This book celebrates the career of Brian Sparkes, whose work in Classical archaeology has covered many diverse areas such as art, pottery, and theatre. Such interdisciplinary work is at the core of this book, which seeks to explore the relationship between different kinds of text and material culture and the ways in which these can be interpreted. Chapters include studies on the relationship between vase painting and sculpture (Karim Arafat) , images on wedding bowls (Sue Blundell) , and the role of pottery workshops in the choice of iconography (Robin Osborne) . There is also, unusually for this kind of publication, a paper by Brian Sparkes himself, focusing on how artists and craftsmen in ancient Greece conceived the appearances of men and women and of the move from idealised naturalism to realistic naturalism.

Most of these 28 papers were originally presented at the conference Lithic Studies in the Year 2000 , hosted by the Lithic Studies Society in Cardiff, 2000. The original purpose of the conference was to celebrate the coming of age of the Lithic Studies Society in its twenty-first year, and to consider the state of research and potential new developments in lithic analysis at the beginning of the twenty-first century AD. The papers have been divided into three thematic sections. In the first section, "Behaviour and cognition in the Lower and Middle Palaeolithic", the contributors look at ways to reconstruct past human behaviours and cognitive capabilites from periods when lithic evidence is the primary, and sometimes the only source of evidence. Most focus on undisturbed lithic sites and use the analysis of refitted lithic artefacts to approach questions of technology, taphonomy, and the human use of space. In the second section, "Rocks, residues and use-wear", the contributors are concerned with the study of the original characteristics of rocks from different areas of the earth's surface, the selection of specific raw materials for manufacture into tools, the uses to which these tools were put, and how they were used. In the final section, "After hunter-gatherers", the contributors consider the role of lithics in increasingly complex societies and exchange networks, where lithics form just one strand of evidence among many.

This volume publishes 293 texts inscribed in Greek on potsherds excavated at Ismant el-Kharab, Dakhleh Oasis, Egypt. These texts date from the 2nd - 4th centuries AD, and they contain documentary evidence for a wide range of subjects such as taxation (in the form of tax receipts), private letters, lists and accounts, contracts, memoranda, school texts, and astrologica. The volume includes texts, translations, and commentaries for each ostrakon, as well as comprehensive indices and concordances. It also includes a chapter on the archaeology of Ismant el-Kharab and the context of the ostraka by Colin A Hope.

This volume contains twenty-five papers presented at the Third International Conference of the Dakhleh Oasis Project held in Melbourne in 2000, plus several other invited papers, which together reflect the multidisciplinary nature of the project. Five deal with Pleistocene and Holocene archaeology, including the first charaterization of the Older Middle Stone Age culture of the Oasis; there are three on pharaonic archaeology and fifteen devoted to Roman period Kellis. They include: discussions of the most recent archaeological work; the first detailed publication of a unique glass jug decorated with scenes of combatant gladiators, accompanied by colour images; and specialist reports on human skeletal remains.

The essence of virtual reality lies with computer-based three-dimensional environments. Often termed 'worlds', these conceptual models can be navigated, interacted with and updated in real-time. This Guide to Good Practice is intended for individuals and organisations who are interested in potential ways to use virtual reality within the arts and humanities. It concentrates on the most widely used form of virtual reality today, desk-top virtual reality, which may be distributed and viewed on-line via the World Wide Web. In these systems virtual reality worlds run on users' desk-top computers, are displayed on a standard monitor, and navigated using a mouse or 3-D space ball and keyboard. This Guide introduces virtual reality by considering its history, philosophy and theory, and discusses good practice in planning virtual reality projects. It presents the data management and documentation procedures required to enable models to be maintained, and enjoyed by the audiences for which they are intended. It also explores strategies for archiving and considers how to avoid the loss of virtual reality models as technology changes. A virtual library of case studies illustrates some applications of virtual reality in Archaeology, Architecture, Dance, Design, Fine Art, Heritage, History, Museum Studies and Theatre. Examples of worlds which allow users to interact with each other are also presented.

For a century following the end of the Lamian War in 322 B.C., Athens' harbour at Pireus was almost constantly occupied by a Macedonian garrison. The Macedonian presence dealt a crucial blow to Athenian independence and Athenian democracy, initiating the first in a long and intermittent series of foreign occupations. The twenty-eight papers in this volume are based on an international conference hosted by the University of Athens in May 2001, and focus on various aspects of Athenian art, archaeology and history in the century of Macedonian domination. They consider Athens' new role as a political stepping stone for potential Successors to the throne of Macedon - Cassander, Demetrios Poliorketes and Antigonos Gonatas were each able to secure Macedonia by using Athens as a power base - and the ways in which Athenian culture was affected by the Macedonian presence. They contribute to the ongoing debate about the reasons for the Macedonian ascendancy, the degree of independence accorded Athens by their Macedonian overlords, the third-century archon list, and changes in Athenian art and architecture.

The applications of zooarchaeological research can go far beyond the realms of the lab or the site report. These 18 papers are all concerned with the contributions archaeozoologists make to specific problems encountered in the management and conservation of our natural and cultural heritage. The volume is divided into two parts: Part 1 looks at Zooarchaeology and Wildlife Conservation Issues. Contributors explore a range of subjects, including: how information on past environments can be used to explain the behaviour and distribution of species in the present; whether it is feasible to reintroduce game into areas where the species have become locally extinct; and how collecting and reporting procedures are related to the interpretation of zooarchaeological data. Part 2 covers Archaeozoology and Heritage Management. Contributors discuss the position of archaeozoologists in museums, universities, and private archaeological companies; the role of archaeozoologists in assessing and selecting sites for protection or excavation; and the problem of the deterioration of zooarchaeological material currently held in collections.

The double-dactyl, a poetic form never intended for the serious or high-minded', was invented in 1951. One of the form's rules is that the verse must contain a double-dactyl name, such as Higgledy-Piggledy . This collection, the result of an obsession of the authors, substitutes the doubl-dactyl rhyme with a Latin expression or tag, providing a witty poetic tour through Roman history. Beginning with Aeneas and ending with the last emperors, each brief poem is faced with an original drawing and accompanied by a short piece of text that sets the historical scene. Includes a glossary of Latin tags.

The twenty-five papers in this volume cover diverse aspects of the material culture of the late Roman, Byzantine and Medieval periods, with particular emphasis on the metalwork and enamel of these times. Individual papers include major reinterpretations of objects in the British Museum's Byzantine collections as well as essays devoted to the Museum's recent acquisitions in this field. The volume celebrates the retirement of David Buckton, for over twenty years the curator of the British Museum's Early Christian and Byzantine collections and the National Icon Collection.

These thirty essays were presented to Alan L Boegehold, a distinguished philologist and an inspirational teacher, on the occasion of his retirement and his seventy-fifth birthday. The contributions fall into two categories, each one reflecting Boegehold's diverse interests in classical studies: the first section includes essays on literary and philosophical topics, several of which pick up on the theme of "gestures"; the second section is representative of Boegehold's more specialised research in Greek epigraphy, history and law. Contents: Biography of Alan L Boeghold; A divine audience for the celebration of Asopichus' victory in Pindar's Fourteenth Olympian Ode (L Athanassaki) ; Poi de kai pothen ; self-motion in Plato's Phaedrus (G W Bakewell) ; Drinking from the sources: John Barton's Tantalus and the epic cycle (D Boedeker) ; Mania and melancholy: Some Stoic texts on insanity (M Graver) ; A gesture in Archilochos 118 (West)? (C Hahnemann) ; When an identity was expected: The slaves in Aristophanes' Knights (J Henderson) ; Nemesis and Phthonos (D Konstan) ; A reading of Ausonius, Professores I (J Pucci) ; Horace epi. 1.13: Compliments to Augustus (M C J Putnam) ; When a gesture was misinterpreted: didonai titthion in Menander's Samia (A C Scafuro) ; Optical illusions in ancient Greece (P Tribodeau) ; Gesture (W F Wyatt, Jr) ; Some observations on the Appianos sarcophagus ( IGUR 1700) (G Bucher) ; The first tragic contest: Revision revised (A P Burnett) ; Notes for a philologist (J McK Camp) ; Two passages in Thucydides (M Chambers) ; Livy's narrative habit (J D Chaplin) ; Athenian prostitution as a liberal profession (E E Cohen) ; Sanides and Sanidia (John E Fischer) ; Thuc. 2.13.3: 600 T. of tribute (C W Fornara) ; Delivering the go(o)ds: Demetrius Poliorcetes and Hellenistic divine kingship (P Green) ; Lysias 14 and 15. A note on the grafes astrateias (M H Hansen) ; Counterproposal at Carthage (Aristotle, Politics II.11.5-6) (G L Huxley) ; Kallias A ( IG I3 52A) and Thucydides 2.13.3 (J Kennelly) ; Slander in ancient Athens: A common law perspective (W T Loomis) ; The bones of Orestes (D D Philips) ; The ostracism of Damon (K A Raaflaub) ; The date of Pnyx III: SEG XII 87, the law of Eukrates on tyranny (337/6 BC) (M B Richardson) ; Archon dates, atthidographers and the sources of Ath. Pol. 22-26 (J P Sickinger) ; A major Athenian letter-cutter ca. 410 to ca. 380: The cutter of IG II2 17 (S V Tracy) .

A Festschrift in honour of the classical scholar, William J Slater, this volume looks at the social life of theories, artifacts, and poems in ancient Greece. The central focus of the collection is Greek theatre, but essays on such typically Slaterian subjects as ancient scholarship, lyric poetry, art, and inscriptions are also included. From a literary search for the elusive Pelasgians, an iconographic analysis of illustrations of Athenian women's religious rituals, to reflections on the revival and politicisation of Greek plays in the modern era, each paper attempts to elucidate the meaning of ancient Greek words, myths, poems, artifacts, theories, and activities by reinserting them into their cultural environment.

From sewn planked boats in Early Dynastic Egypt to Late Roman wrecks in Italy, and the design of Venetian Merchant Galleys, this huge volume gathers together fifty-three papers presenting new research on the archaeology and history of ancient ships and shipbuilding traditions. The papers have been grouped into several thematic sections, including: ships of the Mediterranean; the reconstruction of ancient ships, from life-size reconstructions to computer models; the study of shipyards, shipsheds and slipways of the Mediterranean and Europe; Venetian Galleys of the 15th and 16th centuries; and North European medieval and post -medieval ships. These papers which were presented at the Ninth International Symposium on Boat and Ship Archaeology (ISBSA), held in Venice 2000. Carlo Beltrame is a free-lance archaeologist and contract professor of Maritime archaeology at Università Ca' Foscari of Venice and of Naval archaeology at Universita della Tuscia of Viterbo. He specialises in the archaeology of ship-construction from antiquity until the Renaissance period and methodology in maritime archaeology.

From archaeological field work to heritage organisations and museums, increasingly CAD files and three-dimensional CAD models comprise a unique component of our digital archives - and one which it may not be possible to reproduce on paper. This Guide offers a basic description of computer-aided drafting or computer-aided design (CAD) software, discussions on the use of CAD in a variety of situations, descriptions of data acquisition methods including field survey and direct object scanning, and good practices in the use of the software. As well as providing a source of useful generic information, the guide emphasises the processes of long-term preservation, archiving, and effective data re-use. An important aim of the Guide is to introduce practitioners to areas and issues for which applicable standards and frameworks already exist and to identify the relevant sources of information that may be consulted.

This selection of twelve papers from the twelfth annual Theoretical Roman Archaeology Conference illustrates the broad range of different theoretical approaches applied to Roman archaeology today; one trend, though, is apparent: a wider engagement with interdisciplinary research, drawing theoretical ideas from many diverse fields of study, including philosophy, psychology, history of art, and consumer theory.

A selection of eleven papers from the eleventh annual Theoretical Roman Archaeology Conference; these papers are representative of the broad range of Roman archaeology today, and share a commitment to a theoretically informed approach to the subject.

This monograph presents the revolutionary results of ten years of excavation and research in the Neolithic village of Sha'ar Hagolan, Jordan Valley, Israel. Sha'ar Hagolan is dated to the Pottery Neolithic period and is the type-site for the Yarmukian culture, which occupied large parts of the Mediterranean climatic zones of Israel, Jordan and Lebanon during the sixth millennium BC. Recent excavations at the site have far-reaching implications for the entire Neolithic period, as well as for the history of agriculture, art and cult and other aspects of material culture in the ancient Near East. The evidence for the architecture and village planning, material culture and remarkable art objects shows what was previously considered to be an era of decline was a time of cultural evolution and development in the Levant.