"You Better Work!" is the first detailed study of underground dance music or UDM, a phenomenon that has its roots in the overlap and cross-fertilization of African American and gay cultural sensibilities that have occurred since the 1970s. UDM not only predates and includes disco, but also constitutes a unique performance practice in the history of American social dance. Taking New York City as its geographic focus,

Kentucky emerged as a prime site for theatrical activity in the early nineteenth century. Most towns, even quite small ones, constructed increasingly elaborate opera houses, which stood as objects of local pride and symbols of culture. These theaters often hosted amateur performances, providing a forum for talent and a focus for community social life. As theatrical attendance rose, performance halls began offering everything from drama to equestrian shows to burlesque.Today many architects believe that the design of a theater should not detract from the stage or screen. Marilyn Casto shows that nineteenth-century Kentucky audiences, however, not only expected elaborate decor but considered it a delightful part of the theatergoing experience. Embellished arches and painted and gilded walls and ceilings enhanced the theatricality of the performance while adding to the excitement of an evening out.In Actors, Audiences, and Historic Theaters of Kentucky, Casto investigates the social and architectural history of Kentucky theaters, paying special attention to the actors who performed in them and the audiences who saw it all. A captivating glimpse into a disappearing slice of American popular culture, her work examines what people considered entertaining, what they hoped to gain from theatergoing, and how they chose and experienced the theaters' architectural settings. In the social and physical design of these theaters, Casto explores nearly two centuries of the state's and nation's cultural history.

This is the first thorough guide to the design and history of "Kentuck," a splendid mountain house in southwestern Pennsylvania designed in 1953-1954 by Frank Lloyd Wright. Inspired by Fallingwater, the famous house only seven miles away that Wright designed above the waterfalls of Bear Run, local businessman I. N. Hagan and his wife, Bernardine, commissioned the 86-year-old Wright to design this home. Kentuck, constructed on an isolated knoll, or knob, is now owned by Lord Palumbo of London and is open for public tours. This vivid account tells the story of how the house came to be, detailing the many complexities faced by the Hagans—from the delights and difficulties in dealing with Wright to the problems with topography and architectual plans. In fulfilling Wright's vision, the Hagans and their contractor managed to construct a building of great beauty, dignity, and serenity. More than fifty photographs, drawings, and diagrams accompany a detailed descriptive text to illustrate how the peculiarities of the plan, based on the equilateral triangle, resulted in a house that generates countless vistas, indoors and out, and spatial effects of great charm and intimacy. Frank Lloyd Wright's House on Kentuck Knob brings to life an unusual work of residential architecture. It is the perfect introduction to Kentuck, and for those who have visited there, a lovely reminder of this luminous but modest house.

" Anna Held (1870?-1918), a petite woman with an hourglass figure, was America's most popular musical comedy star during the two decades preceding World War I. In the colorful world of New York theater during La Belle Époque, she epitomized everything that was glamorous, sophisticated, and suggestive about turn-of-the-century Broadway. Overcoming an impoverished life as an orphan to become a music-hall star in Paris, Held rocketed to fame in America. From 1896 to 1910, she starred in hit after hit and quickly replaced Lillian Russell as the darling of the theatrical world. The first wife of legendary producer Florenz Ziegfeld Jr., Held was the brains and inspiration behind his Follies and shared his knack for publicity. Together, they brought the Paris scene to New York, complete with lavish costumes and sets and a chorus of stunningly beautiful women, dubbed ""The Anna Held Girls."" While Held was known for a champagne giggle as well as for her million-dollar bank account, there was a darker side to her life. She concealed her Jewish background and her daughter from a previous marriage. She suffered through her two husbands' gambling problems and Ziegfeld's blatant affairs with showgirls. With the outbreak of fighting in Europe, Held returned to France to support the war effort. She entertained troops and delivered medical supplies, and she was once briefly captured by the German army. Anna Held and the Birth of Ziegfeld's Broadway reveals one of the most remarkable women in the history of theatrical entertainment. With access to previously unseen family records and photographs, Eve Golden has uncovered the details of an extraordinary woman in the vibrant world of 1900s New York.

The Palladian style in Rhode Island furniture, eighteenth-century Newport cabinet shops and the furniture-making trades, the influence of Windsor chairmaking in early Federal Rhode Island, Rhode Island influence in the work of two North Carolina cabinetmakers, the accounts of Job Townsend, Jr., Providence provenances and pitch-pediments, serpentine furniture of colonial Newport, plus the usual book reviews, and bibliography of recent writing.

In Puritan New England, with its abiding concern for things not of this world and its distrust of forms and ceremonies, one art flourished: the symbolic art of mortuary monument stonecarvers. This carefully researched, beautifully illustrated work was the first to consider this art in depth as a meaningful aesthetic-spiritual expression. It is reissued for today's readers, with a new preface outlining changes in the field since the book appeared in 1966.

Thomas J. McCormick, a noted scholar of the century of Enlightenment, examines the phenomenon of the creation of man-made ruins as an architectural form. Picturesque grottos, Gothic Temples and "ruins to be inhabited by a hermit" are the focus of McCormick's study as he looks at these frequently playful yet melancholy monuments.

A photographic record of the architecture and engineering of the Millennium Dome. The book documents the building process of the dome at every stage, from its inspirational inception to its finished state. Specially-commissioned photographs, architectural drawings, maps, plans and computer models are included. Each image is captioned with a date and a brief explanation of the construction process featured.

Jean Ritchie, the youngest of fourteen children born and raised in Viper, Kentucky, is considered one of the greatest balladeers in this century. Her performances have influenced the resurgence of interest in folk music and given audiences a glimpse into the heart of Appalachia. Jean Ritchie's Swapping Song Book brings together twenty-one songs from the Cumberland Mountains of Kentucky. Many are old songs, brought over by settlers from Scotland, Ireland, and England. Child ballads, gospel music, play party tunes, and frolic songs have been handed down by family members, with each generation adding or embellishing verses and melodies. This new edition retains the original text, written by Ritchie, and includes her husband George Pickow's beautiful photographs to help illustrate the stories of such songs as "Jubilee," "The Old Soap Gourd," and "Ground Hog." A new foreword by Charles Wolfe shows how Ritchie's collection of songs is "part of the rich folk poetry" that makes up Appalachian culture.

London-based 'Dazed and Confused' magazine started life as a group voice for the capital's exploding creative scene. This volume combines the best of past 'Dazed' editorial and images with new commissions from fashion photographers, artists and documentary photographers. Contributors include Nick Night, Araki, Donna Trope, Rankin, Phil Poynter, Matt Collishaw, Jake and Dinos Chapman, Mike Kelly, Takashi Homma, Sam Taylor-Wood and Gillian Wearing.

This volume documents a selection of items from the Millennium Products' chosen by the UK's Design Council as a showcase of ground-breaking work by Britain's leading designers, inventors, manufacturers and retailers. These products exemplify fantastical, futuristic or radically simple solutions to age-old problems and everyday needs. The book fuses visual documentation of the development and practice of these award-winning ideas with in-depth interviews and comments from the inventors, designers, manufacturers and, crucially, the end-users themselves'

A visual and textual mosaic to celebrate and question the new millennium. Presenting a series of themes rather than giving any answers, it brings together found and commissioned images with writing from some of Britain's leading authors. Included are Derek Jarman, Michele Roberts, Steve Aylet, Louis de Bernieres, James Kelman and Robert Harris as well as historians Raphael Samuel and Eric Hobsbawn.

For the first ever American Music Masters event sponsored by the Rock and Roll Hall of Fame and Museum, musicians and folkies came together to salute the life and legacy of Woody Guthrie, America's folk troubadour. With contributions from Guthrie's son Arlo and his longtime friends Pete Seeger and Harold Leventhal, and with new appreciations and insights provided by scholars and critics, Hard Travelin' continues that celebration, offering a new understanding of Guthrie's contribution to America's music and culture. It is illustrated with photographs and drawings, many never-before-seen, from the Woody Guthrie Archives. Guthrie's songs -- such as "This Land Is Your Land," "Pretty Boy Floyd," or "Roll on Columbia" -- are still known and sung by many Americans, while the story of his life has taken on a mythic cast -- the modern troubadour, the hobo balladeer and union supporter, the wandering folk singer who heard and wrote in the voice of the people. Guthrie's influence is felt not only whenever someone sings one of his songs, but any time a modern folk group or rocker sings a protest song or joins a social or political cause.In this book, Guthrie's family and friends offer personal and often poignant recollections of his life. Noted writers such as Dave Marsh, David Shumway, and Robert Cantwell shed new light on the Guthrie legacy, including an expanded appreciation of his impact on rock and roll, through such figures as Bob Dylan and Bruce Springsteen. They also assess Guthrie's place in the political and social movements of his time, especially his support for unions and for the communist party; his attitudes toward race; and the little-studied topic of his visual art, the often very personal drawings, doodles, sketches, and paintings that he produced throughout his life. The book concludes with a valuable biblio/discography.

For sixty years, Renfro Valley has highlighted some of the biggest and most influential names in country and folk music. The show began in the 1930s as a combination radio broadcast and stage performance, and today it has grown into an array of shows and headliner concerts featuring old-time country music, country gospel, modern country, bluegrass, and comedy acts. John Lair, the ambitious and deeply committed founder of Renfro Valley, was fascinated with the past. He created the Renfro Valley Barn Dance to give radio listeners the experience of an old-fashioned rural hoe-down. He resisted the encroachment of popular "cowboy songs" and kept the stage and the airwaves filled with authentic Kentucky mountain music. Lair's vision struck a chord with music fans: on some Saturday nights, more than ten thousand people arrived at Renfro Valley and performances went on all night to accommodate the audiences. Pete Stamper, a forty-seven year veteran of Renfro Valley, traces the show's history from its early radio days in Cincinnati and Chicago, through the glory years in the 1940s, the lean times in the 1960s when rock and roll seemed to take over the music scene, to its renewed popularity in the 1990s. Once known as "the valley where time stands still," Renfro Valley has updated its programming while maintaining the feel of the folk culture on which it was founded. Red Foley, the Coon Creek Girls, Slim Miller, Pee Wee King, Old Joe Clark, and a host of other musicians and performers helped shape the development of Renfro Valley. Stamper describes the role of the Valley in the commercial history of country music and highlights John Lair's invaluable contribution to country music as a talent scout, businessman, and collector of traditional music of the South.

Initially commissioned to record the progress of Pittsburgh’s Renaissance I, these unforgettable black-and-white photographs of Roy Stryker's Pittsburgh Photographic Library (PPL) capture the city in a state of flux. They reveal a union of opposites—the suited wonderment of the downtown businessman with the easy grace and competence of a shirtless construction worker balanced high over his head; the anonymity and isolation of planned housing with the belief in expansion and renewal; the energy and excitement of a city on the move with the traditions of the established elite; the juxtaposition between the growing optimism about the ability of technology to improve our lives; and the traditional steel and other heavy smokestack industries that still dominated the region. The Renaissance was seen as a way for Pittsburgh to keep abreast of modern urban life and to preserve its economic position, but the rapid development of a white suburban middle class was sapping the very essence of the personalized downtown neighborhoods. These photographers have captured the convergence of destruction and rejuvenation that is the essence of an urban renaissance—all the anxiety and hope of the decade is reflected in these poignant photographs.Constance Schulz's fascinating essay on the story of the PPL, in order to present a full picture of the political and civic goals, achievements, and failings of the project, provides a thorough discussion of the background of the Pittsburgh Photographic Library, putting into perspective the Allegheny Conference's purpose for initiating the PPL, Roy Stryker's own vision and work, as well as those of the photographers who worked for Stryker on the project, and the politics that undermined the full implementation of it. Clark M. Thomas's accompanying narrative offers an eclectic range of facts and fascinating bits of the city's history and neighborhood lore, as well as noting important political and economic episodes. It also provides a glimpse into the often underrepresented lives of minorities and women in the region's development. Anyone moved by the incredible social upheaval and expansion that occurred in cities across the nation in the 1950s following years of depression and war will want to have this collection.

A comprehensive survey of the Hermitage Museum's collection of French art from 1860 to 1950. This collection comprises paintings, sculptures and drawings by many significant artists of this period, as well as works by early Salon artists who were highly regarded in their day but are now less well known. As well as the Monets, Renoirs and Cezannes which make the Hermitage famous, this survey features many works that are kept in storage at the museum, and little-known images from the backs of some of the works.