This is a new edition of Birthday Deathday & Other Stories by Padma Perera, first published by The Women's Press, England, 1985, with international reviews from the UK, USA, Europe, and the Commonwealth countries. Additional material now provides more oral history from the first four decades just before and after India's Independence, 1940s-1980s. The story "Doctor Salaam" was included in Salman Rushdie's Mirrorwork, an anthology of the best Indian fiction in English during the fifty years after India’s Independence.

Life, love, death, and laughs in a small American town. The second novel of the Darby Chronicles follows Ollie Jordan, a man with no education, no mentors, and a serious Freudian hang-up. A family history of poverty, stubborn pride, and a culture that runs contrary to mainstream society have robbed Ollie and his people of opportunity, even hope. They live by a culture of "succor and ascendancy." When Ollie is evicted from his shack, he breaks his drinking rules and heads out into the wilderness with his disabled son, Willow, literally chained to him. Father and son are doomed. How that doom plays itself out, as experienced by the disturbed but insightful Ollie Jordan, is what makes A Little More Than Kin unique in contemporary American literature. Hebert gives his rural underclass protagonist the depths of a tragic hero. Though A Little More Than Kin is action-packed and its prose is clean, hard, lyrical, and sometimes very funny, the book is at its heart an exploration into a brilliant mind that has laid waste to itself. This novel will appeal to readers who enjoy prose that explores the human psyche at its most perverse.

Life, love, death, and laughs in a small American town. His life had come to this: save a few deer from the jaws of dogs. He was a small man sent to perform a small task. Howard Elman is a man whose internal landscape is as disordered as his front yard, where native New Hampshire birches and maples mingle with a bullet-riddled washer, abandoned bathroom fixtures, and several junk cars. Howard, anti-hero of this first novel in Ernest Hebert's highly acclaimed Darby Chronicles, is a man who is tough and tender. Howard's battle against encroaching change symbolizes the class conflict between indigenous Granite Staters and citified immigrants with "college degrees and big bank accounts." Like the winter-weakened deer threatened by the dogs of March - the normally docile house pets whose instincts arouse them to chase and kill for sport - Howard, too, is sorely beset. The seven novels of Hebert's Darby Chronicles cover 35 years in the life of a small New England town as seen through the eyes of three families - the Elmans, the Salmons, and the Jordans - each representing a distinct social class. It all starts with The Dogs of March, cited for excellence in 1980 by the Hemingway Foundation (now the Pen Faulkner Award for Fiction).

Life, love, death, and laughs in a small American town. Part Falstaff, part King Lear, but all American, Howard Elman was a fifty-something workingman when he burst onto the literary scene in The Dogs of March, the first novel of the Darby Chronicles. Now in this, its seventh installment, the Darby constable is an eighty-something widower who wants to do "a great thing" before he motors off into the sunset. Maybe Howard achieves this goal, but he manages it in strange, wonderful, and dangerous ways. On his quest he's aided, abetted, hindered, and befuddled by his middle-aged children, his hundred-year-old hermit friend Cooty Patterson, a voice in his head, and the person he loves most, his grandson, Birch Latour. At 24, Birch has returned to Darby with his friends to take over the stewardship of the Salmon Trust and to launch a video game, Darby Doomsday. At stake is the fate of Darby. And the world? Maybe. Howard Elman's Farewell begins as a coming of (old) age story, morphs into a murder mystery, expands into a family saga, and in the end might just follow Howard Elman into the spirit world. This is a novel for people who like New England fiction with humor, pathos, and just a touch of magical realism. Howard Elman's Farewell establishes Howard Elman - mill worker, trash man, town cop - as the most fully developed working class character in American fiction.

Life, love, death, and laughs in a small American town. The struggle between the rural working class and the upper crust intensifies in this turning-point novel of the Darby Chronicles as Freddy Elman, son of the town trash collector, and Lilith Salmon, daughter of a prestigious family, embark on their ill-fated love affair. Seeing Darby through new eyes, Freddy comes to realize that "the kind of people who hunkered down among these tree-infested, rock-strewn hills" is "dying out, replaced by people with money, education, culture, people 'wise in the ways of the world. '" As that world increasingly intervenes, the lovers' attempt to bridge the chasm that divides their class-alienated families inevitably collapses in Hebert's tragic tale that echoes Shakespeare's Romeo and Juliet. This is a book for anyone interested in local politics, privilege, and poverty, all embedded in a story of love and death in the woods and on the ledges of the Granite State.

Life, love, death, and laughs in a small American town. After almost fifteen years, Hebert has returned to this rich literary landscape for a new novel of the changing economic and social character of New England. Hebert's previous Darby book, Live Free or Die, recounted the ill-fated love between Freddie Elman, son of the town trash collector, and Lilith Salmon, child of Upper Darby gentility. At its conclusion, Lilith died giving birth to their son. As Spoonwood opens, Freddie, consumed by grief and anger and struggling with alcoholism, is not prepared to be a father to Birch. But as both his family and Lilith's begin to maneuver for custody of the child, Freddie embarks on a course of action that satisfies none of them. Once again, Hebert masterfully conveys the natural and social landscape of contemporary rural New England. Grounded in complex, fully realized characters, Spoonwood offers Hebert's most optimistic vision yet of acceptance and accommodation across class lines.

Life, love, death, and laughs in a small American town. A major character in earlier Darby novels, Estelle takes center stage in The Passion of Estelle Jordan. Presently she is sliding into late middle age, drawn to two lovers who could not be more different: the widowed farmer Avalon Hillary and a mysterious young punk Estelle calls Trans Am in honor of the car he drives. And there's a threat, not to Estelle - she can take care of herself - but to Noreen Cook, a younger woman Estelle sees as a version of her own secret, vulnerable self. Putting herself in Noreen's shoes to save her, Estelle may be in for way more than she bargained for. The Passion of Estelle Jordan, like that of Christ, is rife with sin, suffering, sacrifice, and perhaps redemption. The Passion of Estelle Jordan is for anyone going through a change of life.

Life, love, death, and laughs in a small American town. The institution of town meeting, the beauty of the landscape, and the enduring qualities of the architecture all give the New England town the power to shape the identity of its inhabitants - in a good way. This premise is put on trial - and to a vote - in Whisper My Name, the third novel in Hebert's Darby Chronicles. The story unfolds as seen through the eyes of three men: the reporter Roland LaChance, the farmer Avalon Hillary, and the founder of a land trust, Raphael "Reggie" Salmon. Magnus Mall, a national corporation, wants to buy the Hillary farm and transform the property into a mall to serve western New Hampshire and eastern Vermont. The aging Hillary is torn between the traditions of his family and "the thought of the money." LaChance is not only chasing down leads in his reportage on the mall - he's chasing down the story behind his own origins. Along the way he falls in love with Sheila "Soapy" Rayno, an aphasic girl from Darby whose origins are equally mysterious. As usual, the Jordan clan plays a pivotal role in this rousing tale of greed, power, and lust. This third novel in the Darby Chronicles will appeal to anyone interested in the clash of cultures in small-town America.

When the refugee boy, Kasir, appears in the little Swedish town of Klippsby, twelve-year-old Julia realises at once that something about her new classmate is a bit strange. But she doesn’t realise just how different he is until one fateful night when they are attacked by terrifying living shadows. Along with her little brother Edvin and an old vagrant called the Troubadour, they are forced to flee through a magical portal to Kasir's homeland. It is a world of boundless beauty, where art comes alive – but the shadows threaten to destroy all its wonders. While Julia and Edvin struggle with a new language, a new culture and unknown perils, they discover that they have a secret link to Kasir’s world. Perhaps they might even have the power to save it. Click here for a teachers' guide to using this book:https://www.casematepublishing.co.uk/pdfs/The_Darkenstar_teachers_guide.pdf

While Ireland (like much of the rest of the world) was in lockdown in Spring and Summer 2020, we scratched our heads and wondered what to do to help lift people's spirits. We decided to join forces with Irish Pensions & Finance and run a competition celebrating Irish people's love of a good story – and a good laugh. There were only two requirements: make it funny, and make it (fairly) short. We were overwhelmed by the response: we received hundreds of entries, from all over the island and points beyond, by people from all walks of life. There were only three winners - but we decided to gather the best stories into a book. And here they are – from the sublime to the ridiculous. Think Graham Norton's Big Red Chair to Samuel Beckett's dark humor – and all points in between. The result is: Brevity is the Soul: Wit from Locked-Down Ireland.

Ensign Ash Miller USNR, having survived the sinking of his first ship, is promoted and assigned to command one of the sleek new additions to "the splinter fleet," a 110-foot wooden submarine chaser armed with only understrength guns and depth charges. His task is to bring the ship swiftly into commission, weld his untried crew into an efficient fighting unit, and take his vessel to sea in order to protect the defenseless Allied merchant vessels which are being maliciously and increasingly sunk by German U-Boats, often within sight of the coast. Ash rises to the deadly challenge he faces, brings his crew of three officers and 27 men to peak performance, and meets the threats he faces with understated courage and determination, rescuing stricken seamen, destroying Nazi mines, fighting U-Boats, and developing both the tactical sense and command authority that will be the foundation upon which America's citizen sailors eventually win the war. During rare breaks in operations, provided for upkeep and overhaul, Ash enters a developing relationship with the spirited Claire Morris who, as he learns, embodies the peaceful ideal for which he has been fighting.

In this 19th century Russian social novella, two contrasting characters - one a western-educated intellectual, the other a hidebound country squire - find themselves thrown together on a long cross country journey in a primitive but sturdy carriage - a tarantas. Their shared observations as the troubled panorama of the Russian countryside rolls past is the basis for this commentary on the country’s prospects for social change. Renowned translator Michal R. Katz offers the first new translation of this overlooked novella since the late 1800s, shortly after original publication.

In this collection of interconnected stories, the beautiful and ravaging forces of sea and land collide with the forces of human nature, through isolation and family, love and loss, madness and revelation. The stories follow the lives of two sisters and the people who come and go in their lives, much like the tides. Dominated by the tragic loss of a third sister at a young age, their family spirals out of control. We witness three stages of the sisters’ lives, each taking place on an island - in southwest Ireland, southern England, and the Bay of Naples. Beautifully and sparsely written, the stories deeply evoke landscape and character, and are suffused with a keen eye for detail and metaphor.

Essays and occasional writings from one of literature's iconic voices. Samuel R. Delany is an acclaimed writer of literary theory, queer literature, and fiction. His "prismatic output is among the most significant, immense and innovative in American letters," wrote the New York Times in 2019; "Delany's books interweave science fiction with histories of race, sexuality, and control. In so doing, he gives readers fiction that reflects and explores the social truths of our world." This anthology of essays, lectures, and interviews addresses topics such as 9/11, race, the garden of Eden, the interplay of life and writing, and notes on other writers such as Theodore Sturgeon, Hart Crane, Ursula K. Le Guin, Holderlin, and a note on—and a conversation with—Octavia Butler. The first of two volumes, this book gathers more than twenty-five pieces on films, poetry, and science fiction. These sharp, focused writings by a bestselling Black, gay author are filled with keen insights and observations on culture, language, and life.

Berlin, 1979. When the CIA’s most valuable spy is compromised, the Agency realizes it does not have the capability to bring him to safety. If he cannot evade the dreaded East German security service, the result will be chaos and a cascade of failures throughout the Agency’s worldwide operations. Master Sergeant Kim Becker lived through the hell of Vietnam as a member of the elite Studies and Operations Group. When he lost one of his best men in a pointless operation, he began to question his mission. Now, he is serving with an even more secretive Army Special Forces unit based in Berlin on the front line of the Cold War. The CIA turns to Becker’s team of unconventional warfare specialists to pull their bacon out of the fire. Becker and his men must devise a plan to get him out by whatever means possible. It's a race against time to prepare and execute the plan while, alone in East Berlin, the agent must avoid his nemesis and play for time inside the hostile secret service headquarters he has betrayed. One question remains - is the man worth the risk?

Along with Benedict Arnold, Simon Girty was one of the most hated men in early America. The son of an Irish immigrant, he was raised on the western Pennsylvania frontier but was captured by the Senecas as a teenager and lived among them for several years. This able frontiersman might be seen today as a defender of Native Americans, but in his own time he was branded as a traitor for siding with First Nations and the British during the Revolutionary War. He fought fiercely against Continental Army forces in the Ohio River Valley and was victorious in the bloody Battle of Blue Licks.In this classic work, Richard Taylor artfully assembles a collage of passages from diaries, travel accounts, and biographies to tell part of the notorious villain's story. Taylor uses the voice of Girty himself to unfold the rest of the narrative through a series of interior monologues, which take the form of both prose and poetry. Moments of torture and horrifying bloodshed stand starkly against passages celebrating beautiful landscapes and wildlife. Throughout, Taylor challenges perceptions of the man and the frontier, as well as notions of white settler innocence.Simon Girty's bloody exploits and legend made him hated and feared in Kentucky and the Ohio River Valley, but many who knew him respected him for his convictions, principles, and bravery. This evocative work brings to life a complex figure who must permanently dwell in the borderland between myth and fact, one foot in each domain.