Farmer, poet, essayist, and environmental writer Wendell Berry is acclaimed for his ideas regarding the values inherent in an agricultural society. Place, community, good work, and simple pleasures are but a few of the values that form the bedrock of Berry's thought. While the notion of reverence is central to Berry, he is not widely known as a religious writer. However, the moral underpinnings of his work are rooted in Christian tradition, articulating the tenet that faith and stewardship of the land are not mutually exclusive. In Wendell Berry and Religion, editors Joel J. Shuman and L. Roger Owens probe the moral and spiritual implications of Berry's work. Chief among them are the notions that the earth is God's provisional gift to mankind and that studying how we engage material creation reflects important truths. This collection reveals deep, thoughtful, and provocative conversations within Berry's writings, illuminating the theological inspirations inherent in his work.

At the rise of the Tudor age, England began to form a national identity. With that sense of self came the beginnings of the colonialist notion of the "other"" Ireland, however, proved a most difficult other because it was so closely linked, both culturally and geographically, to England. Ireland's colonial position was especially complex because of the political, religious, and ethnic heritage it shared with England. Andrew Murphy asserts that the Irish were seen not as absolute but as "proximate" others. As a result, English writing about Ireland was a problematic process, since standard colonial stereotypes never quite fit the Irish. But the Irish Sea Betwixt Us examines the English view of the "imperfect" other by looking at Ireland through works by Spenser, Jonson, and Shakespeare. Murphy also considers a broad range of materials from the Renaissance period, including journals, pamphlets, histories, and state papers.

The marriage of philosophy and fiction in the first third of Spain's twentieth century was a fertile one. It produced some truly notable offspring -- novels that cross genre boundaries to find innovative forms, and treatises that fuse literature and philosophy in new ways. In her illuminating interdisciplinary study of Spanish fiction of the "Silver Age," Roberta Johnson places this important body of Spanish literature in context through a synthesis of social, literary, and philosophical history. Her examination of the work of Miguel de Unamuno, Pio Baroja, Azorin, Ramon Perez de Ayala, Juan Ramon Jimenez, Gabriel Miro, Pedro Salinas, Rosa Chacel, and Benjamin Jarnes brings to light philosophical frictions and debates and opens new interpersonal and intertextual perspectives on many of the period's most canonical novels.Johnson reformulates the traditional discussion of generations and "isms" by viewing the period as an intergenerational complex in which writers with similar philosophical and personal interests constituted dynamic groupings that interacted and constantly defined and redefined one another. Current narratological theories, including those of Todorov, Genette, Bakhtin, and Martinez Bonati, assist in teasing out the intertextual maneuvers and philosophical conflicts embedded in the novels of the period, while the sociological and biographical material bridges the philosophical and literary analyses.The result, solidly grounded in original archival research, is a convincingly complete picture of Spain's intellectual world in the first thirty years of this century. Crossfire should revolutionize thinking about the Generation of '98 and the Generation of '14 by identifying the heterogeneous philosophical sources of each and the writers' reactions to them in fiction.

The hero of the story is a demonic lover -- dark, handsome, mysterious, and dangerously seductive. The heroine -- beautiful, and innocent -- willingly becomes his victim and is destroyed by him. This story of demon-lover and victim, always charged with passion, has been told over and over, from Greek mythology through contemporary fiction and films. Demon-Lovers and Their Victims in British Fiction is the first historical and structural exploration of the demon-lover motif, with emphasis on major works of British fiction from the eighteenth, nineteenth, and twentieth centuries; it will interest those concerned with gender role conflicts in literature and with the mutual influence of oral and written texts of folklore and formal literature.

This volume presents a description of the Neo-Aramaic dialect that was spoken by the Jews of Sanandaj in western Iran, but which is now virtually extinct. The material for the volume was gathered firsthand in fieldwork conducted with the last remaining speakers in Israel. The volume consists of a detailed grammatical description, a corpus of transcribed texts, including folktales, historical accounts and portrayals of customs, and an extensive glossary.

Bloomfield lists and discusses instances of vague and ambiguous mood usages in early Sanskrit syntax.

In the long history of European prose, few works have been more influential and popular than Amadis of Gaul. It is a landmark work among the knight-errantry tales and probably derives from an oral tradition. Although its original author is unknown, it was likely written during the early fourteenth century, with the first known version of this work, dating from 1508, written in Spanish by Garci Ordóñez (or Rodríguez) de Montalvo. An early bestseller of the age of printing, Amadis of Gaul was translated into dozens of languages and spawned sequels and imitators over the centuries. A handsome, valiant, and undefeatable knight, Amadis is best known today as Don Quixote's favorite knight-errant and role model. Readers for centuries have delighted in his tales of adventure.

The book affords solutions to some significant phonetics and phonology in Aramaic and Arabic. In the area of human language maintenance and erosion, the dynamics and timelines of such language phenomena are highlighted with relevance to Mesopotamia. Additionally, the book poses some innovative views pertinent to the progress of civilization from concreteness to abstraction with particular emphasis on writing systems

Sutphen's list of Latin proverbs from the Classical era through the Middle Ages, arranged aphabetically.

Edward Rand's analysis of the Harvard ms. L25, one of the few sources for both Ovid's Heroides and Tacitus' Germania.

This is the introduction to Edgerton's edition and translation of the Vikramacarita, a Sanskrit story-collection.

Prof. Rand uses references to Hesiod's work in other authors to defend and uphold the received text of Works and Days.

Truman Michelson explores the spelling variants among copies of the Edicts of Ashoka, a legal document in Sanskrit.

Prof. Radford uses early Latin poetry to examine patterns of vowel quantity in early spoken Latin.

Basil Gildersleeve discusses certain difficulties in codifying Greek syntax.

Prof. Perrin uses Aristotle's Poetics to classify and analyze the various sorts of recognition scenes found in surviving Greek literature.