This volume focuses on J.H. Insinger (1854/1918) as a collector of Ancient Egyptian art and maecenas of the Leiden Museum of Antiquities.

The Czech Institute of Egyptology of the Charles University in Prague has since the start of the third millennium established the tradition of organising on a regular basis a platform for scholars, active in the pyramid fields and the cemeteries of the Memphite region (Abusir, Saqqara, Dahshur and Giza in particular), to meet, exchange information and establish further cooperation. The present volume, containing 43 contributions by 53 scholars, is the result of the already fourth "Abusir and Saqqara" conference held in June 2015. The volume reflects the widespread, often multidisciplinary interest of many researchers into a wide variety of different topics related to the Memphite necropoleis. Recurring topics of the studies include a focus on archaeology, the theory of artefacts, iconographic and art historian studies, and the research of largely unpublished archival materials. An overwhelming number of contributions (31) is dedicated to various aspects of Old Kingdom archaeology and most present specific aspects linked with archaeological excavations, both past and present.

Chariots, the racing cars of the ancient world, first appeared in Egypt about 1600 BC, and quickly became not only the preferred mode of transport for royalty and the elite, but also revolutionised military tactics and warfare. Remains of chariots have been found in Egyptian tombs –Tutankhamun’s tomb contained six chariots, which tripled the number of ancient Egyptian chariots known before the discovery of his tomb. However, none of the chariots was complete, as all lacked their leather casings, which were only known from images on tomb and temple walls. In 2008, the Ancient Egyptian Leatherwork Project (AELP) working in the Egyptian Museum in Cairo, found a cache of several trays of red and green leather containing some 60 large leather fragments. Some of these had been noted before, but the find had been largely ignored and buried in the depths of the museum. This remarkable object entered the museum in 1932, a purchase from the Tano family, reputable dealers at that time, hence the nick-name ‘Tano Chariot’. The Tano leather all came from a single chariot, including portions of the bow-case, the body’s casing and the horse housing. The leather is elaborately decorated in appliquéd green and red or beige leather. Parallels for some of these fragments are found in the Egyptian Museum in Cairo, the Metropolitan Museum of Art in New York, and the Ägyptisches Museum und Papyrussammlung in Berlin, many of which, until their appearance in this volume, are unpublished. This includes the chariot leather from the tombs of Amenhotep II, III, Tuthmose IV and Tutankhamun. This book presents the Tano material with fully illustrated, detailed descriptions. Chariot related texts and technological analyses – together with detailed comparisons with other chariots and associated leather remains – help provide possible dates for it. The find is put into context with chapters on relevant hieroglyphic texts, and a study of representations of chariots that help identify the various parts, and highlight the role of the chariot in Egyptian religion, propaganda, and culture. The Tano Chariot leather, despite being unprovenanced, is a unique find, which reveals a great deal about ancient Egyptian leatherwork technologies, warfare, weapons, and chariotry.

Papyrus Leiden I 343 + 345 is one of the most extraordinary manuscripts providing a deeper insight into magic and medicine in Ancient Egypt.The main part of the papyrus deals with the ancient Near Eastern disease demon Sāmānu, who is well known from Sumerian and Akkadian incantations and medical texts. In addition, a broad range of other conjurations and spells against any pain and feet swelling are included. The papyrus also contains two curious spells dealing with ‘falling water from the sky’.Eight out of fourteen incantations against the demon Sāmānu were incorporated twice in this papyrus. The texts are not only presented as parallel text edition but also with photographs of the papyrus. This re-edition of papyrus Leiden I 343 + 345 is a revised transliteration, transcription, translation and up-to-date commentary.

This book provides an innovative analysis of the conditions of ancient Egyptian craftsmanship in the light of the archaeology of production, linguistic analysis, visual representation and ethnographic research. During the past decades, the “imaginative” figure of ancient Egyptian material producers has moved from “workers” to “artisans” and, most recently, to “artists”. In a search for a fuller understanding of the pragmatics of material production in past societies, and moving away from a series of modern preconceptions, this volume aims to analyse the mechanisms of material production in Egypt during the Middle Bronze Age (2000–1550 BC), to approach the profile of ancient Egyptian craftsmen through their own words, images and artefacts, and to trace possible modes of circulation of ideas among craftsmen in material production. The studies in the volume address the mechanisms of ancient production in Middle Bronze Age Egypt, the circulation of ideas among craftsmen, and the profiles of the people involved, based on the material traces, including depictions and writings, the ancient craftsmen themselves left and produced.

The Early Bronze Age Tombs of Jebel Hafit presents fifty burial mounds excavated by Moesgaard Museum in 1961-1971 in the Emirate of Abu Dhabi in the Arabian Gulf. These excavations were the first archaeological investigations at all in this part of the world, and they throw light on the beginning of the Bronze Age on the Oman Peninsula. The graves represent a fundamental transformation of the relationship between humans and the environment in the region, preceding the emergence of oasis agriculture. The graves contain the first objects of copper in the region and show that the exploitation of copper from the Oman mountains had begun. The tombs of Jebel Hafit are inscribed on UNESCO’s World Heritage list. The publication is the result of a cooperation between the Abu Dhabi Tourism & Culture Authority and Moesgaard Museum.

Ancient Egyptian coffins provided a shell to protect the deceased both magically and physically. They guaranteed an important requirement for eternal life: an intact body. Not everybody could afford richly decorated wooden coffins. As commodities, coffins also played a vital role in the daily life of the living and marked their owner’s taste and status. Coffin history is an ongoing process and does not end with the ancient burial. The coffins that were discovered and shipped to museums have become part of the National heritages. The Vatican Coffin Project is the first international research project to study the entire use-life of Egyptian coffins from an interdisciplinary perspective. This edited volume focusses on the lavishly decorated coffins of the Priests of Amon that are currently in the collection of the Dutch National Museum of Antiquities in Leiden. Six chapters, written by international specialists, present the history of the Priests of Amon, the production of their coffins and use-life of the coffins from Ancient Egypt until modern times. The book appeals to the general public interested in Egyptian culture, heritage studies, and restoration research, and will also be a stimulating read for both students and academics.

The crypt of Archbishop Georgios of Dongola that the team from the Polish Centre of Mediterraean Archaeology of the University of Warsaw, headed then by Stefan Jakobielski, discovered in 1993 was astounding to say the least. The walls were literally covered with writing. Lines close together, neat small letters – the first impression was of something of the greatest importance that the dead man wished to take with him to the other world. Even more astounding was the provisional identification of some of the texts, forcing a complete reevaluation of Makurian culture and Christianity in Africa in the early twelfth century. (…) Adam Łajtar and Jacques van der Vliet (…) undertook the task of recording, understanding, and ultimately publishing this astounding selection of texts in Greek and Coptic, this ‘library’ that Archbishop Georgios endeavored to take with him into the afterworld. These texts are known from several different versions, recorded in different languages, and their attestation in Dongola was quite unexpected.

Cityscapes consist of houses, streets, civic buildings, sanctuaries, tombs, monuments and inscriptions created by multiple generations of citizens and foreigners with an interest in the city; they are interpreted and reinterpreted as expressions of past lives, changing relations of power, memories and various identities. The present volume publishes 25 contributions written by scholars specializing in the history and archaeology of western Asia Minor. New and well-known material – literary, epigraphical, numismatic, and archaeological – is presented and analyzed through the twin lenses of memory and identity. The contributions cover more than 1000 years of cultural diversity during changing political systems, from the Lydian and Persian hegemony in the Archaic period through Athenian supremacy and Persian satrapal rule in the Classical period, then autocratic kingship in Hellenistic times until, finally, more than half a millennium of Roman rule. Identities are voiced through several media and visible at many levels of the ancient societies. So are the places of memory – the Lieux de Mémoire – and the studies presented here provide new insights into how human beings chose, deliberately or subconsciously, to commemorate their past and their ancestors, and how identity was displayed and expressed under shifting political rule.

The ancient Egyptian city of Tell el-Amarna (or Amarna, ancient Akhetaten) was the short-lived capital built by the controversial Pharaoh Akhenaten, probably the father of the famous Tutankhamun, and abandoned shortly after his death (c. 1336 BCE). It is one of the few Pharaonic cities to have been thoroughly excavated and is a rich source of information about the daily life of the ancient Egyptians. This volume, the first of two, presents the leatherwork excavated at the site by these various expeditions. The book consists of two parts: the catalogue and the preliminary analysis. The former presents the detailed description of the objects (among which chariot leather and footwear), accompanied by colour photographs and, where necessary, line- and construction drawings. The latter includes an explanation of the Amarna Leatherwork Project as well as preliminary interpretations of the finds.

This catalogue presents the ancient Egyptian footwear in the collection of the Coptic Museum in Cairo. The catalogue contains detailed descriptions and measurements, photographs and drawings. Each description of a footwear category is followed by short discussions, addressing topics such as typology and dating. In addition a fairly large corpus of comparative material is presented as well, none of which has been published before. The present work will form an important resource for future study.This catalogue is one of the results of the Nuffic Tailor Made Training for the curators of the Coptic Museum in Cairo, jointly organized by the Netherlands-Flemish Institute in Cairo and the American University in Cairo in close collaboration with the Bibliotheca Alexandrina, the Coptic Museum Authorities and the Ministry of State for Antiquities Affairs.

The present work is the result of the First International Chariot Conference, jointly organised by the Netherlands-Flemish Institute in Cairo (NVIC) and the American University in Cairo (AUC) (30 November to 2 December 2012). The intention of the conference was to make a broad assessment of the current state of knowledge about chariots in Egypt and the Near East, and to provide a forum for discussion. A wide variety of papers are included, ranging from overviews to more detailed studies focusing on a specific topic. These include philology, iconography, archaeology, engineering, history, and conservation. The book is of interest to scholars as well as anyone with an interest in ancient technology, transportation, or warfare.

The discovery of Tutankhamun’s tomb by Howard Carter in 1922 is one of the most significant archaeological discoveries of all time. It took Carter and his team 10 years to clear the contents of the tomb and among the objects found was a large collection of shoes and sandals. The footwear is analysed here in detail for the first time since the discovery using Carter’s records and Harry Burton’s excellent photographs along with the author’s analyses of the objects, all of which are housed in the Egyptian Museum, Cairo and the Luxor Museum. Several specialists contributed to the volume discussing the different materials (gold, vegetable fibre, birch bark, glass and faience, leather, gemstones) that were used in the footwear. Tutankhamun’s footwear is compared with other finds in order to be able to put it in a broader context. The footwear from the tomb of Yuya and Tjuiu, the King’s great-grandparents, are, therefore, analysed as well. In addition to the analysis, footwear in texts and two- and three-dimensional art is considered.With contributions byAlan J. Clapham, Erno Endenburg, Aude Gräzer, Fredrik Hagen, James A. Harrell, Mikko H. Kriek, Paul T. Nicholson, Jack M. Ogden, Gillian Vogelsang-Eastwood

Czech archaeological team discovered in the mortuary temple of Raneferef in Abusir in the 1980s fragments of about a dozen of the statues of the king, including his six complete likenesses. The monograph presents a detailed description and discussion of Raneferef’s statues in the broader context of the royal sculpture of the Fifth Dynasty.

Founded in 1974 as the Ancient History Teaching Collection (AHTC), the Museum of Ancient Cultures (MAC) is the archaeological museum of Macquarie University. The MAC main collection comprises c. 4700 genuine artefacts from Ancient Egypt, Greece, Cyprus, Rome, the Near East and the Indus Valley. The Egyptian collection is widely regarded as one of the most important in Australia. This is the first catalogue of the collection detailing 72 Ancient Egyptian artefacts associated with funerary customs, from the Predynastic to the Coptic period. Divided into two parts, the catalogue aims to explore Ancient Egyptian funerary culture through an illustration of the MAC collection. Part One provides a series of articles on aspects of Ancient Egyptian funerary beliefs and practices. Part Two comprises the catalogue of artefacts, divided into four sections: pottery, funerary equipment, funerary texts, and religion and magic. In addition to high resolution photographs, each object receives detailed discussion of its composition and its significance to the study of Ancient Egypt more broadly. This catalogue will be an indispensable aid to students, researchers, and the general public interested in Ancient Egypt.

‘Well, as for Nineveh, skipper, it was wiped out long ago. There’s not a trace of it left, and one can’t even guess where it was’ (Lucian, 2nd century AD). Nineveh, the once-flourishing capital of the Assyrian Empire, has fascinated writers, travellers and historians alike since its complete annihilation by allied forces in 612 BC. It was said to have been a great and populous city with 90-km walls, stunning palaces and colossal statues of pure gold. Since 1842 archaeologists have been investigating the ruins of Nineveh, which are located on the eastern banks of the river Tigris, near the modern Iraqi city of Mosul. The hundreds of thousands of objects that have been collected tell an intriguing story of life and death in a remarkable Mesopotamian city. The edited volume Nineveh, the Great City contains more than 65 articles by international specialists, providing the reader with a detailed and thorough study of the site of Nineveh. It describes the history of the city, the excavations and the dispersed material culture that can today be appreciated in more than 100 museums and institutes around the world. Special attention is paid to the endangered heritage of Nineveh, which recently faced destruction for the second time in its history. This lavishly illustrated volume is intended to appeal to readers interested in culture and heritage, as well as to students and professional academics.