultural production through which we can view the consequences of historic and political trauma.

The book investigates the qatal//yiqtol (yiqtol//qatal) verbal sequence, previously known as ‘tense shifting’, as found in couplets of the Hebrew Psalter, attempting an innovatory explanation by means of M.A.K. Halliday’s Systemic Theory. This study argues that qatal and yiqtol verbal forms, when part of the qatal//yiqtol verbal sequence in Psalms' poetic couplets, can be used primarily for aesthetic reasons, with no individual reference to time or aspect. Arguably, the Systemic Functional Grammar analysis of lexicogrammar can provide a comprehensive interpretation of form and function and an integrated approach to phonetics, morphology and syntax.

Many developing countries have little choice but to “buy into English” as a path to ideological and material betterment. Based on extensive fieldwork in Slovakia, Prendergast assembles a rich ethnographic study that records the thoughts, aspirations, and concerns of Slovak nationals, language instructors, journalists, and textbook authors who contend with the increasing importance of English to their rapidly evolving world. She reveals how the use of English in everyday life has becomes suffused with the terms of the knowledge and information economy, where language is manipulated for power and profit. Buying into English presents an astute analysis of the factors that have made English so prominent and yet so elusive, and a deconstruction of the myth of guaranteed viability for new states and economies through English.

This volume contains a collection of papers presented at the workshop on various aspects of the grammar of Neo-Aramaic, with special attention to the North Eastern Neo-Aramaic dialect group. The papers include descriptions of several hitherto undescribed dialects together with sample texts and also studies of various aspects of phonology, morphology and syntax of the dialects.

Transcending arguments over the definition of fantasy literature, Rhetorics of Fantasy introduces a provocative new system of classification for the genre. Utilizing nearly two hundred examples of modern fantasy, author Farah Mendlesohn uses this system to explore how fiction writers construct their fantastic worlds. Mendlesohn posits four categories of fantasy-portal-quest, immersive, intrusion, and liminal-that arise out of the relationship of the protagonist to the fantasy world. Using these sets, Mendlesohn argues that the author's stylistic decisions are then shaped by the inescapably political demands of the category in which they choose to write. Each chapter covers at least twenty books in detail, ranging from nineteenth-century fantasy and horror to extensive coverage of some of the best books in the contemporary field. Offering a wide-ranging discussion and penetrating comparative analysis, Rhetorics of Fantasy will excite fans and provide a wealth of material for scholarly and classroom discussion.Includes discussion of works by over 100 authors, including Lloyd Alexander, Peter Beagle, Marion Zimmer Bradley, John Crowley, Stephen R. Donaldson, Stephen King, C. S. Lewis, Gregory Maguire, Robin McKinley, China Miéville, Suniti Namjoshi, Philip Pullman, J. K. Rowling, Sheri S. Tepper, J. R. R. Tolkien, Tad Williams

Gesenius’ Hebrew Grammar is an essential reference tool for any student of classical Hebrew. Apart from the thorough explanation given to each aspect of grammar and syntax, this volume contains an exhaustive scriptural index which leads the user directly to passages that stand as examples of difficult constructions. A full paradigm of the Hebrew verb is also included.

The poetic masterpiece of the great nineteenth-century writer Charles Baudelaire, The Flowers of Evil is one of the most frequently read and studied works in the French language. In this compelling new translation of Baudelaire's most famous collection, Keith Waldrop recasts the poet's original French alexandrines and other poetic arrangements into versets, a form that hovers between poetry and prose. Maintaining Baudelaire's complex view of sound and structure, Waldrop's translation mirrors the intricacy of the original without attempting to replicate its inimitable verse. The result is a powerful new re-imagining, one that is, almost paradoxically, closer to Baudelaire's own poetry than any previous English translation. Including the six poems banned from the first edition, this Flowers of Evil preserves the complexity, eloquence, and dark humor of its author. Brought here to new life, it is hypnotic, frank, and forceful.

A standard-setting lexicon of classical languages, Freytag’s Arabic-Latin dictionary remains a valuable resource for anyone interested in the history of language study or anyone seeking insight into Arabic literature. This four-volume set contains a treasure trove of information.

A standard-setting lexicon of classical languages, Freytag’s Arabic-Latin dictionary remains a valuable resource for anyone interested in the history of language study or anyone seeking insight into Arabic literature. This four-volume set contains a treasure trove of information.

A standard-setting lexicon of classical languages, Freytag’s Arabic-Latin dictionary remains a valuable resource for anyone interested in the history of language study or anyone seeking insight into Arabic literature. This four-volume set contains a treasure trove of information.

A standard-setting lexicon of classical languages, Freytag’s Arabic-Latin dictionary remains a valuable resource for anyone interested in the history of language study or anyone seeking insight into Arabic literature. This four-volume set contains a treasure trove of information.

The role of medieval Syriac scholars in the translation, and thus preservation, of classical literature cannot be underestimated. Gottheil provides all of the extant Syriac texts of the translation of Aristotle’s Categories, and a brief introduction.

A major new collection by leading contemporary English-language Welsh poets and literary scholars, including original poems by Gillian Clarke, Sheenagh Pugh, Tony Conran, Philip Gross, and Tony Curtis, essays by Wynn Thomas, Tony Brown, Jane Aaron, and Gavin Edwards, art history by Peter Lord. The 30 orginal contributions are thematically organized: I. Earth and Words, II. Landscapes, Warscapes, III. Welsh Women Writers, IV. Literature and Art, V. Literature and Religion.

A historical dictionary between two Semitic languages, Cardahi’s Syriac-Arabic dictionary was among the first attempts to bring together the classical languages of Eastern Christianity and Islam. Consistently referred to by subsequent Arabists, this lexicon has become a well-known reference book.

A historical dictionary between two Semitic languages, Cardahi’s Syriac-Arabic dictionary was among the first attempts to bring together the classical languages of Eastern Christianity and Islam. Consistently referred to by subsequent Arabists, this lexicon has become a well-known reference book.

A Counter-History of Composition contests the foundational disciplinary assumption that vitalism and contemporary rhetoric represent opposing, disconnected poles in the writing tradition. Vitalism has been historically linked to expressivism and concurrently dismissed as innate, intuitive, and unteachable, whereas rhetoric is seen as a rational, teachable method for producing argumentative texts. Counter to this, Byron Hawk identifies vitalism as the ground for producing rhetorical texts-the product of complex material relations rather than the product of chance. Through insightful historical analysis ranging from classical Greek rhetoric to contemporary complexity theory, Hawk defines three forms of vitalism (oppositional, investigative, and complex) and argues for their application in the environments where students write and think today.Hawk proposes that complex vitalism will prove a useful tool in formulating post-dialectical pedagogies, most notably in the context of emerging digital media. He relates two specific examples of applying complex vitalism in the classroom and calls for the reexamination and reinvention of current self-limiting pedagogies to incorporate vitalism and complexity theory.