The TAESP Landscape, the second of two volumes, presents an area-by-area analysis of the fieldwork and research undertaken by the Troodos Archaeological and Environmental Survey Project (TAESP) in the Troodos Mountains of Cyprus. Covering four regions of the survey area (The Plains, Karkotis Valley, Upper Lagoudhera Valley and The Mountains) the volume focuses on explicit research questions appropriate to each region. Organised geographically, chronologically and thematically, each region is investigated from the Neolithic to the present day and, through ‘Intensive Survey Zones’ – selected to give a representative range of the physical and cultural terrain – many notable new discoveries are made. These include the pattern of Bronze Age Settlement in the Plains, Archaic rural sanctuaries and cemeteries, the scope of Late Roman copper-mining and isolated Medieval mountain settlements. The TAESP Landscape provides a fully integrated and data-rich analysis of the material from a wide range of contrasting archaeological perspectives. Taken together, these wide-ranging and interdisciplinary perspectives give a nuanced and sensitive approach to a strikingly multi-faceted landscape.

The Troodos Mountain range in central Cyprus is a region of great physical and cultural diversity. The landscapes range from fertile, cultivated plains to narrow, dry valleys and forested mountain regions and this physical topography is overlain by a rich human cultural landscape of farming, mining, industry, settlement, burial and ritual behaviour. Over six field seasons, a team of specialists and fieldwalkers from the Troodos Archaeological and Environmental Survey Project (TAESP) investigated the northern edge of this region and explored the complex and dynamic relationship between landscape and people over 12,000 years. The results of their integrated and interpretative approach are presented here, in the first of two volumes. Beginning with a considered overview of the context, research aims and methodology of the project, Volume 1 provides detailed accounts of the archaeology, material culture, geography and environmental record of the entire survey area. This wealth of information is then bought together to produce a series of chronological and thematic analyses of the interaction between people and landscape in this region of Cyprus from the Prehistoric through to the Modern period.

Between 1999-2006 Addyman Archaeology carried out extensive archaeological excavations on the peninsular site of Kirk Ness, North Berwick, during the building, landscaping and extension of the Scottish Seabird Centre. This book presents the results of these works but its scope is much broader. Against the background of important new discoveries made at the site it brings together and re-examines all the evidence for early North Berwick – archaeological, historical, documentary, pictorial and cartographic – and includes much previously unpublished material. An essential new resource, it opens a fascinating window on the history of the ancient burgh. Kirk Ness is well known as the site of the medieval church of the parish and later royal burgh of North Berwick but it has long been suggested that it was also a centre of early Christian activity. The dedication of the church to St Andrew was speculatively linked to the translation of the Saint's relics to St Andrews in Fife in the 8th century. An early medieval component of the site was indeed confirmed by the excavation, with structural remains, individual finds and an important new series of radiocarbon dates. Occupation of a domestic character may possibly reflect a monastic community associated with an early church. Individual finds included stone tools, lead objects, ceramic material and a faunal assemblage that included bones of butchered seals, fish and seabirds such as the now-extinct Great Auk. The site continued in use as the medieval and early post-medieval parish and burgh church of St Andrew. In this period Kirk Ness and its harbour was an important staging point for pilgrims on route to the shrine of St Andrew in Fife. Domestic occupation discovered in the excavations is likely to be associated with a pilgrims’ hospice, also suggested in historical sources. This publication also provides a new analysis of the church ruin and an account of the major unpublished excavation of the site carried out in 1951-52 by the scholar and antiquary Dr James Richardson, Scotland's first Inspector of Ancient Monuments and resident of North Berwick. The excavations also revealed areas of the cemetery associated with the church, dating to the 12th–17th centuries, where inhumations presented notable contrasts in burial practice. Osteological study shed much light upon the health and demographics of North Berwick’s early population and identified one individual who met with a particularly violent death.

The analysis of animal bone assemblages from archaeological sites provides much valuable data concerning economic and husbandry practices in the past, as well as insights into cultural and symbolic or ritual activity. Animal palaeopathology can identify diseases in archaeozoological assemblages but little interest has been expressed in investigating and understanding the cultural aspects of the diseases identified. Such assemblages represent the cumulative effects of human attitudes, decisions and influences regarding the keeping, care, treatment, neglect and exploitation of animals which result in a range of conditions, non-infectious diseases and injuries that can be recognised on ancient skeletal material. Additionally, ever since the domestication of a handful of animal species around 10,000 years ago, close physical proximity has been a mutual source of infectious disease and traumatic injury for humans and animals alike. Shuffling Nags, Lame Ducks provides an invaluable guide to the investigation of trauma and disease in archaeozoological assemblages. It provides a clear methodological approach, and describes and explains the wide range of traumatic lesions, infections, diseases, inherited disorders and other pathological changes and anomalies that can be identified. In so doing, it explores the impact that “man-made” decisions have had on animals, including special aspects of culture that may be reflected in the treatment of diseased or injured animals often incorporating powerful symbolic or religious roles, and seeks to enhance our understanding of the relationship between man and beast in the past. Chapters include:· History of studying pathological animal remains· Differences between human and animal palaeopathology· Methodology· Growth, development and ageing· Traumatic lesions· Inflammatory diseases and bone· Pathological lesions in working animals· Diseases connected to the environment

Experimental Archaeology is a volume which aims to bridge the gap in archaeology between empirical testing and humanistic approaches to understanding the material record. The contributors explore a wide variety of different fields including how a phenomenological methodology can be used to increase our understanding of how a Bronze Age temple was ‘experienced’ by people in the past; how experimentation in the production of materials such as rawhide, glass and wine-making can be used to test theories or written sources and the possibilities of studying the three-dimensional morphology of Acheulian handaxes to search for possible idiosyncratic indicators during the Lower Palaeolithic. The papers in the volume reflect the continued diversity of work that experimental archaeology is able to produce and show how experimentation can be integrated with theory to substantiate a variety of hypotheses, whether validating information from written sources or testing the inferences of more recent theoretical ideology. Experimental Archaeology will set a new precedent for the role of experimentation in future archaeological research.

The site of La Grava (or Grove Priory) in Bedfordshire, excavated in advance of quarrying between 1973 and 1985, was one of the most extensive monastic/manorial projects of the 20th century in the UK. Excavated originally as a medieval religious house, identified as an alien priory of the Order of Fontevrault in Anjou, the site was to reveal settlement from the Romano-British period to the 16th century.Granted to the Order of Fontevrault in 1164, the priory became the home of the Procurator of the Order in England. From the later 14th century the site reverted to a lay establishment and was held by high-ranking royal women. The excavations were notable for several reasons, including their extent, the stratification in the remains, and the continuity of settlement from the late Saxon period onwards. Post-excavation analysis and reconstruction of building plans has led the author to suggest detailed sequences of spatial planning across the site.The royal and ecclesiastic connections to the site provided excellent documentary sources, enabling recorded events to be linked to building works. When combined with the large finds assemblage, and detailed reconstruction drawings, a vivid picture of life at La Grava over several centuries can be painted.

Textile production is an economic necessity that has confronted all societies in the past. While most textiles were manufactured at a household level, valued textiles were traded over long distances and these trade networks were influenced by raw material supply, labour skills, costs, as well as by regional traditions. This was true in the Mediterranean regions and Making Textiles in pre-Roman and Roman times explores the abundant archaeological and written evidence to understand the typological and geographical diversity of textile commodities. Beginning in the Iron Age, the volume examines the foundations of the textile trade in Italy and the emergence of specialist textile production in Austria, the impact of new Roman markets on regional traditions and the role that gender played in the production of textiles. Trade networks from far beyond the frontiers of the Empire are traced, whilst the role of specialized merchants dealing in particular types of garment and the influence of Roman collegia on how textiles were produced and distributed are explored. Of these collegia, that of the fullers appears to have been particularly influential at a local level and how cloth was cleaned and treated is examined in detail, using archaeological evidence from Pompeii and provincial contexts to understand the processes behind this area of the textile trade.

The Settlement at Dhaskalio is the first volume in the series The Sanctuary on Keros: Excavations at Dhaskalio and Dhaskalio Kavos, 2006-2008, edited by Colin Renfrew, Olga Philaniotou, Neil Brodie, Giorgos Gavalas and Michael Boyd. Here the findings are presented from the well-stratified settlement of Dhaskalio, today an islet near the Cycladic island of Keros, Greece. A series of radiocarbon dates situates the duration of the settlement from around 2750 to 2300 BC. The volume begins with a discussion of the geological setting of Keros and of sea-level change, concluding that Dhaskalio was in the third millennium BC linked to Keros by a narrow causeway. The excavation and finds (excluding the pottery, discussed in later volumes) are fully documented, with consideration of stratigraphy, geomorphology, organic remains, and the evidence for metallurgy. It is concluded that there was a small permanent population of around 20, increased periodically by up to 400 visitors who would have participated in the rituals of deposition occurring at the Sanctuary at Kavos, situated opposite, on Keros itself, for which the detailed evidence (including abundant fragmented pottery, marble vessels and sculptures) will be presented in Volumes II and III.

Written sources from the ancient Near East and eastern Mediterranean, from the third to the first millennia BC, provide a wealth of terms for textiles. The twenty-two chapters in the present volume offer the first comprehensive survey of this important material, with special attention to evidence for significant interconnections in textile terminology among languages and cultures, across space and time. For example, the Greek word for a long shirt, khiton , ki-to in Linear B, derives from a Semitic root, ktn . But the same root in Akkadian means linen, in Old Assyrian a garment made of wool, and perhaps cotton, in many modern languages. These and numerous other instances underscore the need for detailed studies of both individual cases and the common threads that link them. This example illustrates on the one hand how connected some textiles terms are across time and space, but it also shows how very carefully we must conduct the etymological and terminological enquiry with constantly changing semantics as the common thread. The survey of textile terminologies in 22 chapters presented in this volume demonstrates the interconnections between languages and cultures via textiles.

Global Ancestors is a collection of papers which reflect on modern museological responses to the often complex and emotive relationship that people have with the ancestors and objects which they created. Set out in three broad themes, the first collection of papers explore how indigenous peoples are represented in museums in Panama and China and how more can be gained by working with indigenous communities to further our understanding of the ancestors. The second section examines changes in British and American museological thinking regarding the repatriation of human remains and objects to indigenous peoples, focusing in particular on the impact of legislation on western institutions and the expectations of indigenous communities and alternative religious groups. These issues are explored through case studies involving material from the British Museum and Glasgow Museum. The final section explores the ways in which archaeologists and indigenous communities interact. These chapters illustrate, through case studies from South Africa, Finland and Canada, how both groups have worked together for their mutual benefit or to change the majority viewpoint. Global Ancestors represents the beginnings of a more inclusive and shared understanding between different constituencies and points the way forward to a time when we can consider the ancestors truly ‘global’.

Local and family historians are often afraid to use numerical data (Statistics) in their research and writing. Yet numbers are an essential part of much historical work, obviously in population history but also in local studies of agriculture, industry and social history. Counting People shows how amateur historians can use computers with appropriate programs to provide numerical illustrations of various historical topics as well as easing their researches. A final chapter covers research and publishing in local history. The Bibliography provides advice on local historical studies in England and Wales and a full list of sources for population history in England and Wales as well as guidance on the use of computers in local studies.

The Neolithic site of Çatalhöyük in Turkey has been world famous since the 1960s when excavations revealed the large size and dense occupation of the settlement, as well as the spectacular wall paintings and reliefs uncovered inside the houses. Since 1993 an international team of archaeologists, led by Ian Hodder, has been carrying out new excavations and research, in order to shed more light on the people who inhabited the site. The present volume reports on the results of excavations in 2000-2008 that have provided a wealth of new data on the ways in which humans became increasingly engaged in their material environment such that ‘things’ came to play an active force in their lives. A substantial and heavy involvement was with alluvial clays that surrounded the site. In the absence of large local stone, humans became increasingly involved in the extraction and manipulation of clay for a wide range of purposes – from bricks to ovens, pots and figurines. This heavy use of clays led to changes in the local environment that interacted with human activity, as indicated in the first section of the volume. In the second section, other examples of material technologies are considered all of which in various ways engage humans in specific dependencies and relationships. For example, large-scale studies of obsidian trade have drawn a complex picture of changing interactions between humans over time. The volume concludes with an integrated account of the uses of materials at Çatalhöyük based on the analysis of heavy residue samples from all contexts at the site.

Against the commonly held opinion that ancient Judaism was an artless culture, this sumptuously illustrated book offers new ways of looking at art in Jewish antiquity. Leading experts, under the editorship of Sarah Pearce, skilfully explore different functions of images in relation to their prohibition by the Second of the Ten Commandments. The visual world of ancient Judaism often reflects a tense confrontation between Mediterranean, artful classical culture and the image-filled, yet law-inspired biblical literature. Readers will encounter a rich collection of objects and texts analysed in different contexts, from Solomon’s Temple to late antiquity. The imageless God of monotheistic Judaism combated the polytheistic cults of Israel’s neighbours with the use of symbols. Figurative, floral and geometrical embellishments of synagogues served as decoration and not for worship. Narrative biblical scenes in the Dura-Europos synagogue played an educational and political role in Jewish society on the outskirts of the Roman Empire. Antique Jewish art exercised a profound influence on medieval Islam and even on the modern Western visual world. This book is aimed at both the scholarly world and all readers interested in religion and art.

The European Textile Forum was founded as an annual meeting for academics, craftspeople, re-enactors and enthusiasts to share their experiences and compare notes. With varied day workshops and evening lectures, the ‘Textilforum’ has something for everyone. The conference takes place over a week, which not only allows time to learn new techniques and discuss new findings, but to also undertake lengthy experiments that require a large number of experienced specialists. Textilforum is the practical proving ground to test archaeological theories in appropriate surroundings. This book is the publication of a series of lectures and experiments that were undertaken at the First and Second European Textile Forum in 2009 and 2010. Each had a new approach, exploring a question of textile manufacture in a scientific way, revealing answers and outcomes that were unavailable before. The First European Textile Forum hosted an experiment that found the relationship between archaeological hand-spinning finds and the yarn they produce: only a meeting such as the Textilforum could generate sufficient data for analysis. This scientific approach reflects in contributions describing the reconstruction of tablet-woven artefacts, with explorations of the method of tablet-weaving and a reassessment of archaeological finds and depictions. The Second European Textile Forum explored the practical aspects of undertaking reconstructions such as Stone Age fabrics, Roman dyeing or the clothing of Gunnister Man, including the deconstruction of the original artefact, allowing for the unexpected and the implication of new findings. Techniques for treating raw materials, creating fabrics and finishing artefacts are explored. The wider purpose and legacy of the European Textile Forum is as a foundation for the coming years. The basis for research and communication, with a market for exchanging tools and materials, means that each participant can avoid individually ‘re-inventing the wheel’. The purpose of this book is to share these findings.

The Neolithic site of Çatalhöyük in Turkey has been world famous since the 1960s when excavations revealed the large size and dense occupation of the settlement, as well as the spectacular wall paintings and reliefs uncovered inside the houses. Since 1993 an international team of archaeologists, led by Ian Hodder, has been carrying out new excavations and research, in order to shed more light on the people who inhabited the site. The present volume reports on the results of excavations in 2000-2008 that have provided a wealth of new data on the ways in which the Çatalhöyük settlement and environment were dwelled in. A first section explores how houses, open areas and middens in the settlement were enmeshed in the daily lives of the inhabitants, integrating a wide range of different types of data at different scales. A second section examines subsistence practices of the site’s inhabitants and builds up a picture of how the overall landscape was exploited and lived within. A third section examines the evidence from the skeletons of those buried within the houses at Çatalhöyük in order to examine health, diet, lifestyle and activity within the settlement and across the landscape. This final section also reports on the burial practices and associations in order to build hypotheses about the social organization of those inhabiting the settlement. A complex picture emerges of a relatively decentralized society, large in size but small-scale in terms of organization, dwelling within a mosaic patchwork of environments. Through time, however, substantial changes occur in the ways in which humans and landscapes interact.

Engendering objects explores social and cultural dynamics among Maisin people in Collingwood Bay (Papua New Guinea) through the lens of material culture. Focusing upon the visually stimulating decorated barkcloths that are used as male and female garments, gifts, and commodities, it explores the relationships between these cloths and Maisin people. The main question is how barkcloth, as an object made by women, engenders people’s identities, such as gender, personhood, clan and tribe, through its manufacturing and use. This book describes in detail how barkcloth (tapa) not only visualizes and expresses, but also materializes and defines, people’s multiple identities. By ‘following the object’ and how it is made and used in the performance of life-cycle rituals, in exchanges and in church festivities, this interaction between people and things, and how they are mutually constituted, becomes visible. How are women’s bodies and minds linked with the production of barkcloth? How do cloths produced by women both establish and contest clan identity? In what ways is the commodification of barkcloth related to gender dynamics? Barkcloth and its associated designs show how gender ideologies and the socio-material constructions of identity are performed and, as such, developed, established and contested.The narratives of both men and women reveal the ways in which barkcloth provides a link with the past and dreams for the future. The author argues that the cloths and their designs embody dynamics of Maisin culture and in particular of Maisin gender relations. In contributing to the current debates on the anthropology of ‘art’, this study offers an alternative way of understanding the significance of an object, like decorated barkcloth, in shaping and defining people’s identities within a local colonial and postcolonial setting of Papua New Guinea.“Engendering Objects is among the most comprehensive and innovative new works emerging from Melanesia examining the intimate connections between material culture, cultural identity and gendered personhood. Drawing upon extensive ethnographic fieldwork, archival research and examination of museum collections, Anna-Karina Hermkens traces the enduring yet innovative place of tapa (barkcloth) among the Maisin people. Written with warm compassion and immediacy, the book is a theoretically provocative, accessible and compelling portrait of changing life in a Papua New Guinean village society.” – John Barker, University of British Columbia“This book makes a most welcome contribution to the study of the materiality by showing how gender is performed in the sensuous terms of clothing, food, and the exchange of objects. Anna-Karina Hermkens accomplishes this with enviable care and intellectual resources, and a prose and ethnography that make the book a pleasure to read.” – David Morgan, Duke University“Anna-Karina Hermkens takes us to look at designs on bark cloth from Papua New Guinea through a magnifying glass. A fascinating perspective on material culture evolves. Beyond the art work we discover individuals – mainly women – painting their stories about who they and their beloved are as women and men, as traditional members of a clan, and also what they head for as strugglers in a new economy driven world.” – Christian Kaufmann, Honorary Research Associate, Sainsbury Reseach Unit, University of East Anglia, Norwich UK, former curator for Oceania at the Museum der Kulturen BaselAbout the author:Anna-Karina Hermkens obtained her PhD in Cultural Anthropology in 2005 from Radboud University Nijmegen. She is currently working as a postdoctoral research fellow at the ‘College of Asia and the Pacific’ of the Australian National University in Canberra Australia.