Czech archaeological team discovered in the mortuary temple of Raneferef in Abusir in the 1980s fragments of about a dozen of the statues of the king, including his six complete likenesses. The monograph presents a detailed description and discussion of Raneferef’s statues in the broader context of the royal sculpture of the Fifth Dynasty.

Founded in 1974 as the Ancient History Teaching Collection (AHTC), the Museum of Ancient Cultures (MAC) is the archaeological museum of Macquarie University. The MAC main collection comprises c. 4700 genuine artefacts from Ancient Egypt, Greece, Cyprus, Rome, the Near East and the Indus Valley. The Egyptian collection is widely regarded as one of the most important in Australia. This is the first catalogue of the collection detailing 72 Ancient Egyptian artefacts associated with funerary customs, from the Predynastic to the Coptic period. Divided into two parts, the catalogue aims to explore Ancient Egyptian funerary culture through an illustration of the MAC collection. Part One provides a series of articles on aspects of Ancient Egyptian funerary beliefs and practices. Part Two comprises the catalogue of artefacts, divided into four sections: pottery, funerary equipment, funerary texts, and religion and magic. In addition to high resolution photographs, each object receives detailed discussion of its composition and its significance to the study of Ancient Egypt more broadly. This catalogue will be an indispensable aid to students, researchers, and the general public interested in Ancient Egypt.

This volume reflects the most recent state of research on ancient Egypt presented and discussed at the international conference Current Research in Egyptology XVII, May 2016. Nine papers are arranged in chronological order covering the wide time span from the Predynastic till the Greco-Roman Period, with the remaining five considering more general thematic, theoretical, and cross-cultural topics. Papers re-examine the archives from early excavations of Predynastic tombs in the light of modern research; discuss various types of object from different periods; consider the roles of travelling artists, regional artistic schools styles, and the mobility of ancient high-skilled craftsmen. Thematic, theoretical, and cross-cultural papers consider the relation of gods, cosmic sacredness, and fertility beliefs; take a comparative approach to cultural identity extracted from narrative poetry of Greek and Egyptian origin; the inclusion of Egyptian musical elements incorporated into Greek traditions and the analysis of artifacts from the Egyptian collection of Zagreb, illustrating the range of information that essentially unprovenanced objects may have for future research.

In recent decades, study of the ancient Egyptian natural world and its classification has adopted innovative approaches involving new technologies of analysis and a multidisciplinary general view. This collection of papers focuses on one particularly important aspect of foreign trade: the importation of aromatic products. Contributors present the results of the latest researches into the origin and meaning of foreign aromatic products imported in Egypt from the south (Nubia, Punt, Arabia, Horn of Africa) from the beginning of the Dynastic period. The quest for aromata has been of a crucial importance in Egypt, since it was closely connected with economic, political, ideological, religious and mythic spheres. Through archaeological research, epigraphic analysis and iconographic investigations new evidence is explored supporting the most likely hypothesis about the sources of these raw materials. The study of related documents has revealed possible linguistic links between ancient Egyptian and other African ancient languages, and a strong link between aromata and the divine world through the creation of many Egyptian myths. The references to some specific aromatic products (ti-shepes, snetjer, antyw, hesayt) have been subject to careful lexicographic analysis, with special reference to Old Kingdom occurrences. Iconographic and field investigations documented here seek to better define the Egyptian way of representing the 'foreign' world and the value of its products in the spheres of Egyptian religiosity and rising Pharaonic ideology.

This revised second edition examines the common forms of furniture used in ancient Egypt, so much of which has been preserved by the dry Egyptian climate and has long been admired for the quality of its design and construction. The story begins with the earliest known pieces and ends with the spectacular discoveries from the 18th dynasty represented mainly by the magnificent furniture from the tomb of Tutankhamun. The insight which Dr Killen brings in the detailed explanations of the materials, techniques and designs of the master craftsmen of ancient Egypt, gives this book a special significance. There is a catalogue of known pieces from museums around the world, classified by type – beds, stools, chairs and tables – with detailed analyses of the materials, tools and joinery. The splendid photographs and drawings illustrate each piece and technique.

In this revised second edition Dr Killen continues his survey of Egyptian furniture-making techniques with a study of boxes, chests and footstools and traces their evolution from the earliest times. Wooden, papyrus and alabaster boxes and chests were used to hold, protect and store valuable objects, toilet utensils, instruments, tools, garments, curtains, game pieces and papyri amongst other things. Those from the Old Kingdom usually had flat lids and solid board sides, tied together at the corners. During later periods carcase construction became so sophisticated, with the introduction of frame and panel work, that it was possible to construct barrel, shrine and pent-shaped lids. Later chests were elaborately painted, some with funerary scenes, painted with hieroglyphs or had gilt fretwork decoration applied to the sides and lid. This book is copiously illustrated with drawings and photographs and contains a catalogue of additional known pieces of Egyptian furniture preserved in museum collections.

In this third volume Dr Killen investigates how woodworking in ancient Egypt developed in the 19th and 20th dynasties. It establishes the range of wooden furniture manufactured during this period by surveying examples depicted in Ramesside Theban and Memphite tombs. Ancient records show how the procurement of furniture occurred at Deir el-Medina while the design and manufacturing of these furniture forms can be traced through a series of furniture sketches that are annotated with a range of marks and signs. These designs are seen in surviving examples of furniture from settlements such as Medinet el-Gurob. To facilitate the manufacture of furniture, procedures were developed that were managed by cooperatives of Egyptian artisans. These groups established a recognisable Egyptian furniture style that was employed throughout the Ramesside world. Depictions of furniture used by the ruling Ramesside elite are examined including a remarkable collection of furniture used by Rameses III, illustrations of which could once be found in a painted wall scene in his tomb (KV11) and still seen carved on the walls of his temple at Medinet Habu. These illustrations show how royal furniture was used as a symbolic tool to promote the Ramesside Empire at the edges of its sphere of influence. Temple furniture was also used to serve a religious purpose in the rituals performed by Ramesside priests, these forms are also analysed in this volume. This third volume contains a catalogue of known Egyptian furniture preserved in world museums that augments those catalogues found in the first two volumes of this series. The author also provides a distribution list with illustrations of a number of replica pieces of woodwork made by him that can now be found preserved in several museums and collections. The purpose of these replica pieces has been to analyse the design and construction techniques used by Egyptian carpenters using a range of replica woodworking tools.

Geoffrey Killen presents three volumes that discuss the forms and uses of furniture in ancient Egypt. The first two volumes are updated editions which examine the materials, tools and common forms of furniture used in ancient Egypt. The third volume is a new work that concentrates on the types of furniture used by the ruling, priestly and artisan classes during the Ramesside Period. Each volume is elaborately illustrated with photographs and detailed technical drawings together with a catalogue of furniture and fragments of furniture preserved in world museums.

Footwear in Ancient Egypt by André J. Veldmeijer is a beautifully illustrated catalogue of a special collection of ancient Egyptian shoes and sandals. The Medelhavsmuseet houses this unique collection that has been made public for the first time through this publication. In order to show the reader the way these types of footwear were once used, several reconstruction drawings have been made especially for this purpose. All objects in the collection are beautifully photographed, showing the reader extraordinary details of these fragile ancient artefacts.

The second volume of the Beni Hassan series is devoted to the recording and study of the only decorated Old Kingdom tombs at the site. The tombs of Ipi and Bebi have never been completely recorded in drawing and photographs since their publication by J. Garstang in 1907. The examination comprises detailed coloured plates, complete line drawings as well as the translation and interpretation of all the scenes and inscriptions in the tomb. The commentary additionally includes a report on the tombs' architecture as well as a study of a large amount of pottery discovered in the shafts and dating to the period from the Sixth to the Twelfth Dynasty.

The sixteenth Current Research in Egyptology (CRE) conference was held from the 15–18 April 2015 at the University of Oxford and once again provided a platform for postgraduates and early career Egyptologists, as well as independent researchers, to present their research. These proceedings for CREXVI represent the wide range of themes that were offered by delegates during the conference. Papers focus on the theme of travel in ancient Egypt from a wide range of perspectives such as concrete or abstract travels, travel in space and time, travel inside, to, or from Egypt, travel in literature, travel of beliefs and ideas or travel of objects.

The book contains the excavation and recording of Tomb A4 and its decorated burial chamber belonging to Niankhpepy the Black, whose son Pepyankh the Black built two communicating tombs A1 and A2 for his father and himself, then linking the chapel of Tomb A1 to the burial chamber of Tomb A4 via a sloping passage. This is an exceptional example of filial affection in ancient Egypt. The scenes and inscriptions as well as the architecture of Tomb A1 have been re-recorded and are published in this volume. Minor tombs with finds were discovered in the rock-cliff face in the area between Tombs A1 and A4, and have been dated to the late Old Kingdom/early First Intermediate Period.

The volume presents proceedings of the second international conference dedited to the study of relations between Egypt, the Aegean, the Levant and the Sudan in the 2nd and 1st millenia BCE.

8 peer-reviewede articles from Australian and international contributors.

A varied and charming collection of 17 papers that bring something new about the people from many countries and backgrounds who travelled to, from and within Egypt and the Near East, either singly or as a group, and explored, observed and recorded, or stayed for a short period of time to improve their health or simply to enjoy the experience.While some travellers kept a diary or journal that has survived until today, others did not. Their travels have to be extracted from the wide range of manuscript sources that are thankfully retained in libraries and archives, or which still remain with their descendants. Sometimes, the name of a traveller is only contained in a few words within a single piece of correspondence or journal entry, yet from such small beginnings and through detective work to link the chance meetings between travellers with a location, or news of a shared event, it is often possible to chart part of a traveller’s journey and bring to life a person who has long been forgotten. These minor characters and their travails often bring a new perspective to well-known places and events.

The publication presents detailed recordings of the Old Kingdom tomb of Ptahhotep I, a tomb noted to be 'the most beautiful in Saqqara' by one of its early excavators. Unlike earlier publications, the monograph includes 150 coloured and detailed photographs, as well as high resolution line drawings showcasing the quality of the tomb's scenes and its exceptional architectural plan. Also included is a discussion on the tomb owner and a detailed analysis of the scenes, with some previously unknown erasures and modifications attesting to their intentional alteration by the ancient Egyptians.